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Victim Divine, Thy grace we claim
Appears in 41 hymnals Matching Instances: 41 Used With Tune: S. FINBAR
Victim Divine, Thy grace we claim
DAS NEUGEBORNE KINDELEIN
Meter: 8.8.8.8.8.8 Appears in 34 hymnals Matching Instances: 1 Composer and/or Arranger: Melchior Vulpius, c. 1560-1615 Tune Key: C Major Incipit: 11154 35432 55676 Used With Text: Victim Divine, Your Grace We Claim
DAS NEUGEBORNE KINDELEIN
VICTIM DIVINE
Meter: 8.8.8.8.8.8 Appears in 2 hymnals Matching Instances: 1 Composer and/or Arranger: Joseph Barnby Tune Sources: Hymns Ancient and Modern, 1889 Tune Key: E Flat Major Incipit: 54354 65433 44576 Used With Text: Victim Divine, Thy Grace We Claim
VICTIM DIVINE
Victim Divine, Thy Grace We Claim
Author: Charles Wesley Hymnal: The Cyber Hymnal #7057 Meter: 8.8.8.8.8.8 Lyrics: 1. Victim divine, Thy grace we claim,
While thus Thy precious death we show:
Once offered up a spotless Lamb,
In Thy great temple here below,
Thou didst for all mankind atone,
And standest now before the throne.
2. Thou standest in the holy place,
As now for guilty sinners slain;
The blood of sprinkling speaks, and prays,
All prevalent for helpless man;
Thy blood is still our ransom found,
And speaks salvation all around.
3. The smoke of Thy atonement here
Darkened the sun, and rent the veil,
Made the new way to Heaven appear,
And showed the great Invisible;
Well pleased in Thee, our God looked down,
And calls His rebels to a crown.
4. He still respects Thy sacrifice;
Its savor sweet doth always please:
The offering smokes through earth and skies,
Diffusing life, and joy, and peace;
To these, Thy lower courts, it comes,
And fills them with divine perfumes.
5. We need not now go up to Heaven,
To bring the long sought Savior down;
Thou art to all already given,
Thou dost e’en now Thy banquet crown:
To every faithful soul appear,
And show Thy real presence here! Languages: English Tune Title: VICTIM DIVINE
Victim Divine, Thy Grace We Claim
Victim Divine
Author: Charles Wesley Hymnal: Sing the Faith #2259 (2003) Meter: 8.8.8.8.8.8 First Line: Victim Divine, thy grace we claim Lyrics: 1 Victim Divine, thy grace we claim
while thus thy precious death we show:
once offered up, a spotless Lamb,
in thy great temple here below,
thou didst for all our kind atone,
and standest now before the throne.
2 Thou standest in the holiest place,
as now for guilty sinners slain;
thy blood of sprinkling speaks, and prays,
all prevalent for helpless ones;
thy blood is still our ransom found,
and speaks salvation all around.
3 The smoke of thy atonement here
darkened the sun and rent the veil,
made the new way to heaven appear,
and showed the great Invisible;
well pleased in thee our God looked down,
and called his rebels to a crown.
4 He still respects thy sacrifice,
its savor sweet doth always please;
the offering smokes through earth and skies,
diffusing life, and joy, and peace;
to these thy lower courts it comes,
and fills them with divine perfumes.
5 We need not go up to heaven,
to bring the long-sought Savior down;
thou art to all already given,
thou dost e’en now thy banquet crown:
To every faithful soul appear,
and show thy real presence here! Languages: English Tune Title: SELENA
Victim Divine
Victim Divine
Author: Charles Wesley Hymnal: The Faith We Sing #2259 (2001) Meter: 8.8.8.8.8.8 First Line: Victim Divine, thy grace we claim Lyrics: 1 Victim Divine, thy grace we claim
while thus thy precious death we show;
once offered up, a spotless Lamb,
in thy great temple here below,
thou didst for all our kind atone,
and standest now before the throne.
