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What Sweet of Life Endureth?
Author: John of Damascus, 675-749; J. Athelstan Riley Meter: 7.6.7.6 Appears in 4 hymnals First Line: What sweet of life endureth Lyrics: 1. What sweet of life endureth
Unmixed with bitter pain?
’Midst earthly change and chances
What glory doth remain?
2. All is a feeble shadow,
A dream that will not stay;
Death cometh in a moment,
And taketh all away.
3. O Christ, a light transcendent
Shines in Thy countenance,
And none can tell the sweetness,
The beauty of Thy glance.
4. In this may Thy poor servant
His joy eternal find;
Thou calledst him, O rest him,
Thou lover of mankind! Used With Tune: CHRISTUS, DER IST MEIN LEBEN Text Sources: translation in The English Hymnal (London: Oxford University Press, 1906), number 361
What Sweet of Life Endureth?
ST MARY MAGDALENE
Meter: 7.6.7.6 Appears in 3 hymnals Composer and/or Arranger: H. A. Jeboult, 1871-1925 Tune Key: g minor Incipit: 32343 21712 55176 Used With Text: What sweet of life endureth
ST MARY MAGDALENE
CHRISTUS, DER IST MEIN LEBEN
Meter: 7.6.7.6 Appears in 311 hymnals Composer and/or Arranger: Melchior Vulpius Tune Key: E Flat Major Incipit: 13234 53654 32356 Used With Text: What Sweet of Life Endureth?
CHRISTUS, DER IST MEIN LEBEN
What Sweet of Life Endureth?
Author: John of Damascus, 675-749; J. Athelstan Riley Hymnal: The Cyber Hymnal #7269 Meter: 7.6.7.6 First Line: What sweet of life endureth Lyrics: 1. What sweet of life endureth
Unmixed with bitter pain?
’Midst earthly change and chances
What glory doth remain?
2. All is a feeble shadow,
A dream that will not stay;
Death cometh in a moment,
And taketh all away.
3. O Christ, a light transcendent
Shines in Thy countenance,
And none can tell the sweetness,
The beauty of Thy glance.
4. In this may Thy poor servant
His joy eternal find;
Thou calledst him, O rest him,
Thou lover of mankind! Languages: English Tune Title: CHRISTUS, DER IST MEIN LEBEN
What Sweet of Life Endureth?
What sweet of life endureth
Author: St John of Damascus, c. 750; Athelstan Riley, 1858-1945 Hymnal: The New English Hymnal #330 (1986) Meter: 7.6.7.6 Lyrics: 1 What sweet of life endureth
Unmixed with bitter pain?
’Midst earthly change and chances
What glory doth remain?
2 All is a feeble shadow,
A dream that will not stay;
Death cometh in a moment,
And taketh all away.
3 O Christ, a light transcendent
Shines in thy countenance,
And none can tell the sweetness,
The beauty of thy glance.
4 In this may thy poor servants
His joy eternal find;
Thou calledst them, O rest them,
Thou lover of mankind! Topics: Sacraments and Other Rites Funerals and the Departed Languages: English Tune Title: ST MARY MAGDALENE
What sweet of life endureth
What sweet of life endureth
Author: St. John Damascene; A. R. Hymnal: The English Hymnal #360 (1906) Languages: English
What sweet of life endureth
St. John of Damascus
675 - 787 Person Name: John of Damascus, 675-749 Author of "What Sweet of Life Endureth?" in The Cyber Hymnal Eighth-century Greek poet John of Damascus (b. Damascus, c. 675; d. St. Sabas, near Jerusalem, c. 754) is especially known for his writing of six canons for the major festivals of the church year. John's father, a Christian, was an important official at the court of the Muslim caliph in Damascus. After his father's death, John assumed that position and lived in wealth and honor. At about the age of forty, however, he became dissatisfied with his life, gave away his possessions, freed his slaves, and entered the monastery of St. Sabas in the desert near Jerusalem. One of the last of the Greek fathers, John became a great theologian in the Eastern church. He defended the church's use of icons, codified the practices of Byzantine chant, and wrote about science, philosophy, and theology.
