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Song of the Three Children/ Daniel 3:52-56

Appears in 6 hymnals First Line: You are blest, Lord God of our fathers Refrain First Line: To you glory and praise Text Sources: The Grail

[You are blest, Lord God of our fathers]

Appears in 5 hymnals Composer and/or Arranger: JG Tune Key: A Major Incipit: 55177 66712 1 Used With Text: Song of the Three Children (Daniel 3:52-57)

[Glory and praise for evermore]

Appears in 1 hymnal Composer and/or Arranger: Raymond Wise; Joseph B. Smith Tune Key: C Major Incipit: 33333 43235 55556 Used With Text: Daniel 3: Glory and Praise

Instances

Published text-tune combinations (hymns) from specific hymnals

Daniel 3:52-57 (You Are Blest, Lord God)

Author: The Grail Hymnal: Worship (4th ed.) #117 (2011) First Line: You are blest, Lord God of our fathers Topics: Canticles Languages: English Tune Title: [You are blest, Lord God of our fathers]

You are blest, Lord God of our fathers

Hymnal: Worship (3rd ed.) #859 (1986) Lyrics: Cantor/Choir: 1 You are blest, Lord God of our fathers. 2 Blest be your glorious holy name. 3 You are blest in the temple of your glory. 4 You are blest on the throne of your kingdom. 5 You are blest who gaze into the depths. 6 You are blest who sit above the cherubim. 7 You are blest in the firmament of heaven. Assembly: To you glory and praise for evermore. Topics: Sunday After Pentecost - Trinity Sunday A Scripture: Daniel 3 Languages: English Tune Title: [You are blest, Lord God of our fathers]

Song of the Three Children (Daniel 3:52-57)

Hymnal: Worship (3rd ed.) #84 (1986) First Line: You are blest Lord God of our fathers Topics: Psalter Languages: English Tune Title: [You are blest, Lord God of our fathers]

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People

Authors, composers, editors, etc.

Joseph Gelineau

1920 - 2008 Composer of "[You are blest, Lord God of our fathers]" in Gather Comprehensive Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

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