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GLORIA TIBI

Appears in 7 hymnals Composer and/or Arranger: Thomas Tallis (1520-1585) Hymnal Title: Hymns for the Living Age Incipit: 55556 65 Used With Text: Glory be to thee, O Lord

Appears in 115 hymnals Hymnal Title: Rejoice in the Lord First Line: Glory be to thee, O Lord Lyrics: Glory be to thee, O Lord. Topics: Service Music Glory be to thee Used With Tune: [Glory be to Thee, O Lord]

Instances

Published text-tune combinations (hymns) from specific hymnals

Glory Be to Thee

Hymnal: Hymnbook for Christian Worship #407 (1970) Hymnal Title: Hymnbook for Christian Worship First Line: Glory be to thee, O Lord Topics: Scripture Languages: English Tune Title: [Glory be to thee, O Lord]

Glory be to thee, O Lord

Hymnal: Hymns for the Living Age #503 (1923) Hymnal Title: Hymns for the Living Age Topics: Chants, Canticles, Ascriptions Languages: English Tune Title: GLORIA TIBI

Glory Be to Thee

Hymnal: Pilgrim Hymnal #546 (1958) Hymnal Title: Pilgrim Hymnal First Line: Glory be to thee, O Lord Languages: English Tune Title: [Glory be to thee, O Lord]

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People

Authors, composers, editors, etc.

Thomas Tallis

1505 - 1585 Person Name: Thomas Tallis, d. 1585 Hymnal Title: Rejoice in the Lord Composer of "[Glory be to Thee, O Lord]" in Rejoice in the Lord Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman