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STABAT MATER
Meter: 8.8.7 Appears in 63 hymnals Matching Instances: 60 Tune Sources: Later form of melody from the 'Maintzisch Gesangbuch', Mainz and Frankfurt, 1661 Tune Key: F Major Incipit: 12323 54332 17676 Used With Text: At the cross her vigil keeping
STABAT MATER
At the Cross her station keeping
Author: Rev. E. Caswall; Bishop R. Mant; Jacopone da Todi Meter: 8.8.7 D Appears in 133 hymnals Matching Instances: 30 Topics: Passiontide; Good Friday The Seven Last Words; Third Word Scripture: John 19:26-27 Used With Tune: STABAT MATER
At the Cross her station keeping
At the Cross Her Station Keeping
Author: Jacopone da Todi, 1230-1306; Anthony G. Petti, 1932-1985 Meter: 8.8.7 Appears in 11 hymnals Matching Instances: 9 Used With Tune: STABAT MATER
At the Cross Her Station Keeping
Madre Llena de Aflicción
Appears in 4 hymnals Matching Instances: 3 First Line: Pilato firma contra mi dueño Refrain First Line: Madre llena de aflición Lyrics: Estribillo:
Madre llena de aflicción,
de Jesucristo las llagas
grabad en mi corazón.
1 Pilato firma contra mi dueño
que muera infame en un madero. [Estribillo]
2 Ya la cruz carga mi nazareno;
ay, que mis culpas son aquel peso. [Estribillo]
3 Lo postra en tierra la santa cruz
gime y suspira el buen Jesús. [Estribillo]
4 La Santa Madre encuentra tierno
y queda herido de ambos el pecho. [Estribillo]
5 Lleva la cruz ya fatigado:
por Cirineo es ayudado. [Estribillo]
6 Mujer piadosa le ofrece un lienzo;
su rostro santo recibe en premio. [Estribillo]
7 La cruz sus hombros los ha llagado;
segunda vez es ya postrado. [Estribillo]
8 A los que lloran por sus tormentos,
que lloren, manda, por sí y sus deudos. [Estribillo]
9 Tres veces postra el duro leño
en tierra al Hijo del Padre Eterno. [Estribillo]
10 Ya en el Calvario le desnudaron;
vino le dieron con hiel mezclado. [Estribillo]
11 Con duros clavos en trono acerbo
clavan verdugos al Dios del cielo. [Estribillo]
12 De la cruz hace cátedra el Verbo
dando doctrina al universo. [Estribillo]
13 De aquel cadalso, ya trono regio,
su cuerpo bajan todo deshecho. [Estribillo]
14 Y en un sepulcro del todo nuevo,
aquel santuario queda cubierto. [Estribillo] Topics: Cruz; Madre Dolorosa; Devociones El Vía Crucis; Triduo Pascual Viernes Santo Used With Tune: STABAT MATER Text Sources: Tradicional
Madre Llena de Aflicción
Stabat Mater Dolorosa
Author: James Quinn, B. 1919 Hymnal: Catholic Book of Worship III #694 (1994) First Line: Jesus on the cross is dying Lyrics: 1 Jesus on the cross is dying
Soon his body will be lying
In the darkness of the tomb.
2 God's own mother, purest maiden,
Sees the sinless One, sin-laden,
Blessed fruit of blessed womb.
3 Mary's heart for him is aching
As she sees her Son's heart breaking
So that love may be revealed.
4 Now at last her heart is feeling
Sorrow's sword, her Son revealing
Thoughts in many hearts concealed.
5 How could pity not awaken
For the Son of God, forsaken
In the loneliness of death?
6 Who would not give consolation
In this Mother's desolation
As he breathes his dying breath?
7 Mary's heart for him is bleeding;
In his blood, for sinners pleading,
God's new law of love is sealed.
8 "It is done", she hears him crying
At the moment of his dying:
Death by death has now been healed.
9 Let me stand beside you, sharing
Grief for Jesus, my sins bearing
On the cross of Calvary.
10 By the cross your vigil keeping,
Let me share your silent weeping,
Pierce my heart with sorrow's sword.
11 Let me, though in humble fashion,
Share with you the bitter passion
Of the Son you brought to birth.
12 Let me bear the wounds of Jesus,
Drink the precious blood that frees us,
Glory only in his cross.
13 Let the cross be my salvation,
Jesus' death my consolation,
In that hour when I must die.
14 Queen of heaven, by the merit
Of your Son let me inherit
Joy with all the saints on high.
Topics: Justice; Mary, Mother of God; Stations of the Cross; Stations of the Cross Languages: English Tune Title: STABAT MATER
Stabat Mater Dolorosa
Stabat Mater dolorosa
Author: Jacopone da Todi d.1306; Anthony G. Petti 1932- Hymnal: The Australian Hymn Book with Catholic Supplement #609 (1977) First Line: At the cross her vigil keeping Tune Title: [At the cross her vigil keeping]
Stabat Mater dolorosa
At the Cross Her Station Keeping
Author: Jacopone da Todi, 1230-1306; Anthony G. Petti, 1932-1985 Hymnal: RitualSong #551 (1996) Meter: 8.8.7 Topics: Blessed Virgin Mary; Challenge of Gospel; Cross; Good Friday; Heaven; Jesus Christ; Lent; Paschal Mystery; Petition; Providence Scripture: John 19:25 Languages: English Tune Title: STABAT MATER
At the Cross Her Station Keeping
Jacopone, da Todi
1230 - 1306 Person Name: Jacapone da Todi, 1230-1306 Author of "At the Cross Her Station Keeping (Stabat Mater Dolorosa)" in Glory and Praise (3rd. ed.) Jacobus de Benedictis, commonly known as Jacopone, was born at Todi in Umbria, early in the 13th century, his proper name being Jacopone di Benedetti. He was descended from a noble family, and for some time led a secular life. Some remarkable circumstances which attended the violent death of his wife, led him to withdraw himself from the world, and to enter the Order of St. Francis, in which he remained as a lay brother till his death, at an advanced age, in 1306. His zeal led him to attack the religious abuses of the day. This brought him into conflict with Pope Boniface VIII., the result being imprisonment for long periods. His poetical pieces were written, some in Italian, and some in Latin, the most famous of the latter being "Cur mundus militat sub vana gloria" (possibly by Walter Mapes), and the "Stabat Mater dolorosa." Archbishop Trench says of him:—
“An earnest humourist, he carried the being a fool for Christ into every-day life. The things which with this intent he did, some morally striking enough, others mere extravagances and pieces of gross spiritual buffoonery—wisdom and folly, such as we often find, side by side, in the saints of the Roman Calendar—are largely reported by Wadding, the historian of the Franciscan Order, and by Lisco, in a separate monograph on the Stabat Mater, Berlin, 1843, p. 23. These often leave one in doubt whether he was indeed perfectly sound in his mind, or only a Christian Brutus, feigning folly, that he might impress his wisdom the more deeply, and utter it with more freedom." Sacred Latin Poetry, 3rd ed., 1874, p. 268.
Sketches of the life and writings of Jacopone, drawn entirely from the original sources (Trench), have been published as follows:—
(1) By Mohnike, Studien Stralsund, 1825, vol. i. pp. 335-406; (2) by Ozanam, Les Poétes Franciscains en Italie au Treizieme Siecle, Paris. In addition there are articles in the Biographie Universelle; Macmillan’s Magazine, Aug., 1873; and the Encyclopedia Britannica , 9th ed.
--John Julian, Dictionary of Hymnology (1907)
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Jacopone, da Todi
Edward Caswall
1814 - 1878 Person Name: Edward Caswall, 1814-1878 Translator of "At the Cross Her Station Keeping (Stabat Mater Dolorosa)" in Glory and Praise (3rd. ed.) Edward Caswall was born in 1814, at Yately, in Hampshire, where his father was a clergyman. In 1832, he went to Brasenose College, Oxford, and in 1836, took a second-class in classics. His humorous work, "The Art of Pluck," was published in 1835; it is still selling at Oxford, having passed through many editions. In 1838, he was ordained Deacon, and in 1839, Priest. He became perpetural Curate of Stratford-sub-Castle in 1840. In 1841, he resigned his incumbency and visited Ireland. In 1847, he joined the Church of Rome. In 1850, he was admitted into the Congregation of the Oratory at Birmingham, where he has since remained. He has published several works in prose and poetry.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872
=====================
Caswall, Edward, M.A., son of the Rev. R. C. Caswall, sometime Vicar of Yately, Hampshire, born at Yately, July 15, 1814, and educated at Brasenose College, Oxford, graduating in honours in 1836. Taking Holy Orders in 1838, he became in 1840 Incumbent of Stratford-sub-Castle, near Salisbury, and resigned the same in 1847. In 1850 (Mrs. Caswall having died in 1849) he was received into the Roman Catholic communion, and joined Dr. Newman at the Oratory, Edgbaston. His life thenceforth, although void of stirring incidents, was marked by earnest devotion to his clerical duties and a loving interest in the poor, the sick, and in little children. His original poems and hymns were mostly written at the Oratory. He died at Edgbaston, Jan. 2, 1878, and was buried on Jan. 7 at Redwall, near Bromsgrove, by his leader and friend Cardinal Newman. Caswall's translations of Latin hymns from the Roman Breviary and other sources have a wider circulation in modern hymnals than those of any other translator, Dr. Neale alone excepted. This is owing to his general faithfulness to the originals, and the purity of his rhythm, the latter feature specially adapting his hymns to music, and for congregational purposes. His original compositions, although marked by considerable poetical ability, are not extensive in their use, their doctrinal teaching being against their general adoption outside the Roman communion. His hymns appeared in:—
(1) Lyra Catholica, which contained 197 translations from the Roman Breviary, Missal, and other sources. First ed. London, James Burns, 1849. This was reprinted in New York in 1851, with several hymns from other sources added thereto. This edition is quoted in the indices to some American hymn-books as Lyra Cath., as in Beecher's Plymouth Collection, 1855, and others.
