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Hilary of Poitiers

267 - 367 Person Name: Hilary of Poitiers, 4th cent. Author (attributed to) of "Hail this joyful day's return" in The Hymnal 1982 Hilary, Hilarius Pictaviensis, Saint, Bishop, and, according to St. Augustine, "the Illustrious Doctor of all the Churches," was born of heathen parents of an illustrious family and great wealth, at Poictiers early in the fourth century. He received, as a heathen, an excellent classical education, so that St. Jerome says of him that he "was brought up in the pompous school of Gaul, yet had culled the flowers of Grecian science, and became the Rhone of Latin eloquence." Early in life he married, and had a daughter named Abra, Afra, or Apra. About 350 he renounced, in company with his wife and daughter, the Pagan religion of his family, and became a devout and devoted Christian. After his baptism he so gained the respect and love of his fellow Christians, that in 353, upon a vacancy occurring in the see of his native town, he was, although married and a layman, elected to fill it, and received ordination as Deacon and Priest, and consecration as Bishop, "by accumulation," no uncommon occurrence in those days. From that time he was virtually, though not formally, separated from his wife, and lived a very ascetic life. Soon after his consecration he received a visit from St. Martin of Tours (who became thenceforward his devoted disciple), and distinguished himself by his unsparing opposition to the Arian heresy, which had gained many powerful adherents in Gaul at that time, obtaining for himself thereby the title in after years of "Malleus Arianorum," the hammer of the Arians. In 356 he was sent by the Emperor Constantius to Phrygia in exile, in consequence of a report made against his moral character by the Arian Council held at Beziers in Languedoc, over which the Arian leader, Saturninus, Bishop of Aries, presided, whose excommunication for heresy Hilary had some time before secured. His exile lasted until 362, when he returned to Poictiers by the Emperor's direction, though without his sentence of banishment being formally annulled. In spite of his consequent want of permission to do so, he left Poictiers towards the end of the same year, and spent two years in Italy, whence he was again sent back to Gaul in 364 by the new Emperor Valentinian, in consequence of his denouncing Auxentius, the Bishop of Milan, where Hilary was at that time resident, as having been insincere in his acceptance of the creed of Nicaea. Hilary lived for some three years after his final return to Poictiers, and died Jan. 13, 368, though his Saint's Day (which gives his name to the Hilary term in our Law Courts) is celebrated on the following day, in order, probably, not to trench upon the octave of the Epiphany. St. Hilary's writings, of which a large number are still extant though many have been lost, travel over a vast field of exegetical, dogmatic, and controversial theology. His principal work in importance and elaboration is his “Libri xii. de Trinitate," directed against the Arian heresy, while in his “Commentarium in Matthaeum " we have the earliest commentary on that gospel. The best edition of his works is that of Constant, originally published by the Benedictines, at Paris, in 1693, and reprinted, with some additions, at Verona, in 2 vols., by Scipio Maffei, in 1730. St. Hilary was a sacred poet as well as a theologian, though most of his writings of this character perished, probably, in his Liber Hymnorum, which is one of his books that has not come down to us. It seems to have consisted of hymns upon Apostles and Martyrs, and is highly spoken of by Isidore of Seville in his De Officio Ecclesiastico. All that we have remaining are some lines of considerable beauty on our Lord's childhood (Dom Pitra's Spicilegium Solesmense, Paris, 1862), which are attributed, probably with justice, to him, and about 8 hymns, the attribution of.which to him is more or less certainly correct; Daniel gives 7, 4 of which:— “Lucis Largitor splendide"; "Deus Pater ingenite"; "In matutinis surgimus"; and "Jam meta noctis transiit"; are morning hymns; one, "Jesus refulsit omnium," for the Epiphany; one, “Jesu quadragenariae," for Lent; and one,"Beata nobis gaudia," for Whitsuntide. Thomasius gives another as Hilary's, "Hymnum dicat turba fratrum”. Written as these hymns were in the first infancy of Latin hymnody, and before the metres of the old heathen Latin poets had been wholly banished from the Christian service of song, or the rhyming metres, which afterwards became so general and so effective, had been introduced into such compositions, they can scarcely be expected to take very high rank. At the same time they are not without a certain rugged grandeur, well befitting the liturgical purposes they were intended to serve. Containing as they also do the first germs of Latin rhymes, they have great interest for all students of hymnody, as thus inaugurating that treatment of sacred subjects in a form which was to culminate presently in the beautiful Church poetry of the 12th century. [Rev. Digby S. Wrangham, M.A.] --John Julian, Dictionary of Hymnology (1907) ==================== Hilary, St., pp. 522, i., and 1570, ii. Isidore of Seville and Jerome both speak of Hilary as a hymn writer, but it is by no means certain that any of his genuine hymns have survived. Mr. E. W. Watson, in his St. Hilary of Poitiers, Select Works, 1899 (Select Library of Nicene and Post-Nicene Fathers, vol. ix.), discusses the subject in his Introduction, pp. xlvi.-xlviii., and concludes that none are genuine. He thinks that the recently discovered Liber Hymnorum (see p. 1570, ii.) may have been compiled in Hilary's time, but that he cannot be accepted as the author of any of the surviving hymns in that collection. Canon A. J. Mason in the Journal of Theological Studies, vol. v., April, 1904, pp. 413-432, thinks that the recently discovered hymns are genuine, collects many parallel passages from the undoubted works of Hilary, and is indeed inclined to attribute also the "Lucis largitor splendide " and the "Hymnum dicat" (see pp. 522, ii.; 642, i., ii.) to St. Hilary. A later article by the Rev. A. S. Walpole (vol. vi., p. 599, July, 1905), while accepting the newly discovered hymns, and the "Hymnum dicat," adds various reasons against accepting the other hymns attributed to Hilary by Daniel (see p. 522, ii.). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Contractus Hermannus

