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Tune Identifier:"^use_me_o_my_gracious_savior_gabriel$"

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CHIANG MAI

Meter: 8.7.8.7.4.7.4.7 Appears in 18 hymnals Composer and/or Arranger: Charles Gabriel Hymnal Title: The Cyber Hymnal Tune Key: F Major or modal Incipit: 53653 14332 17123 Used With Text: Use Me, Savior

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Brug mig, naadefulde Frelser

Author: Fred. Woodrow Appears in 1 hymnal Hymnal Title: Evangeli harpe Refrain First Line: Brug mig, brug mig Used With Tune: [Brug mig, naadefulde frelser]
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Use Me, Saviour

Author: Fred. Woodrow Appears in 18 hymnals Hymnal Title: Praise and Rejoicing First Line: Use me, O my gracious Saviour Refrain First Line: Use me Used With Tune: [Use me, O my gracious Saviour]

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Use Me, Saviour

Author: Fred Woodrow Hymnal: Celestial Songs #156 (1921) Hymnal Title: Celestial Songs First Line: Use me, O my gracious Saviour Refrain First Line: Use me Languages: English Tune Title: [Use me, O my gracious Saviour]
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Use Me, O My Gracious Savior

Author: Fred Woodrow, 19th Century Hymnal: Christian Hymnal (Rev. ed.) #419 (1959) Hymnal Title: Christian Hymnal (Rev. ed.) First Line: Use me, O my gracious Saviour Refrain First Line: Use me Languages: English Tune Title: [Use me, O my gracious Saviour]
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Use Me, Saviour

Author: Fred Woodrow Hymnal: Church and Sunday School Hymnal with Supplement #106 (1902) Hymnal Title: Church and Sunday School Hymnal with Supplement First Line: Use me, O my gracious Saviour Refrain First Line: Use me Languages: English Tune Title: [Use me, O my gracious Saviour]

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Fred Woodrow

Hymnal Title: The Finest of the Wheat No. 2 Author of "Use Me, Savior" in The Finest of the Wheat No. 2

Chas. H. Gabriel

1856 - 1932 Hymnal Title: The Finest of the Wheat No. 2 Composer of "[Use me, O my gracious Savior]" in The Finest of the Wheat No. 2 Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman