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Text Identifier:peacefully_round_us_the_shadows_are_fall

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Peacefully round us the shadows are falling

Author: Ambrose Nichols Blatchford, 1842 - 1924 Meter: 11.10.11.10 Appears in 35 hymnals Topics: Times and Seasons Evening Used With Tune: EPIPHANY

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EPIPHANY

Meter: 11.10.11.10 Appears in 59 hymnals Composer and/or Arranger: Joseph Francis Thrupp, 1827 - 1867 Tune Key: D Major Incipit: 32156 71765 32114 Used With Text: Peacefully round us the shadows are falling
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CURFEW

Meter: 11.10.11.10 Appears in 26 hymnals Composer and/or Arranger: Frederick Charles Maker, 1844-1927 Tune Key: D Flat Major Incipit: 33332 34444 32556 Used With Text: Peacefully Round Us the Shadows Are Falling
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SPRINGFIELD

Appears in 12 hymnals Composer and/or Arranger: H. J. Gauntlett, Mus. Doc. Tune Sources: Dr. Maruice's Choral Harmony, 1854 Incipit: 54332 12344 32436 Used With Text: Peacefully round us the shadows are falling

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Peacefully Round Us the Shadows Are Falling

Author: Ambrose N. Blatchford Hymnal: Favorite Hymns #334 (1953) Languages: English Tune Title: [Peacefully round us the shadows are falling]
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Peacefully Round Us the Shadows Are Falling

Author: A. N. Blatchford Hymnal: The Praise Book #139 (1906) Topics: Evening; Prayer; Quiet Hour; Worship Evening Service Tune Title: [Peacefully round us the shadows are falling]
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Peacefully Round Us the Shadows Are Falling

Author: Ambrose N. Blatchford Hymnal: The Cyber Hymnal #5582 Meter: 11.10.11.10 Lyrics: 1. Peacefully round us the shadows are falling, Glad be our praises and trustful our prayer; Hear us, O Lord, on Thy providence calling, Lighten our darkness, and banish our care. 2. Hushed are the sheep bells afar on the moorland, O’er the still meadows the night breezes sweep, Faint fall the footsteps in city and hamlet, Safely the children are folded in sleep. 3. Softly may weary ones rest from their duty, Bright be the dreams of the troubled and worn, While through the shades beam the stars in their beauty, Watching the world till the breaking of morn. 4. Lord of the night, let Thine angels defend us; Sunshine and gloom are alike unto Thee; Lord of the day, let Thy Spirit attend us, Bless us and keep us wherever we be. Languages: English Tune Title: CURFEW

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Frederick C. Maker

1844 - 1927 Person Name: Frederick C. Maker, 1844 - 1927 Composer of "CURFEW" in Christian Youth Hymnal Frederick C. Maker (b. Bristol, England, August 6, 1844; d. January 1, 1927) received his early musical training as a chorister at Bristol Cathedral, England. He pursued a career as organist and choirmaster—most of it spent in Methodist and Congregational churches in Bristol. His longest tenure was at Redland Park Congregational Church, where he was organist from 1882-1910. Maker also conducted the Bristol Free Church Choir Association and was a long-time visiting professor of music at Clifton College. He wrote hymn tunes, anthems, and a cantata, Moses in the Bulrushes. Bert Polman

Anonymous

Person Name: Anon. Composer of "[Peacefully round us the shadows are falling]" in The Praise Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Henry J. Gauntlett

1805 - 1876 Person Name: H. J. Gauntlett, Mus. Doc. Composer of "SPRINGFIELD" in The Sunday School Hymnary Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman