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Text Identifier:o_come_to_god_and_let_us_sing

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O Come to God and Let Us Sing

Author: John A. Dalles Appears in 1 hymnal First Line: [O Come to God and Let Us Sing] Text Sources: Swift Currents and Still Waters (GIA Publications, 2000)
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O come and let us sing to God

Appears in 13 hymnals Used With Tune: PETERSBURG

Venite, Exultemus Domino (O Come and Let Us Sing)

Author: Taizé Community Appears in 2 hymnals First Line: Venite, exultemus Domino (O come and let us sing to God, our hope) Topics: liturgical Opening Hymns

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PETERSBURG

Appears in 349 hymnals Composer and/or Arranger: Dimitri Bortnianski Incipit: 53451 21715 61653 Used With Text: O come and let us sing to God

[O come let us sing to God, our hope]

Appears in 2 hymnals Composer and/or Arranger: Taizé Community Tune Key: D Major Incipit: 15567 15654 32334 Used With Text: Venite, Exultemus Domino (O Come and Let Us Sing)
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[O come and let us sing to God]

Appears in 6 hymnals Composer and/or Arranger: E. R. Kroeger Incipit: 35516 53556 62171 Used With Text: Adoration and Submission

Instances

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Published text-tune combinations (hymns) from specific hymnals

O Come to God and Let Us Sing

Author: John A. Dalles Hymnal: Scripture Song Database #2500 (2008) First Line: [O Come to God and Let Us Sing] Scripture: Psalm 95:11 Languages: English

Venite, Exultemus Domino (O Come and Let Us Sing)

Author: Taizé Community Hymnal: More Voices #9 (2007) First Line: Venite, exultemus Domino (O come and let us sing to God, our hope) Topics: Gathering, Centring, and Invocation; Hope; Justice Scripture: Psalm 95:1 Languages: English; Latin Tune Title: [O come let us sing to God, our hope]

Venite exultemus Domino (O Come and Let Us Sing To God)

Hymnal: Taizé #29 (1998) First Line: Venite exultemus Domino (O come and let us sing to God, our hope) Languages: English; Latin Tune Title: [Venite exultemus Domino]

People

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William B. Bradbury

1816 - 1868 Person Name: Wm. B. Bradbury Composer of "SALOME" in Bible Songs William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Communauté de Taizé

Person Name: Taizé Community Author of "Venite, Exultemus Domino (O Come and Let Us Sing)" in More Voices

Chas. H. Gabriel

1856 - 1932 Composer of "[O come and let us sing to God]" in Conquest Hymns Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman