Search Results

Text Identifier:the_glory_of_our_king_was_seen

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities

The Glory of our KIng

Author: Margaret B. Cropper Appears in 12 hymnals First Line: The glory of our King was seen Topics: Palm Sunday; Easter; Crucifixion; Jesus Christ His Teaching and Ministry; Jesus Christ His Passion; Jesus Christ His Kingship; Jesus Christ His Presence with Us Used With Tune: DUNDEE

Tunes

tune icon
Tune authorities
Audio

DUNDEE

Appears in 818 hymnals Tune Sources: Scottish Psalter Tune Key: E Flat Major Incipit: 13451 23432 11715 Used With Text: The Glory of our KIng
Audio

MORNING SONG

Meter: 8.6.8.6 Appears in 168 hymnals Composer and/or Arranger: Charles Winfred Douglas Tune Key: f minor Incipit: 51234 32175 51234 Used With Text: The Glory of Our King
Audio

KING'S LANGLEY

Appears in 17 hymnals Incipit: 34553 34432 23345 Used With Text: The glory of our King

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Text

The Glory of Our King Was Seen

Author: Margaret Beatrice Cropper (1886-1980) Hymnal: Common Praise (1998) #219 (1998) Meter: 8.6.8.6 Lyrics: 1 The glory of our King was seen when he came riding by, and all the children waved and sang, "Hosanna, King most high!" 2 The glory of our King was seen when, with his arms stretched wide to show his love to everyone, Jesus was crucified. 3 The glory of our King was seen on the first Easter day, when Christ rose up, set free from death, to love, to guide, to stay. Topics: Easter (season); Sunday of the Passion Scripture: Psalm 118 Languages: English Tune Title: MORNING SONG
Text

The glory of our King was seen

Author: Margaret Cropper Hymnal: New Church Praise #95 (1975) Meter: 8.6.8.6 Lyrics: 1 The glory of our King was seen when he came riding by, and people ran and waved and sang 'Hosanna, King most high!' 2 The glory of our King was seen when, with his arms stretched wide to show his love to everyone, Jesus was crucified. 3 The glory of our King was seen on the first Easter day, when Christ rose up, set free from death, to love, to guide, to stay. Topics: Palm Sunday Languages: English Tune Title: KING'S LANGLEY
Text

The glory of our King was seen

Author: Margaret Beatrice Cropper, 1886-1980 Hymnal: Together in Song #353 (1999) Meter: 8.6.8.6 Lyrics: 1 The glory of our King was seen when he came riding by, and all the children waved and sang 'Hosanna, King most high!' 2 The glory of our King was seen when, with his arms stretched wide to show his love to everyone, Jesus was crucified. 3 The glory of our King was seen on the first Easter day, when Christ rose up, set free from death, to love, to guide, to stay. Topics: Christ tne King Sunday; Easter; God's Love to Us; Hymns Specially Suitable for Children; Jesus Christ Kingship; Jesus Christ Passion and Cross; Jesus Christ Resurrection; Palm Sunday Scripture: John 12:12-19 Languages: English Tune Title: MORNING SONG

People

person icon
Authors, composers, editors, etc.

Ralph Vaughan Williams

1872 - 1958 Person Name: R. Vaughan Williams (1872-1958) Harmonizer of "KING'S LANGLEY" in New Church Praise Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangeĀ­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Winfred Douglas

1867 - 1944 Person Name: C Winfred Douglas, 1867 - 1944 Harmonizer of "MORNING SONG" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada Charles Winfred Douglas (b. Oswego, NY, 1867; d. Santa Rosa, CA, 1944), an influential leader in Episcopalian liturgical and musical life. Educated at Syracuse University and St. Andrews Divinity School, Syracuse, New York, he moved to Colorado for his health. There he studied at St. Matthew's Hall, Denver, and founded the Mission of the Transfiguration in Evergreen (1897). Ordained a priest in the Episcopal Church in 1899, he also studied in France, Germany and England, where he spent time with the Benedictines of Solesmes on the Island of Wight from 1903 to 1906. For much of his life, Douglas served as director of music at the Community of St. Mary in Peekskill, New York, and had associations with cathedrals in Denver, Colorado, and Fond du Lac, Wisconsin. He promoted chanting and plainsong in the Episcopal Church through workshops and publications such as The American Psalter (1929), the Plainsong Psalter (1932), and the Monastic Diurnal (1932). His writings include program notes for the Denver Symphony Orchestra, various hymn preludes; organ, as well as the book, Church Music in History and Practice (1937). He was editor of both the Hymnal 1916 and its significant successor, Hymnal 1940, of the Episcopal Church. Douglas's other achievements include a thorough knowledge of the life and culture of Hopi and Navajo natives, among whom he lived for a number of years. Bert Polman

Carlton R. Young

b. 1926 Arranger of "MORNING SONG" in Ecumenical Praise