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Sing of Eve and sing of Adam
Author: Herbert O'Driscoll Meter: 8.7.8.7 D Appears in 3 hymnals Matching Instances: 3
Sing of Eve and sing of Adam
PLEADING SAVIOUR (SALTASH)
Meter: 8.7.8.7 D Appears in 126 hymnals Matching Instances: 1 Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958 Tune Sources: Plymouth Collection, USA, 1855; Arr.: English Hymnal Tune Key: F Major Incipit: 32161 23532 32161 Used With Text: Sing of Eve and sing of Adam
PLEADING SAVIOUR (SALTASH)
Sing of Eve and Sing of Adam
Author: T. Herbert O'Driscoll, 1928- Hymnal: The Covenant Hymnal #707 (1996) Meter: 8.7.8.7 D Topics: Bible Narratives; Friendship and Family; New Creation Scripture: Genesis 1:26-31; 2; 3 Tune Title: GENEVA
Sing of Eve and Sing of Adam
Sing of Eve and sing of Adam
Author: Thomas Herbert O'Driscoll, b. 1928 Hymnal: The Irish Presbyterian Hymnbook #582 (2004) Meter: 8.7.8.7 D Languages: English Tune Title: PLEADING SAVIOUR (SALTASH)
Sing of Eve and sing of Adam
Sing of Eve and sing of Adam
Hymnal: Church Hymnal, Fifth Edition #545 (2000)
Sing of Eve and sing of Adam
Herbert O'Driscoll
b. 1928 Person Name: Thomas Herbert O'Driscoll, b. 1928 Author of "Sing of Eve and sing of Adam" in The Irish Presbyterian Hymnbook O'Driscoll, Herbert. (Cork, Ireland, October 17, 1928-- ). Anglican. Graduated from Trinity College, Dublin, 1951. Pastorates at Monkstown (Ireland), 1952-1954; Ottawa, Ontario, 1954-1957, 1962-1968; Dartmouth, Nova Scotia, 1957-1960 (naval chaplaincy); Carp, Ont., 1960-1962; Vancouver, British Columbia, (dean), 1968-1982. In 1982 he moved to Washington, D.C. to become the warden of the College of Preachers at Washington Cathedral, but returned to Canada after one year.
In both his hymns and his published sermons, he uses traditional techniques to set forth contemporary concerns, so that his work is unusually approachable.
--Hugh D. McKellar, DNAH Archives
Also:
O'Driscoll, T. Herbert (Thomas Herbert)
O'Driscoll, Thomas Herbert
Herbert O'Driscoll
George Henry Day
1883 - 1966 Person Name: George Henry Day, 1883-1966 Composer of "GENEVA" in The Covenant Hymnal George Henry Day (1883-1966) was a choirboy at Trinity Chapel, New York City, where he studied with G. Edward Stubbs. Day was appointed choirmaster at St. Peter’s in Chelsea Square (1911) but maintained his position as an assistant auditor of the Gorham Manufacturing Company for two more years. He resigned as assistant auditor, took special courses at Columbia University, and in 1915 graduated from New York College of Music. He served as organist and choirmaster in churches in Youngstown, Ohio; Wilmington, Delaware, where he studied with Edward Shippen Barnes; and Rochester, New York, before going to Trinity Church. He was awarded a Doctor of Music degree from Lincoln-Jefferson University (1923).
--The Presbyterian Hymnal Companion, 1993
George Henry Day
Ralph Vaughan Williams
1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Arranger of "PLEADING SAVIOUR (SALTASH)" in The Irish Presbyterian Hymnbook Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
