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Gospel Acclamation

Appears in 2 hymnals First Line: O Lord, open our hearts Refrain First Line: Alleluia Text Sources: Verses: Lectionary for Mass

Gospel Acclamation

Appears in 1 hymnal First Line: Open our hearts, O Lord Refrain First Line: Alleluia, alleluia, alleluia Used With Tune: [Open our hearts, O Lord]

[Alleluia]

Appears in 4 hymnals Composer and/or Arranger: James J. Chepponis Tune Key: G Major Incipit: 11751 21756 564 Used With Text: Gospel Acclamation

Appears in 9 hymnals Composer and/or Arranger: Marty Haugen Tune Sources: Mass of Creation; Misa de la Creación Tune Key: g minor Incipit: 54554 34432 1232 Used With Text: Gospel Acclamation

Instances

Published text-tune combinations (hymns) from specific hymnals

Gospel Acclamation

Hymnal: RitualSong (2nd ed.) #414 (2016) First Line: O Lord, open our hearts Refrain First Line: Alleluia, alleluia, alleluia Languages: English Tune Title: [O Lord, open our hreats]

Gospel Acclamation

Hymnal: Worship (4th ed.) #335 (2011) First Line: O Lord, open our hearts Refrain First Line: Alleluia Topics: Service Music Languages: English Tune Title: [Alleluia]

Gospel Acclamation

Hymnal: RitualSong (2nd ed.) #254 (2016) First Line: Open our hearts, O Lord Refrain First Line: Alleluia, alleluia, alleluia Languages: English Tune Title: [Open our hearts, O Lord]

People

Authors, composers, editors, etc.

James Chepponis

b. 1956 Person Name: James J. Chepponis Composer of "[O Lord, open our hreats]" in RitualSong (2nd ed.)

Marty Haugen

b. 1950 Composer of "[Open our hearts, O Lord]" in RitualSong (2nd ed.) Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world. Emily Brink