Homem de Tristeza e Dor

Composer: Philip P. Bliss

Bliss, Philip, b. at Clearfield County, Pennsylvania, July 9, 1838. In 1864 he went to Chicago in the employ of Dr. George F. Root, the musician, where he was engaged in conducting musical Institutes, and in composing Sunday School melodies. Originally a Methodist, he became, about 1871, a choirman of the First Congregational Church, Chicago, and the Superintendent of its Sunday Schools. In 1874 he joined D. W. Whittle in evangelical work. To this cause he gave (although a poor man) the royalty of his Gospel Songs, which was worth some thirty thousand dollars. His death was sudden. It occurred in the railway disaster at Ashtabula, Ohio, Dec. 30, 1876. He had escaped from the car, but lost his life in trying to save his wife. His hymns are n… Go to person page >

Translator: Joan Larie Sutton

Joan Larie Sutton (nee Riffey) was born in Louisville, KY but lived most of her life in Brazil with her missionary parents. She began the study of violin at the age of ten, continuing her studies at Baylor University. She earned a Masters Degree in sacred music at Southern Baptist Theological Seminary in Louisville. She married William Boyd Sutton and together they worked in Brazil. She translated many hymns into Portuguese.… Go to person page >

Text Information

First Line: Homem de tristeza e dor
Title: Homem de Tristeza e Dor
English Title: "Man of Sorrows," What a Name
Translator: Joan Larie Sutton (1984)
Composer: Philip P. Bliss (1875)
Meter: 7.7.7. with aleluias
Language: Portuguese
Publication Date: 1991
Copyright: Copyright translation 1990 Joan L. Sutton. Used by permission.


[Man of Sorrows, what a name]

HALLELUJAH! WHAT A SAVIOR, composed by Bliss, is sometimes called GETHSEMANE. This strong tune is characterized by repeated tones and by rhythmic interest in the final phrase. Sing stanzas 1-4 in harmony in fairly strict rhythm. Sing stanza 5 in unison with some rhythmic freedom on the final phrase.…

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