Search Results

Tune Identifier:"^o_come_let_us_worship_the_lord_gelineau$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Tunes

tune icon
Tune authorities

[O come, let us worship the Lord]

Appears in 2 hymnals Matching Instances: 2 Composer and/or Arranger: JG; RP Tune Key: a minor Incipit: 63441 Used With Text: Psalm (94) 95

Texts

text icon
Text authorities

Psalm (94) 95

Appears in 1 hymnal Matching Instances: 1 First Line: O come, let us worship the Lord Topics: Psalter Scripture: Psalm 95 Used With Tune: [O come, let us worship the Lord]

Psalm 95

Author: The Grail Appears in 33 hymnals Matching Instances: 1 First Line: Come, let us ring out our joy to the LORD Refrain First Line: O come, let us worship the Lord Topics: Psalms Scripture: Psalm 95 Used With Tune: [O come, let us worship the Lord] Text Sources: Verses: The Revised Grail Psalms

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals

Psalm 95

Author: The Grail Hymnal: Worship (4th ed.) #72f (2011) First Line: Come, let us ring out our joy to the LORD Refrain First Line: O come, let us worship the Lord Topics: Psalms Scripture: Psalm 95 Tune Title: [O come, let us worship the Lord]

Psalm (94) 95

Hymnal: Worship (3rd ed.) #51a (1986) First Line: O come, let us worship the Lord Topics: Psalter Scripture: Psalm 95 Languages: English Tune Title: [O come, let us worship the Lord]

People

person icon
Authors, composers, editors, etc.

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ Composer (Gelineau tone) of "[O come, let us worship the Lord]" in Worship (4th ed.) Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiƩred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

Grail

Person Name: The Grail Author (Antiphon) of "Psalm 95" in Worship (4th ed.)

Richard Proulx

1937 - 2010 Person Name: RP Arranger (Psalm Tone) of "[O come, let us worship the Lord]" in Worship (3rd ed.) Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman