Light of those whose dreary dwelling

Light of those whose dreary dwelling

Author: Charles Wesley (1744)
Published in 332 hymnals

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1 Light of those whose dreary dwelling
Borders on the shades of death,
Jesu, now Thyself revealing,
Scatter ev'ry cloud beneath.

2 Still we wait for Thine appearing;
Life and joy Thy beams impart,
Chasing all our doubts and cheering
Every meek and contrite heart.

3 Show Thy power in every nation,
O Thou Prince of peace and love!
Give the knowledge of salvation,
Fix our hearts on things above.

6 By Thine all-sufficient merit
Every burden'd soul release:
By the presence of Thy Spirit,
Guide us into perfect peace.

Hymnal: according to the use of the Protestant Episcopal Church in the United States of America, 1871

Author: Charles Wesley

Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepene… Go to person page >

Text Information

First Line: Light of those whose dreary dwelling
Author: Charles Wesley (1744)
Language: English


Light of those whose dreary dwelling. C. Wesley. [Christmas.] First published in his Hymns for the Nativity of Our Lord, 1746, No. xi., in 3 stanzas of 8 lines (Poetical Works, 1868-72, vol. iv. p. 116). It was adopted by M. Madan in 1760, B. Conyers in 1774, A. M. Toplady in 1776, and most evangelical hymnal compilers of that period. At the first it was retained in an unaltered form, but the changes made by Toplady in 1776 were followed by others, until at the present time, although found in numerous collections in all English-speaking countries, it is difficult to find any two texts alike. The secret lay in its being a purely Arminian hymn, but so constructed that it could be easily turned to account by Calvinists. For the alterations in use, Toplady, 1776, Cotterill, 1810, Bickersteth, 1833, and Elliott, 1835, are mainly answerable. In 1830 it was given in the Supplement to the Wesleyan Hymn Book in an unaltered form.

--John Julian, Dictionary of Hymnology (1907)



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