(2) Masque of Mary, and Other Poems, having in addition to the opening poem and a few miscellaneous pieces, 53 translations, and 51 hymns. 1st ed. Lon., Burns and Lambert, 1858.
(3) A May Pageant and Other Poems, including 10 original hymns. Lon., Burns and Lambert, 1865.
(4) Hymns and Poems, being the three preceding volumes embodied in one, with many of the hymns rewritten or revised, together with elaborate indices. 1st ed. Lon., Burns, Oates & Co., 1873. Of his original hymns about 20 are given in the Roman Catholic Crown of Jesus Hymn Book, N.D; there are also several in the Hymns for the Year, N.D., and other Roman Catholic collections.
--John Julian, Dictionary of Hymnology (1907)
======================
Caswall, E. , p. 214, ii. Additional original hymns by Caswall are in the Arundel Hymns, 1902, and other collections. The following are from the Masque of Mary, &c, 1858:—
1. Christian soul, dost thou desire. After Holy Communion.
2. Come, let me for a moment cast. Holy Communion.
3. O Jesu Christ [Lord], remember. Holy Communion.
4. Oft, my soul, thyself remind. Man's Chief End.
5. Sleep, Holy Babe. Christmas. Appeared in the Rambler, June 1850, p. 528. Sometimes given as "Sleep, Jesus, sleep."
6. The glory of summer. Autumn.
7. This is the image of the queen. B. V. M.
His "See! amid the winter's snow,” p. 1037, i., was published in Easy Hymn Tunes, 1851, p. 36. In addition the following, mainly altered texts or centos of his translations are also in common use:—
1. A regal throne, for Christ's dear sake. From "Riches and regal throne," p. 870, ii.
2. Come, Holy Ghost, Thy grace inspire. From "Spirit of grace and union," p. 945, i.
3. Hail! ocean star, p. 99, ii,, as 1873. In the Birmingham Oratory Hymn Book, 1850, p. 158.
4. Lovely flow'rs of martyrs, hail. This is the 1849 text. His 1873 text is "Flowers of martyrdom," p. 947, i.
5. None of all the noble cities. From "Bethlehem! of noblest cities," p. 946, ii.
6. O Jesu, Saviour of the World. From “Jesu, Redeemer of the world," p. 228, ii.
7. 0 Lady, high in glory raised. From "O Lady, high in glory, Whose," p. 945, i.
The Parochial Hymn Book, 1880, has also the following original hymns by Caswall. As their use is confined to this collection, we give the numbers only:—
IS os. 1, 2, 3, 159 (Poems, 1873, p. 453), 209 (1873, p. 288), 299, 324 (1873, p. 323), 357, 402, 554, 555, 558, 569 (1873, p. 334). These are from his Masque of Mary 1858. Nos. 156, 207 (1873, p. 296), 208 (1873, p. 297), 518. These are from his May Pageant, 1865.