2 Thou standest in the holiest place,
as now for guilty sinners slain;
thy blood of sprinkling speaks, and prays,
all prevalent for helpless ones;
thy blood is still our ransom found,
and spreads salvation all around.
3 The smoke of thy atonement here
darkened the sun and rent the veil,
made the new way to heaven appear,
and showed the great Invisible;
well pleased in thee our God looked down,
and called his rebels to a crown.
4 He still respects thy sacrifice,
its savor sweet doth always please;
the offering smokes through earth and skies,
diffusing life, and joy, and peace;
to these thy lower courts it comes,
and fills them with divine perfumes.
5 We need not now go up to heaven,
to bring the long sought Savior down;
thou art to all already given,
thou dost e’en now thy banquet crown:
To every faithful soul appear,
and show thy real presence here! Topics: The Sacraments of the Church Eucharist (Holy Communion, Lord's Supper) Scripture: Hebrews 10:12-22 Languages: English Tune Title: SELENA
Victim Divine
Charles Wesley
1707 - 1788 Person Name: Charles Wesley, 1707-88 Author of "Victim Divine, thy grace we claim" in Service Book and Hymnal of the Lutheran Church in America Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Joseph Barnby
1838 - 1896 Person Name: Joseph Barnby, 1838 - 96 Composer of "ST. CHRYSOSTOM" in Service Book and Hymnal of the Lutheran Church in America Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873).
Bert Polman
Joseph Barnby
Samuel Wesley
1662 - 1735 Person Name: W. Wesley, 1707-88 Author of "Victim Divine, thy grace we claim" in The English Hymnal Father of Samuel Wesley, John Wesley, and Charles Wesley.
See also in: Hymn Writers of the Church
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Samuel Wesley, M.A., the elder, was born in 1662 at Whitchurch in Dorsetshire, of which parish his father, John Wesley, was Vicar until the Act of Uniformity caused him to resign his living. He was educated at a Dissenting academy by a Mr. Morton, and was designed for the Nonconformist Ministry. But having been, on account of his talents, selected as a champion to defend the dissenters against some severe invectives, and having commenced a course of controversial reading for this purpose, he was led by his studies to embrace the opposite views, and became, and continued through life, a pronounced churchman. With the impetuosity which was a family trait, he set forth on foot to Oxford, and entered himself at Exeter College. In spite of his straitened means, he managed to keep his terms and take his degrees at the University.
He then received Holy Orders and took a curacy of £28 a year. Having held this curacy for a year, he obtained a naval chaplaincy, and then took another curacy in London. About the year 1690 he married Susanna, daughter of Dr. Annesley, a famous Nonconformist minister, and a scion of the noble house of Anglesey. The wife, like the husband, had been brought up as a dissenter, but at the early age of 13 she had come over to the Church of England, and was afterwards a Jacobite in politics. In 1693 Mr. Wesley was presented to the living of South Ormsby in Lincolnshire. He was also chaplain to the Marquis of Normandy, afterwards Duke of Buckingham. In 1697 he was appointed by the Crown to the Rectory of Epworth, and there he spent the remainder of his life, nearly forty years. The first part of his residence at Epworth was marked by a series of troubles arising partly from his pecuniary embarrassments, which increased with his increasing family, partly from the animosity of his parishioners, who resented the part which he felt it his duty to take, as a staunch churchman, in politics, and partly from unfortunate accidents. These troubles reached their climax in 1705, when he was thrown into Lincoln gaol for debt. They are graphically described by his own pen.
"I have been thrown behind," he writes to his good friends at Oxford, "by a series of misfortunes. My Parsonage Barn was blown down ere I had recovered the Taking my Living; My House great part of it burnt down about 2 years since. My Flax, great part of my Income now in my own Hands, I doubt wilfully fir'd and burnt in ye night, whilst I was last in London. My Income sunk about one half by the low price of Grain and my credit lost by the taking away my Regiment. I was brought to Lincoln Castle June 23rd last past. About 3 weeks since my very unkind People, thinking they had not yet done enough, have in ye night stabbed my 3 cows, wch were a great part of my poor Numerous Family's Subsistence.—For wch God forgive them."
