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Holy, Holy, Holy! Lord God Almighty!
 | Holy, holy, holy! Lord God Almighty! Early in the morning our song shall rise to Thee.Author: Reginald Heber (1826)Tune: NICAEA (Dykes) Opening Hymns Published in 1305 hymnals Printable scores: PDF, SibeliusAudio files: MIDI | |
Author: Reginald Heber
Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today.
-- Greg Scheer, 1995… Go to person page >For Leaders
Text
It is uncommon when researching hymns to find one included in just about every hymnal, with almost universally similar text. And yet this is the case with Reginald Heber’s greatest hymn, “Holy! Holy! Holy!” published in 1826. The few variations are found in versions sung by non-trinitarian churches – the Mormon Tabernacle Choir changed the words, “God in Three Persons, blessed Trinity” to “God in His glory, blessed Deity!” – but these alterations are few and far between. The only other changes make the language more gender inclusive: "though the eye of sinful man" changes to "though the eye made blind by sin."
Tune
It is also very difficult to find a version of the hymn that is not sung to the most well-known of John B. Dykes’ tunes, NICAEA, written to accompany Heber’s text in 1861, and named after the council which first established the doctrine of the Trinity in 325 AD. Almost every hymnal includes the tune in the key of D. A few notes about instrumentation: to emphasize the confessional nature of the third stanza, bring down the volume a bit. Also, watch out for the last note of the third phrase! Too often we repeat the first phrase, which jumps from an A to an F# at the end. But the third phrase is purposefully different, holding out on the A. Make sure to really emphasize that difference.
There are a few different styles to which the tune can be adapted:
- Steven Curtis Chapman’s contemporary, guitar-driven version with an original refrain
- Sufjan Stevens’quieter, more reflective version led by piano
- King’s College Choir’s traditional version with choir and organ
When/Why/How
Heber wrote the hymn specifically for Trinity Sunday, which occurs eight weeks after Easter, and to be sung before or after the Nicene Creed is recited. Yet it also functions as a hymn of praise that could be used at any point in a service throughout the liturgical year. It can also be used as a processional hymn in Communion services.
There are a multitude of songs that could be sung with this hymn – Michael W. Smith’s “Agnus Dei,” Chris Tomlin’s “Holy is the Lord,” or the great hymn “All Creatures of our God and King” are just some examples.
There are a number of organ/piano accompaniments and arrangements to choose from – here are a few suggestions:
- The Coral Ridge Festival-Hymn Collection Vol I (Organ)
- Hayes, Mark. Hymn Harmonizations by Hayes(Creative accompaniments for the church pianist)
- Hopson, Hal H. The Creative Use of the Piano in Worship. Hope 8392
- Ferguson,John. Festival Hymns for Organ, Brass, and Timpani-Set 3
Laura de Jong Hymnary.org
In 325 AD, Church leaders convened in the town of Nicaea in Bithynia to formulate a consensus of belief and practice amongst Christians. What resulted was the Nicene Creed, a document passed on through the ages as one of the pillars of church doctrine. The primary function of this creed was to establish a firm belief in the Trinity, countering the heresy of Arius, who believed that Jesus was not fully divine. It was this creed that inspired Reginald Heber to write this great hymn of praise to the Triune God, with the intent that the hymn be sung before or after the creed was recited in a service, and on Trinity Sunday – eight weeks after Easter. The tune, composed by John B. Dykes for Heber’s text, is also titled NICAEA in recognition of Heber’s text. The words evoke a sense of awe at the majesty of God, and call on all of creation – humans, saints and angels, and all living things – to praise the Godhead three-in-one.