Bert Polman
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John of Damascus, St. The last but one of the Fathers of the Greek Church, and the greatest of her poets (Neale). He was of a good family in Damascus, and educated by the elder Cosmas in company with his foster-brother Cosmas the Melodist (q. v.). He held some office under the Caliph. He afterwards retired to the laura of St. Sabas, near Jerusalem, along with his foster-brother. There he composed his theological works and his hymns. He was ordained priest of the church of Jerusalem late in life. He lived to extreme old age, dying on the 4th December, the day on which he is commemorated in the Greek calendar, either in his 84th or 100th year (circa 780). He was called, for some unknown reason, Mansur, by his enemies. His fame as a theologian rests on his work, the first part of which consists of philosophical summaries, the second dealing with heresies, and the third giving an account of the orthodox faith. His three orations in favour of the Icons, from which he obtained the name of Chrysorrhous and The Doctor of Christian Art, are very celebrated. The arrangement of the Octoechusin accordance with the Eight Tones was his work, and it originally contained no other Canons than his. His Canons on the great Festivals are his highest achievements. In addition to his influence on the form and music, Cardinal Pitra attributes to him the doctrinal character of the later Greek hymnody. He calls him the Thomas Aquinas of the East. The great subject round which his hymns are grouped is The Incarnation, developed in the whole earthly career of the Saviour. In the legendary life of the saint the Blessed Virgin Mary is introduced as predicting this work: the hymns of John of Damascus should eclipse the Song of Moses, rival the cherubim, and range all the churches, as maidens beating their tambours, round their mother Jerusalem (Pitra, Hymn. Grecque, p. 33). The legend illustrates not only the dogmatic cast of the hymns, but the introduction of the Theotokion and Staurotheotokion, which becomes the prevalent close of the Odes from the days of St. John of Damascus: the Virgin Mother presides over all. The Canons found under the name of John Arklas (one of which is the Iambic Canon at Pentecost) are usually attributed to St. John of Damascus, and also those under the name of John the Monk. Some doubt, however, attaches to the latter, because they are founded on older rhythmical models which is not the case with those bearing the name of the Damascene, and they are not mentioned in the ancient Greek commentaries on his hymns. One of these is the Iambic Canon for Christmas.
His numerous works, both in prose and verse, were published by Le Quien, 1712; and a reprint of the same with additions by Migne, Paris, 1864. Most of his poetical writings are contained in the latter, vol. iii. pp. 817-856, containing those under the title Carmina; and vol. iii. pp. 1364-1408, the Hymni. His Canon of SS. Peter & Paul is in Hymnographie Grecque, by Cardinal Pitra, 1867. They are also found scattered throughout the Service Books of the Greek Church, and include Iambic Canons on the Birth of Christ, the Epiphany, and on Pentecost; Canons on Easter, Ascension, the Transfiguration, the Annunciation, and SS. Peter & Paul: and numerous Idiomela. In addition, Cardinal Mai found a manuscript in the Vatican and published the same in his Spicilegium Romanum, which contained six additional Canons, viz.: In St. Basilium; In St. Chrysostomum; In St. Nicolaum; In St. Petrum; In St. Georgium, and In St. Blasium. But M. Christ has urged grave objections to the ascription of these to St. John of Damascus (Anthologia Graeca Carminum Christorium, p. xlvii.). Daniel's extracts in his Thesaurus Hymnologicus, vol. iii. pp. 80, 97, extend to six pieces. Dr. Neale's translations of portions of these works are well known. [Rev. H. Leigh Bennett, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
St. John of Damascus
Melchior Vulpius
1570 - 1615 Composer of "CHRISTUS, DER IST MEIN LEBEN" in The Cyber Hymnal Born into a poor family named Fuchs, Melchior Vulpius (b. Wasungen, Henneberg, Germany, c. 1570; d. Weimar, Germany, 1615) had only limited educational opportunities and did not attend the university. He taught Latin in the school in Schleusingen, where he Latinized his surname, and from 1596 until his death served as a Lutheran cantor and teacher in Weimar. A distinguished composer, Vulpius wrote a St. Matthew Passion (1613), nearly two hundred motets in German and Latin, and over four hundred hymn tunes, many of which became popular in Lutheran churches, and some of which introduced the lively Italian balletto rhythms into the German hymn tunes. His music was published in Cantiones Sacrae (1602, 1604), Kirchengesangund Geistliche Lieder (1604, enlarged as Ein schon geistlich Gesanglmch, 1609), and posthumously in Cantionale Sacrum (1646).
Bert Polman
Melchior Vulpius
Athelstan Riley
1858 - 1945 Person Name: J. Athelstan Riley Translator (from Greek) of "What Sweet of Life Endureth?" in The Cyber Hymnal Riley, John Athelstan Laurie, M.A., s. of John Riley, Mytholmroyd, Yorks, was born in London, Aug. 10, 1858, and educated at Eton and at Pembroke College, Oxford (B.A. 1881, M.A. 1883). He has been since 1892 a member of the House of Laymen of the Province of Canterbury. He was one of the compilers of The English Hymnal, 1906, and contributed to it seven translations from the Latin (34, 185, 193, 195, 213, 242, 321, with No. 97 previously published), and one from the Greek, beginning, "What sweet of life endureth," from Iiola rod fiiov, p. 899, i., and the following originals:—
1. Come, let us join the Church above. Martyrs.
2. Saints of God! Lo, Jesu’s people. St. Bartholomew. The initials of the lines form the acrostic Saint Bartholomew; it is really a general hymn for Apostles.
3. Ye watchers and ye holy ones. Universal Praise to God. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Athelstan Riley