Some points in this letter require explanation. When he speaks of being in London, he means on Convocation business; for he was elected Proctor for the Diocese, and in one of his absences Mrs. Wesley instituted those religious meetings at the Rectory which are thought by some to have been the precursors of the Wesleyan Society Meetings. “His Regiment" was a Chaplaincy in the army which had been given him in reward for a poem in praise of the Duke of Marlborough. The last and worst of the many fires through which he suffered was in 1709, when the rectory was entirely burnt down, and the present house erected in its place. The latter part of his time at Epworth was more free from troubles. He met with many generous friends who enabled him to emerge from his pecuniary difficulties, the firmest and most constant of these friends being the admirable Archbishop of York, Dr. John Sharp; his sons grew up to be a comfort and a credit to him; his income was slightly increased by the addition of the neighbouring living of Wroot; and his parishioners gradually became more tractable. The annoyance caused by the famous Epworth Ghost can scarcely be reckoned among his serious troubles. In 1731 he met with an accident which probably hastened his end, and in 1735 he passed away and was buried in Epworth churchyard, leaving behind him the character of an excellent parish priest, a good husband and father, and a man of very considerable abilities and attainments.
Mr. Wesley was a somewhat voluminous writer. His first publication was a volume of poems bearing the unpromising, not to say repulsive, title of Maggots. It appeared in 1685. In 1691 he became the clerical correspondent to the Athenian Gazette (afterwards Mercury) published by his brother-in-law, John Dunton. In 1693 appeared an Heroic Poem on the Life of Our Blessed Lord and Saviour Jesus Christ. This was dedicated to Queen Mary, and led to his appointment to the living of Epworth. In 1695 he published Elegies on Queen Mary and Archbishop Tillotson; and in 1698 A Sermon preached before the Society for the Reformation of Manners. The Elegies are rather fulsome and in bad taste according to the standard of the present day; but it should be remembered that high-flown panegyrics were the fashion of the age. The Sermon is a spirited and energetic defence of the "Societies," which were regarded with some suspicion by many high-churchmen, but of which Mr. Wesley, like his friend Robert Nelson, was a warm supporter. In 1700 he published The Pious Communicant rightly prepared; or a Discourse concerning the Blessed Sacrament, &c, With Prayers and Hymns suited to the several parts of that holy office. To which is added A short Discourse of Baptism. In this work appeared his version of the "Great Hallel" or "Paschal Hymn." In 1704 he published The History of the Old and New Testaments in Verse, in three volumes, which he dedicated to Queen Anne. This, like his Life of Christ, was illustrated with numerous and costly engravings. In 1705 he published a poem of nearly 600 lines on the "Battle of Blenheim," entitled Maryborough, or The Fate of Europe. For this he was rewarded with the Chaplaincy of Colonel Lepell's regiment; but his political enemies at Epworth soon succeeded in getting him deprived of this office. In 1707 appeared A Reply to Mr. Palmer's Vindication of the Learning, Loyalty, Morals, and most Christian Behaviour of the Dissenters towards the Church of England. This originated in the publication, without his consent or knowledge, of a Letter he wrote to a friend Concerning the Education of the Dissenters in their Private Academies. The letter was attacked anonymously and defended by Mr. Wesley in a pamphlet (1704). The pamphlet was answered by Mr. Palmer. After this, Mr. Wesley's pen seems to have rested for some time; but during the last ten years of his life he was engaged in his elaborate Dissertation on the Book of Job, his incessant labours upon which are said to have hastened his end. This work was dedicated to Queen Caroline, the wife of George II., and presented to her by John Wesley some months after the author's death.
Perhaps if he had written less, and spent more time in elaborating what he did write, he might have been more successful; but, after all, the "Divine afflatus" must have been wanting; and the best service which he rendered to sacred poetry was in being father of his children.
Two of his hymns are in common use:—
1. Behold the Saviour of mankind.
2. 0 Thou Who, when I did complain.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
Samuel Wesley
