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Tune Identifier:"^kensington_new_tilleard$"

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ADVENT

Appears in 31 hymnals Composer and/or Arranger: J. Tilleard, 1827-1876 Hymnal Title: Methodist Hymn and Tune Book Tune Key: F Major or modal Incipit: 51321 34332 61211 Used With Text: O'er the gloomy hills of darkness

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Hark, the voice of love and mercy

Author: Rev. Jonathan Evans Appears in 549 hymnals Hymnal Title: Church Hymns and Tunes Used With Tune: KENSINGTON NEW
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Ved del cielo descendiendo

Appears in 11 hymnals Hymnal Title: El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo Used With Tune: KENSINGTON NEW
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Christ is made the sure foundation

Meter: 8.7.8.7.8.7 Appears in 289 hymnals Hymnal Title: Hymnal and Canticles of the Protestant Episcopal Church with Music (Gilbert & Goodrich) Topics: Consecration of Churches and Chapels Used With Tune: TILLEARD

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Hark, the voice of love and mercy

Author: Rev. Jonathan Evans Hymnal: Church Hymns and Tunes #169b (1906) Hymnal Title: Church Hymns and Tunes Languages: English Tune Title: KENSINGTON NEW
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Lo! He comes, with clouds descending

Author: John Cennick; John Wesley Hymnal: Common Service Book of the Lutheran Church #513 (1917) Hymnal Title: Common Service Book of the Lutheran Church Lyrics: 1 Lo! He comes, with clouds descending, Once for favored sinners slain! Thousand thousand saints attending, Swell the triumph of His train: Alleluia! God appears on earth to reign! 2 Every eye shall now behold Him Robed in dreadful majesty; Those who set at naught, and sold Him, Pierced, and nailed Him to the Tree, Deeply wailing, Shall the true Messiah see. 3 Now redemption long expected, See in solemn pomp appear, All His saints, by man rejected, Now shall meet Him in the air: Alleluia! See the Day of God appear. 4 Yea, Amen, let all adore Thee, High on Thine eternal throne! Saviour, take the power and glory, Claim the Kingdom for Thine own; O come quickly, Alleluia! come, Lord, come! Amen. Topics: The Life Everlasting Resurrection Languages: English Tune Title: KENSINGTON NEW
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Ved del cielo descendiendo

Hymnal: El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo #117 (1931) Hymnal Title: El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo Languages: Spanish Tune Title: KENSINGTON NEW

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Jonathan Evans

1748 - 1809 Person Name: Rev. Jonathan Evans Hymnal Title: Church Hymns and Tunes Author of "Hark, the voice of love and mercy" in Church Hymns and Tunes Evans, Jonathan, born at Coventry in 1748 or 1749. He was the son of a working man, and as a youth was employed in a ribbon manufactory. About 1778 he joined the congregation at Coventry, over which the Rev. G. Burder was pastor. He began preaching at Foleshill, near Coventry, in 1782, and in 1795 he began his stated ministry there, retaining the same to his death on Aug. 31, 1809. Two biographical notices of him appeared in the Evangelical Magazine (Oct. 1809, and March 1847), and also several of his hymns. Two of his hymns appeared in Burder's Collection, 1784, and another in the 2nd edition the same year. His best known hymns are, "Come, Thou soul-transforming Spirit,” and "Hark! the voice of love and mercy;" q.v. He published no poetical work or collection of hymns. -- John Julian, Dictionary of Hymnology (1907)

James Tilleard

1827 - 1876 Person Name: J. Tilleard Hymnal Title: Church Hymns and Tunes Composer of "KENSINGTON NEW" in Church Hymns and Tunes

John Cennick

1718 - 1755 Hymnal Title: Common Service Book of the Lutheran Church Author of "Lo! He comes, with clouds descending" in Common Service Book of the Lutheran Church John Cennick was born at Reading, Berkshire, in the year 1717. He became acquainted with Wesley and Whitefield, and preached in the Methodist connection. On the separation of Wesley and Whitefield he joined the latter. In 1745, he attached himself to the Moravians, and made a tour in Germany to fully acquaint himself with the Moravian doctrines. He afterwards ministered in Dublin, and in the north of Ireland. He died in London, in 1755, and was buried in the Moravian Cemetery, Chelsea. He was the author of many hymns, some of which are to be found in every collection. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ======================= Cennick, John, a prolific and successful hymnwriter, was descended from a family of Quakers, but brought up in the Church of England. He assisted J. Wesley and then G. Whitefield in their labours for a time, and then passed over to, and died as a minister of, the Moravian Church. Born at Reading, Dec. 12, 1718, he was for some time a land surveyor at Reading, but becoming acquainted with the Wesleys in 1739, he was appointed by J. Wesley as a teacher of a school for colliers' children at Kingswood in the following year. This was followed by his becoming a lay preacher, but in 1740 he parted from the Wesleys on doctrinal grounds. He assisted Whitefield until 1745, when he joined the Mora¬vians, and was ordained deacon, in London, in 1749. His duties led him twice to Germany and also to the North of Ireland. He died in London, July 4, 1755. In addition to a few prose works, and some sermons, he published:— (1) Sacred Hymns, for the Children of God in the Days of their Pilgrimage, Lond., J. Lewis, n.d. (2nd ed. Lond., B. Milles, 1741), Pts. ii., iii., 1742; (2) Sacred Hymns for the Use of Religious Societies, &c, Bristol, F. Farley, 1743; (3) A Collection of Sacred Hymns, &c, Dublin, S. Powell, 3rd ed., 1749; (4) Hymns to the honour of Jesus Christ, composed for such Little Children as desire to be saved. Dublin, S. Powell, 1754. Additional hymns from his manuscripts were published by his son-in-law, the Rev. J. Swertner, in the Moravian Hymn Book, 1789, of which he was the editor. There are also 16 of his hymns in his Sermons, 2 vols., 1753-4, some being old hymns rewritten, and others new. Many of Cennick's hymns are widely known, as, "Lo, He cometh, countless trumpets;" “Brethren, let us join to bless;" "Jesus, my all, to heaven is gone;" "Children of the heavenly King;" "Ere I sleep, for every favour;" "We sing to Thee, Thou Son of God;" and the Graces: " Be present at our table, Lord;" and "We thank Thee, Lord;" &c. Some of the stanzas of his hymns are very fine, but the hymns taken as a whole are most unequal. Some excellent centos might be compiled from his various works. His religious experiences were given as a preface to his Sacred Hymns, 1741. In addition to the hymns named, and others annotated under their first lines, the following are in common use:— 1. Be with me [us] Lord, where'er I [we] go. Divine Protection. [1741.] 2. Cast thy burden on the Lord. Submission. [1743.] 3. Not unto us, but Thee alone. Praise to Jesus. [1743.] 4. Thou dear Redeemer, dying Lamb. Priesthood of Christ. [1743.] 5. We sing to Thee, Thou Son of God. Praise to Jesus. [1743.] 6. When, 0 dear Jesus, when shall I? Sunday Evening. [1743.] --John Julian, Dictionary of Hymnology (1907)