1013 - 1054 Author of "Hail, queen of heaven, the ocean star" in Hymns and Harmonies Hermannus Contractus (also known as Herimanus Augiensis or Hermann von Reichenau) was the son of Count Wolverad II von Altshausen. He was born 18 February, 1013 at Altshausen (Swabia). He was a cripple at birth, but intellectually gifted. Therefore his parents sent him to be taught by Abbot Berno on the island of Reichenau. He took his monastic vows here and died on Reichenau 21 September, 1054. He was a mathematician, astronomer, musician, chronicler, and poet, among other things. He is frequently credited as the author of "Alma Redemptoris Mater" and "Salve Regina" Dianne Shapiro, from Schlager, P. (1910). Hermann Contractus. In The Catholic Encyclopedia. New York: Robert Appleton Company. Retrieved October 13, 2014 from New Advent: http://www.newadvent.org/cathen/07266a.htm ================================== Hermannus Contraecus, so called because of his crippled condition, is also known as Hermann of Vöhringen, Hermann of Reichenau, and Hermann der Gebrechliche. He was the son of the Count of Vöhringen in Swabia, and was born on July 18, 1013. He entered the school of St. Gall, circa 1020, and soon developed, although so young, an intense interest in his studies. It is said of him that he rapidly mastered Latin, Greek, and Arabic. History, music, mathematics, philosophy, and theology engaged his attention, and in each study he attained marked success. Some go so far as to say with confidence that he translated Aristotle's Poetics and Rhetoric from the Arabic, but the statement is disputed by others. At thirty years of age he removed from St. Gall to the monastery of Reichenau, where he remained to his death, Sept. 24, 1054. His name is associated with several hymns of historical importance, and notably the following:— 1. Alma Redemptoris, Mater quae pervia coeli. 2. Rex omnipotens die hodierna. 3. Sancti Spiritus adsit nobis gratia. 4. Salve Regina. 5. Veni Sancte spiritus, Et emitte. 6. Veni Sancte spiritus: Reple. 7. Victimae Paschali. The conclusions arrived at in annotations of these hymns concerning their respective authorship will be found somewhat adverse to Hermannus's claims with regard to Nos. 2 and 4, and positively against him with respect to Nos. 3,5 and 7. Some of these conclusions will be found to be utterly opposed to those of Duffield on the same hymns in his Latin Hymn-Writers, &c, 1889, pp. 149-168. This difference of opinion arises mainly out of the fact that the manuscript at St. Gall and at the British Museum were not examined by Duffield, and are much older and more important than any of those with which he was acquainted. --Excerpts from John Julian, Dictionary of Hymnology, Appendix I (1907)

Hildebert of Manz

1057 - 1134 Author of "Father, God, my God all seeing" Hildebert, who sprang from a family of no great position, was born at Laverdin, near Montoire, in France, 1057. Brought up at the feet of Berengarius of Tours (a pupil of Erigena) he so profited by the opportunities thus afforded him of acquiring learning, as to become one of the most cultivated scholars of his age. Having for some years been a Professor of Theology at Mans, he became at the age of forty (1097) Bishop of that see. He was translated, in 1125, to the Archbishopric of Tours, and died 1134. Hildebert's character as an individual has been very differently drawn by different writers, for while Trench describes him as " a wise and gentle prelate, although not wanting in courage to dare and fortitude to endure, when the cause of truth required it," who " must ever be esteemed one of the fairest ornaments of the French Church," Bayle, in his Hist. & Crit. Diet, represents him as having “led a very scandalous life," even after his promotion to an archdeaconry. As to his character as a writer of Latin verse, the evidence is clearer and less contradictory. He is said, by the Benedictine editors of his works, to have written more than ten thousand Latin lines (as various in merit as voluminous in amount), sometimes in rhyme, more generally in heroic or elegiac metre, and upon subjects ranging from "An Address to the Three Persons of the Holy Trinity," to a legendary "Life of Mahomet." The large majority of his verses are of little value, while some rise to such a height of energy and grandeur as to induce Trench to prefer him to a higher place in sacred Latin poetry than any other writer except Adam of St. Victor, and almost to allow him to "dispute the palm" even with the latter. The first complete collection of his writings was made by the Benedictines, who edited them in conjunction with those of Marbod, bishop of Rennes, his contemporary, and published them at Paris, in 1708 (for specimens of the best work of Hildebert see Trench's Sacred Latin Poetry, 1849 and 1873). The most striking of his pieces will probably be allowed to be (1) The "noble vision," " Somnium de Lamentatione Pictavensis Ecclesiae," of which Trench says, "I know no nobler piece of versification, nor more skilful management of rhyme, in the whole circle of sacred Latin poetry;" and (2) the Oratio Devotissima ad Tres Personas SS. Trinitatis," which is thus characterised by the same high authority: " A poem... which gradually rises in poetical animation until towards the end it equals the very best productions which Latin Christian poetry anywhere can boast." The following graceful lines of Hildebert's “De Nativitate Christi" form part of a longer poem, and exhibit, not unfairly, the beauties and faults alike of their author's style. For the attempted translation of them which follows the present writer is responsible. “Nectareum rorem terris distillat Olympus, Totam respergunt fiumina mellis humum. Aurea sanctorum rosa de prato Parajtiisi Virginia in gremium lapsa quievit ibi. Intra virgineum decus, intra claustra pudoris, Golligit angelicam Virginis aula rosam. Flos roseus, flos angelicus, flos iste beatus Vertitur in foenum, fit caro nostra Deus. Vertitur in carnem Verbum Patris, at sine damno Vertitur in matrem virgo, sed absque viro. Lumine plena suo manet in nascente potestas, Virgineum florens in pariente decus, Sol tegttur nube, foeno flos, cortice granum, Mel cera, sacco purpura, carne Deus. Aetheris ac terrae sunt haec quasi fibula, sancto Foederis amplexu dissona regna ligans." “Dew-dropping nectar on earth pours down from the heights of Olympus, Rivers of honey are shed over the face of the ground; Out of the Garden of Eden a bright golden Rose of the blessed Into a Virgin's breast falls and reposes in peace. Hid 'neath its virginal glory, behind maiden chastity's portal, Hid in a Virgin's womb, lies an angelical Rose: Bloom of a Rose, of a Rose angelic, this bloom ever-blessed Turns to a weed, and God puts on the flesh of a man. Turned into flesh is the Word of the Father, tho' shorn not of glory, And to a Mother a Maid, though she hath known not a man. In the newborn is His power still filled with the light of His Godhead, And in His Mother remains virginal honour undimmed. Clouds the sun veil, the bloom d ry leaves, and the ear the grain covers, Wax hides the honey, sackcloth purple, humanity God. These are the clasps that connect this earth with high heaven above it Blending in holiest league kingdoms so widely apart.” [Rev. Digby S. Wrangham, M.A.] -- John Julian, Dictionary of Hymnology

Saint Hildegard

1098 - 1179 Person Name: Hildegard of Bingen based on the writings of of "O Holy Spirit, Root of life" in Hymnal Hildegard, St., Virgin and Abbess, was born at Bockelheim, or Bockenheim, Frankfurt, 1098. Her father, Hildebert, was one of the Knights of Meginhard, Count of Spanheim. When eight years old she was committed to tho care of a sister of the Count, Jutta, the Abbess of St. Disibod, a position in which she was succeeded by Hildegard in 1136. Under the rule of Hildegard the convent became so crowded that a new one was built at Rupertsberg, near Bingen, into which, in 1147, Hildegard removed with eighteen Sisters. Hildegard gained great notoriety in very early life on account of visions to which, it is said, she was subject from her 6th to her 15th year. In later life she filled a considerable place in the history of her times, not only as a writer who had the courage of her opinions, and spared neither high nor low in her vigorous denunciations of their shortcomings, political as well as moral, but as a prophetess and preacher. At the instigation of St. Bernard she took a most prominent part in stirring up the unfortunate crusade which he preached, and engaged in many controversies with the hierarchy of her Church. Though she never ceased to be the abbess of the convent she had founded, much of her time was spent in travelling about the Continent, preaching and prophesying. She died in 1179, and was buried at Eupertsberg, but her remains were removed, on the destruction of that convent by the Swedes, to Eilingen, in 1622. Though St. Hildegard was a voluminous writer her contributions to the hymnody of her day were neither numerous nor important. Mone gives three sequences which are attributed to her, viz., one on the Holy Spirit, “0 ignis Spiritus paracliti"; another on the Blessed Virgin Mary, "0 Virga ac diadema purpurae Regis"; and a third on St. Disibod, "0 praesul verae civitatis." [Rev. Digby S. Wrangham, M.A.] -- John Julian, Dictionary of Hymnology

Jan Hus

1369 - 1415 Person Name: John Hus, 1369-1415 Composer of "HUS" in Hymnal and Liturgies of the Moravian Church [John Huss] Jan Hus was born in Bohemia (part of the region, along with Moravia, we now call the Czech Republic), ca. 1370. He studied philosophy and theology at Prague University. Though only regarded as an average student, he received an undergraduate degree in 1396 and a Masters in 1398. In 1402 he was ordained as a priest in the Catholic Church and became rector and priest at Bethlehem Chapel. Hus lived in a time of great political and religious upheaval and to fully understand the man and his circumstances, some background is necessary. Domestic political turmoil was emerging in Bohemia and in the early 1400s the Catholic Church was enmeshed in the Great Schism in which three rival popes vied for control of the church. The schism led to the formation of the Council of Constance (1414-1418). This Council would prove pivotal to the fate of Jan Hus. It could be said that the story of Hus actually began in Oxford, England. Although Hus never studied there, Oxford was the home of Hus' greatest human influence, Jon Wyclif. Wyclif died in 1384 but several Bohemians were students at Oxford in the late 1300s and, upon their return to Bohemia, they brought many of Wyclif's writings with them. These were soon translated into Czech. Hus himself translated some of Wyclif's work at the turn of the century. Needless to say, the Catholic Church despised Wyclif. In 1415, the aforementioned Council of Constance condemned Wyclif, ordered his writings to be burned, and directed his bones to be exhumed and cast out of the consecrated ground where he was buried. In 1428, under papal command, his remains were dug up, burned, and the ashes were thrown in a nearby stream! As the Wyclif movement waned in England, it found traction in Bohemia through the preaching of Hus. He became the chief exponent and defender of Wyclif at Prague University where he also was appointed dean of the faculty of Philosophy in 1402. Drawing large crowds, he became an extremely popular preacher among the common people and the aristocracy. Hus sought to reach the general populace with the word of God by preaching in Czech as well as Latin. Though not his intent, his Czech preaching stimulated an increasingly fervent nationalism. Hus' themes were staunchly anti-clergy. His reputation for unblemished purity stood in sharp contrast with the corruption and worldliness of the existing religious clergy, especially in Bohemia. He denounced evil and immorality in the church. He once wrote, "The church shines in its walls, but starves in its poor saints; it clothes its stones with gold, but leaves its children naked." He held that Christ, not Peter, was the foundation of the church, and he taught, like Wyclif, that popes were not inerrant but some had been heretics! One might describe Hus as Wyclif in action. In his premier work, De ecclesia, Hus followed Wyclif on several matters. He taught that the Roman pope and cardinals were not the church. He held that, "Not every priest is a saint, but every saint is a priest." E.H. Gillett summarized Hus' views on church organization: "In the early church there were but two grades of office, deacon and presbyter; all beside are of later and human invention. But God can bring back his church to the old pattern." In following Wyclif, Hus consistently elevated the Bible over church tradition and viewed it as the only binding principle in life. Even Wyclif's teachings were only accepted when Hus found them in agreement with scripture. These were dangerous ideas to hold in the early 15th century, especially in the cultural, religious, and political atmosphere of central Europe. In 1408, Wyclif's Czech translations came under scrutiny from the Catholic hierarchy. In 1409, the archbishop of Prague became openly antagonistic toward both Wyclif and Hus. By 1410, Pope Alexander V issued a papal bull ordering the surrender and burning of all of Wyclif's writings. Hus refused to relinquish his copies and the archbishop excommunicated him. Hus defied this order and continued preaching in Bethlehem Chapel. Despite receiving support from the nobility, pressure was mounting. Yet, Hus would not be deterred. In a letter to the Pope, Hus stated that he was bound to speak the truth and that he was ready to suffer a dreadful death, rather than declare something contrary to the will of Christ. That same year he antagonized the pope when he publicly denounced the selling of indulgencies in order to finance a crusade against the king of Naples. By 1412 Hus' preaching had alienated him from the archbishop, the university, and the clergy. At the advice of the king Hus withdrew from Prague. His popularity grew as he continued preaching in the fields, forests, and marketplaces of southern Bohemia. About this time he wrote that for one, "to cease from preaching, in obedience to the mandate of the pope or archbishop, would be to disobey God and imperil his own salvation." Czech sentiment remained with him, but Hus' writings and reputation began to draw negative attention across Europe. In 1414, the Council of Constance began. Sigismund (king of the Romans and heir to the throne of Bohemia) convinced Hus to appear before the Council and guaranteed his safe conduct to Constance and back. Hus could have remained in Bohemia under the protection of many loyal princes, but he was hoping his arguments would be heard and was willing to be convinced if proven wrong. It was his goal to confirm his beliefs with the truth. He once wrote, if anyone can "instruct me by the sacred Scriptures or by good reasoning I am willing to follow him. From the outset of my studies, I have made it a rule to joyfully and humbly recede from a former opinion when in any matter I perceive a more rational opinion." Hus would not get this opportunity at Constance. Almost immediately upon his arrival — despite the guarantee of safety — Hus was sent to prison on November 25, 1414. He was interrogated, abused, and fell ill. During his lengthy imprisonment, he was deprived of all books including the Bible. He was tried on several counts related to his embrace of Wyclif's writings. The Council repeatedly aligned Hus with the already regarded, though dead, heretic Wyclif. Among the final charges levied against him was that he defended Wyclif as a good Christian, salvation did not depend on the pope, and only God himself could excommunicate someone from the church. Several attempts were made to get Hus to recant. He refused them all. His final sentence came on July 6, 1415. At the sentencing, he was placed on a high stool in the middle of the church and sentenced to death. The chronicler of the events noted that they placed a hood over his head, with pictures of the devil and the word "heresiarch" (a leader of heretics), then committed his soul to the devil. Hus responded, "And I commit myself to the most gracious Lord Jesus." In a letter written the night before his sentencing, Hus prayed that if his death would contribute anything to God's glory, then he might be able to meet it without fear. Hands bound behind his back, Hus was chained to the stake. Wood and hay were piled up to his chin. Rosin was sprinkled on it. He was given one last chance to recant and be set free. Bravely, he refused and said, "I shall die with joy today in the faith of the gospel which I have preached." As they lit the flames around him he sang out twice, "Christ thou Son of the Living God, have mercy upon me." He died singing and praying. It is no wonder that historians refer to Wyclif and Hus as "pre-reformers." Luther was not directly influenced by Hus, and was unaware of his work when he began his own reform movement. But, as he learned of Hus he grew to admire him. Luther condemned the burning of Hus and wrote of him, "If such a man is to be regarded as a heretic, then no person under the sun can be looked upon as a true Christian." In the Prague library, there is a hymn to Hus' memory, dating from 1572, with three medallions pictured. On the first medallion is a picture of Wyclif striking sparks against a stone. The second shows Hus kindling fire from the sparks. And the third depicts Luther holding aloft a flaming torch. --lavistachurchofchrist.org/ (excerpts)

Balthasar Hubmaier

1428 - 1528 Author of "Rejoice, rejoice in God" in Hymnal

John Hopkins

1470 - 1570 Person Name: J. H. Author of "Miserere mei" in The Whole Booke of Psalmes

Johann Horn

1485 - 1547 Person Name: Johann Horn, 1490-1547 Composer of "GAUDEAMUS PARITER" in Hymnal Supplement 98 See Roh, Jan, 1485?-1547

Hans Hut

1490 - 1527 Author of "O allmächtiger Herre Gott"

Johann Hess

1490 - 1547 Person Name: J. Hesse Author of "O world, I now must leave thee" in Chorale Book for England, The Hesse, Johann, D.D., son. of Johann von Hesse, a merchant of Nürnberg, was born at Nürnberg, Sept. 21 or 23, 1490. He attended the Universities of Leipzig (1506), Wittenberg, where he graduated M.A., 1511, and heard lectures froin Luther and Johann v. Staupitz; Bologna and Ferrara (D.D. at Ferrara, 1519). During his residence in Italy he gained an insight into the corruptions of the Church in that country, and on his return home in 1520 he sided more and more with the party of Reform. He had been appointed Canon of Neisse in Silesia in 1515, and was in 1520 ordained priest at Breslau. He acted for some time as a Provost of the Church of St. Mary and St. George, at Oels, and was then summoned to Breslau, in 1521, to preach as a Canon of the Cathedral. He did not at first declare himself openly for the Reformation; but on a visit to Nurnberg in the spring of 1523, preached a sermon in St. Sebald's Church, in which he proclaimed himself on the side of the Reformers. On this he was invited by 'the magistrates of Breslau to become Evangelical pastor of St. Mary Magdalene's Church there; and in spite of the opposition of the Pope and of King Sigismund of Poland, he was formally installed, Oct. 21, 1523, as the first Evangelical pastor elected by the people in Silesia. He died at Breslau, Jan. 6, 1547. (Koch, i. 360-367; Allgemeine Deutsche Biographie, xii. 283-284, &c.) Two hymns have been ascribed to Hesse, one of which has passed into English, viz.:— O Welt, ich muss dich lassen. For the Dying. Wackernagel, iii. p. 952, gives this in 10 stanzas of 6 lines from a broadsheet printed at Nürnberg, c. 1555, and from a Nürnberg Gesangbuch of 1569. It is also in the Unverfälschter Liedersegen, 1851, No. 839. Lauxmann, in Koch, viii. 589, says that according to tradition it was written as a dying song for criminals on their way to execution, in whose welfare Hesse had begun to interest himself as early as 1526. In Jeremias Weber's Gesangbuch, Leipzig, 1638, p. 110, it is entitled, "A funeral hymn for a person who on account of his misdeeds is lawfully and justly brought from life to death, whose departure is publicly shown that every¬one may take it to heart." Its popularity was greatly aided by the beautiful melody to which it is set. This is given in its original form by Miss Winkworth, and in Hymns Ancient & Modern (No. 86) is called Innspruck. It appears in G. Forster's Ausszug guter alter und newer Teutscher liedlein, Nürnberg, 1539, in a four-part setting by Heinrich Isaak (b. c. 1440, Capellmeister to the Emperor Maximilian I.) to the words of the travelling artisan's song " Innsbruck, ich muss dich lassen." This hymn is translated as:— 0 world, I now must leave thee, a good translation of stanzas i., iv.-viii., by Miss Winkworth, as No. 189 in her Chorale Book for England, 1863, repeated, omitting st. vi., in the Ohio Luth. Hymnal, 1880. Another translation is:—"0 world, I leave thee; far I go," by Dr. G. Walker, 1860, p. 161. Another form of the hymn is that with the same first line given in Heinrich Knaust's GassenJuiwer, Renter und Berpliedlin christlich, moraliter unnd sittlich verendert, Frankfurt-ani-Main, 1571, where it is in 3 stanzas, signed "D. H. K." (i.e. Dr. Heinrich Knaust), and entitled, "Issbruck ich muss dich lassen christianly and morally altered." Thence in Wackernagel, iv. p. 781. The only translation of this form is, "O world, I must forsake thee," by Miss Winkworth, 1869, p. 91. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology