Come, Dearest Lord, Descend and Dwell

Full Text

1 Come, dearest Lord, descend and dwell
by faith and love in every breast;
then shall we know and taste and feel
the joys that cannot be expressed.

2 Come, fill our hearts with inward strength,
make our enlargèd souls possess
and learn the height and breadth and length
of thine immeasurable grace.

3 Now to the God whose power can do
more than our thoughts or wishes know,
be everlasting honours done
by all the church, through Christ his Son.

Source: Ancient and Modern: hymns and songs for refreshing worship #438

Author: Isaac Watts

Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary… Go to person page >

Text Information

First Line: Come, dearest Lord, descend and dwell
Title: Come, Dearest Lord, Descend and Dwell
Author: Isaac Watts
Meter: 8.8.8.8
Language: English
Copyright: Public Domain
Liturgical Use: Communion Songs

Notes

Come, dearest Lord, descend and dwell. I. Watts. [Whitsuntide.] Given in the enlarged edition of his Hymns and Sacred Songs, 1709, Bk. i., No. 135, in 3 stanzas of 4 lines in 1753 G. Whitefield included it in his Collection. This was followed by R. Conyers in his Collection, 1774, and others, until its use has become extensive both in Great Britain and America. In many cases, especially in America, the term "dearest” so objectionable to many, is changed to, ”Come, gracious Lord," &c.

--John Julian, Dictionary of Hymnology (1907)

Tune

FEDERAL STREET

Henry Kemble Oliver (b. Beverly, MA, 1800; d. Salem, MA, 1885) composed FEDERAL STREET in 1832, possibly as an imitation of earlier psalm tunes in long meter. He took it to a music class taught by Lowell Mason (who may have contributed to the harmony); Mason (PHH 96) published it in his Boston Acade…

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CROSS DEEP


TALLIS' CANON

TALLIS CANON is one of nine tunes Thomas Tallis (PHH 62) contributed to Matthew Parker's Psalter (around 1561). There it was used as a setting for Psalm 67. In the original tune the melody began in the tenor, followed by the soprano, and featured repeated phrases. Thomas Ravenscroft (PHH 59) publish…

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Timeline

Media

The Cyber Hymnal #776
  • Adobe Acrobat image (PDF)
  • Noteworthy Composer score (NWC)
  • XML score (XML)
Small Church Music #3232
  • PDF Score (PDF)

Instances

Instances (1 - 14 of 14)Text InfoTune InfoTextScoreFlexScoreAudioPage Scan
Ancient and Modern: hymns and songs for refreshing worship #438Text
Common Praise: A new edition of Hymns Ancient and Modern #291a
Common Praise: A new edition of Hymns Ancient and Modern #291b
Complete Anglican Hymns Old and New #115
Hymns and Psalms: a Methodist and ecumenical hymn book #725a
Hymns and Psalms: a Methodist and ecumenical hymn book #725b
Hymns and Psalms: a Methodist and ecumenical hymn book #765
Rejoice in the Lord #501Text
Small Church Music #584Audio
Small Church Music #3232Audio
The Cyber Hymnal #776TextScoreAudio
Together in Song: Australian hymn book II #443
Trinity Hymnal (Rev. ed.) #340TextPage Scan
Welsh and English Hymns and Anthems #56b
Include 249 pre-1979 instances



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