As several of these hymns do not begin with the original first lines, the original texts are indicated as found in his Poems, 1873. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Edward Caswall
Richard Mant
1776 - 1848 Person Name: Bishop R. Mant Translator of "At the Cross her station keeping" in The Book of Common Praise Mant, Richard D.D., son of the Rev. Richard Mant, Master of the Grammar School, Southampton, was born at Southampton, Feb. 12, 1776. He was educated at Winchester and Trinity, Oxford (B.A. 1797, M.A., 1799). At Oxford he won the Chancellor's prize for an English essay: was a Fellow of Oriel, and for some time College Tutor. On taking Holy Orders he was successively curate to his father, then of one or two other places, Vicar of Coggeshall, Essex, 1810; Domestic Chaplain to the Archbishop of Canterbury, 1813, Rector of St. Botolph, Bishopsgate, London. 1816, and East Horsley, 1818, Bishop of Killaloe, 1820, of Down and Connor, 1823, and of Dromore, 1842. He was also Bampton Lecturer in 1811. He died Nov. 2, 1848. His prose works were numerous, and although now somewhat obsolete, they were useful and popular in their day. His poetical works, and other works which contain poetical pieces, are:—
(1) The Country Curate, 1804; (2) Poems in three Parts, 1806; (3) The Slave, 1807; (4) The Book of Psalms in an English Metrical Version, &c, 1824; (5) The Holydays of the Church; or Scripture Narratives of Our Blessed Lord's Life and Ministry, and Biographical Notices of the Apostles, Evangelists, and Other Saints, with Reflections, Collects, and Metrical Sketches, vol. i., 1828; vol. ii., 1831; (6) The Gospel Miracles in a series of Poetical Sketches, &c., 1832; (7) The British Months, 2 vols., 1836; (8) Ancient Hymns from the Roman Breviary, for Domestick Use. . . .To which are added Original Hymns, principally of Commemoration and Thanksgiving for Christ's Holy Ordinances, 1837: new ed., 1871. (9) The Happiness of the Blessed Dead, 1847.
Bishop Mant is known chiefly through his translations from the Latin. He was one of the earliest of the later translators, I. Williams and J. Chandler being his contemporaries. Concerning his translations, Mr. Ellerton, in his Notes on Church Hymns, 1881, p. xlviii. (folio ed.), says justly that:—
"Mant had little knowledge of hymns, and merely took those of the existing Roman Breviary as he found them: consequently he had to omit many, and so to alter others that they have in fact become different hymns: nor was he always happy in his manipulation of them. But his book has much good taste and devout feeling, and has fallen into undeserved neglect."
His metrical version of the Psalms has yielded very few pieces to the hymnals, the larger portion of his original compositions being from his work of 1837. The most popular of these is "Come Holy Ghost, my soul inspire, Spirit of," &c, and its altered forms; "Bright the vision that delighted," and its altered form of "Round the Lord in glory seated;" and "For all Thy saints, O Lord." His hymns in common use which are not annotated under their respective first lines are:—
i. From his Metrical Version of the Psalms, 1824.
1. God, my King, Thy might confessing. Ps. cxlv.
2. Lord, to Thee I make my vows. Ps. xxvii.
3. Blessed be the Lord most High. Ps. xxviii. Pt. ii.
4. My trust is in the highest Name. Ps. xi.
5. Reign, Jehovah, King supreme. Ps. xcix.
6. Thy listening ear, O Lord, incline. Ps. Ixxxvi.
7. To God my earnest voice I raise. Ps. cxlii.
8. To Jehovah hymn the lay. Ps. cxviii. Two centos in Spurgeon's Our Own Hymn Book, 1866. (1) st. i., ii., v.; and (2) "Thee, Jehovah, will I bless" from st. vii.-x.
ii. From his Holydays of the Church, &c, 1828-31.
9. Lo, the day the Lord hath made. Easter.
10. There is a dwelling place above. All Saints.
iii. From his Ancient Hymns, &c, 1837.
11. Before Thy mercy's throne. Lent.
12. Father of all, from Whom we trace. Unity.
13. For these who first proclaimed Thy word. Apostles.
14. No! when He bids me seek His face. Holy Communion.
15. Oft as in God's own house we sit. Divine Worship.
16. Put off thy shoes, 'tis holy ground. The House of God .
17. Saviour of men, our Hope [Life] and Rest. The Greater Festivals.
18. Thy House each day of hallowed rest. Holy Communion.
19. We bless Thee for Thy Church, 0 Lord. Thanksgiving for the Church.
26. We deem and own it, Lord, a proof. Divine Grace.
When all Bishop Mant's translations of original hymns, and versions of the Psalms in common use are taken into account, it is found that he is somewhat strongly represented in modern hymnody.
-- John Julian, Dictionary of Hymnology (1907)
====================
http://en.wikipedia.org/wiki/Richard_Mant
Richard Mant
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
Small Church Music
Editors: Gregory the Great Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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