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Tomorrow Christ Is Coming

Author: Fred Kaan, 1929-2009 Meter: 7.6.7.6 D Appears in 7 hymnals Lyrics: 1 Tomorrow Christ is coming As yesterday He came; A child is born this moment– We do not know its name. The world is full of darkness, Again there is no room; The symbols of existence Are stable, cross and tomb. 2 Tomorrow will be Christmas, The feast of love divine, But for the nameless millions The star will never shine. Still is the census taken With people on the move; New infants born in stables Are crying out for love. 3 There will be no tomorrows For many a baby born. Good Friday falls on Christmas When life is sown as corn. But Jesus Christ is risen And comes again in bread To still our deepest hunger And raise us from the dead. 4 Our God becomes incarnate In ev'ry human birth. Created in God's image, We must make peace on earth. God will fulfil Love's purpose And this shall be the sign: We shall find Christ among us As woman, child or man. Topics: The Celebration of the Gospel Story Advent; Christian Year Advent (First) Used With Tune: PASSION CHORALE

Jesus Is Coming Again

Author: E. H. W. Appears in 1 hymnal First Line: On some glad tomorrow Christ is coming again Refrain First Line: I know the Lord is coming again Used With Tune: [On some glad tomorrow Christ is coming again]

Tunes

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LITTLE BADDOW

Meter: 7.6.7.6 D Appears in 3 hymnals Composer and/or Arranger: Cecil Armstrong Gibbs Tune Key: c minor Incipit: 36653 43323 11736 Used With Text: Tomorrow Christ is coming
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PASSION CHORALE

Meter: 7.6.7.6 D Appears in 509 hymnals Composer and/or Arranger: Hans Leo Hassler, 1564-1612; J. S. Bach, 1685-1750 Tune Key: a minor or modal Incipit: 51765 45233 2121 Used With Text: Tomorrow Christ Is Coming

CRAIGMILLAR

Meter: 7.6.7.6 D Appears in 3 hymnals Composer and/or Arranger: Erik Routley, 1917-1982 Tune Key: d minor or modal Incipit: 13345 65433 21713 Used With Text: Tomorrow Christ Is Coming

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Published text-tune combinations (hymns) from specific hymnals
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Tomorrow Christ is coming

Author: Fred Kaan Hymnal: Voices United #27 (1996) Meter: 7.6.7.6 D Lyrics: 1 Tomorrow Christ is coming as yesterday he came; a child is born this moment, we do not know its name. The world is full of darkness, again there is no room; the symbols of existence are stable, cross and tomb. 2 Tomorrow will be Christmas, the feast of love divine, but for the nameless millions the star will never shine. Still is the census taken with people on the move; new infants born in stables are crying out for love. 3 There will be no tomorrows for many a baby born; Good Friday falls on Christmas when life is sown as corn. But Jesus Christ is risen and comes again in bread to still our deepest hunger and raise us from the dead. 4 Our God becomes incarnate in every human birth. Created in God's image, we must make peace on earth. God will fulfil Love's purpose and this shall be the sign: e shall find Christ among us as woman, child, or man. Topics: The Christian Year Advent; Birth; Christian Year Advent; Concern; Feast; God Images; God Justice (Judgment); Hunger; Jesus Christ Incarnation; Peace (World); Poverty; Purpose; Sowing and Reaping; Advent 4 Year A Tune Title: LITTLE BADDOW
Text

Tomorrow Christ is coming

Author: Fred Kaan, 1929- Hymnal: The Book of Praise #131 (1997) Meter: 7.6.7.6 D Lyrics: 1 Tomorrow Christ is coming, as yesterday he came; a child is born this moment; we do not know its name. The world is full of darkness: again there is no room; the symbols of existence are stable, cross and tomb. 2 Tomorrow will be Christmas, the feast of love divine, but, for the nameless millions, the star will never shine. Still is the census taken, with people on the move; new infants born in stables are crying out for love. 3 There will be no tomorrows for many a baby born; Good Friday falls on Christmas when life is sown as corn, but Jesus Christ is risen and comes again in bread to still our deepest hunger and raise us from the dead. 4 Our Lord becomes incarnate in every human birth. Created in God's image, we must make peace on earth. God will fulfil love's purpose, and this shall be the sign: we shall find Christ among us as woman, child or man. Topics: Church Year Advent; Lament; Peace; Social Concerns / Social Justice; Suffering Scripture: Genesis 1:26-28 Languages: English Tune Title: LITTLE BADDOW
Text

Tomorrow Christ Is Coming

Author: Fred Kaan, 1929-2009 Hymnal: One Lord, One Faith, One Baptism #260 (2018) Meter: 7.6.7.6 D Lyrics: 1 Tomorrow Christ is coming As yesterday He came; A child is born this moment– We do not know its name. The world is full of darkness, Again there is no room; The symbols of existence Are stable, cross and tomb. 2 Tomorrow will be Christmas, The feast of love divine, But for the nameless millions The star will never shine. Still is the census taken With people on the move; New infants born in stables Are crying out for love. 3 There will be no tomorrows For many a baby born. Good Friday falls on Christmas When life is sown as corn. But Jesus Christ is risen And comes again in bread To still our deepest hunger And raise us from the dead. 4 Our God becomes incarnate In ev'ry human birth. Created in God's image, We must make peace on earth. God will fulfil Love's purpose And this shall be the sign: We shall find Christ among us As woman, child or man. Topics: The Celebration of the Gospel Story Advent; Christian Year Advent (First) Languages: English Tune Title: PASSION CHORALE

People

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Authors, composers, editors, etc.

Fred Kaan

1929 - 2009 Person Name: Fred Kaan, 1929-2009 Author of "Tomorrow Christ Is Coming" in One Lord, One Faith, One Baptism Fred Kaan Hymn writer. His hymns include both original work and translations. He sought to address issues of peace and justice. He was born in Haarlem in the Netherlands in July 1929. He was baptised in St Bavo Cathedral but his family did not attend church regularly. He lived through the Nazi occupation, saw three of his grandparents die of starvation, and witnessed his parents deep involvement in the resistance movement. They took in a number of refugees. He became a pacifist and began attending church in his teens. Having become interested in British Congregationalism (later to become the United Reformed Church) through a friendship, he was attended Western College in Bristol. He was ordained in 1955 at the Windsor Road Congregational Church in Barry, Glamorgan. In 1963 he was called to be minister of the Pilgrim Church in Plymouth. It was in this congregation that he began to write hymns. The first edition of Pilgrim Praise was published in 1968, going into second and third editions in 1972 and 1975. He continued writing many more hymns throughout his life. Dianne Shapiro, from obituary written by Keith Forecast in Independent (http://www.independent.co.uk/news/obituaries/fred-kaan-minister-and-celebrated-hymn-writer-1809481.html)

Hans Leo Hassler

1564 - 1612 Person Name: Hans Leo Hassler, 1564-1612 Composer of "PASSION CHORALE" in One Lord, One Faith, One Baptism Hans Leo Hassler Germany 1564-1612. Born at Nuremberg, Germany, he came from a family of famous musicians and received early education from his father. He then studied in Venice, Italy, with Andrea Gabrieli, uncle of Giovanni Gabrieli, his friend, with whom he composed a wedding motet. The uncle taught him to play the organ. He learned the polychoral style and took it back to Germany after Andrea Gabrieli's death. He served as organist and composer for Octavian Fugger, the princely art patron of Augsburg (1585-1601). He was a prolific composer but found his influence limited, as he was Protestant in a still heavily Catholic region. In 1602 he became director of town music and organist in the Frauenkirche in Nuremberg until 1608. He married Cordula Claus in 1604. He was finally court musician for the Elector of Saxony in Dresden, Germany, evenually becoming Kapellmeister (1608-1612). A Lutheran, he composed both for Roman Catholic liturgy and for Lutheran churches. He produced two volumns of motets, a famous collection of court songs, and a volume of simpler hymn settings. He published both secular and religious music, managing to compose much for the Catholic church that was also usable in Lutheran settings. He was also a consultant to organ builders. In 1596 he, with 53 other organists, had the opportunity to examine a new instrument with 59 stops at the Schlosskirche, Groningen. He was recognized for his expertise in organ design and often was called on to examine new instruments. He entered the world of mechanical instrument construction, developing a clockwork organ that was later sold to Emperor Rudolf II. He died of tuberculosis in Frankfurt, Germany. John Perry

Johann Sebastian Bach

1685 - 1750 Person Name: J. S. Bach, 1685-1750 Harmonizer of "PASSION CHORALE" in One Lord, One Faith, One Baptism Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)