O come, O come, Emmanuel, And ransom captive IsraelTranslator: John Mason Neale (1851)
Tune: VENI EMMANUEL (Chant)
Published in 407 hymnals
Printable scores: PDF, SibeliusAudio files: MIDI
1 O come, O come, Immanuel,
and ransom captive Israel
that mourns in lonely exile here
until the Son of God appear.
Rejoice! Rejoice! Immanuel
shall come to you, O Israel.
2 O come, O Wisdom from on high,
who ordered all things mightily;
to us the path of knowledge show
and teach us in its ways to go. Refrain
3 O come, O come, great Lord of might,
who to your tribes on Sinai's height
in ancient times did give the law
in cloud and majesty and awe. Refrain
4 O come, O Branch of Jesse's stem,
unto your own and rescue them!
From depths of hell your people save,
and give them victory o'er the grave. Refrain
5 O come, O Key of David, come
and open wide our heavenly home.
Make safe for us the heavenward road
and bar the way to death's abode. Refrain
6 O come, O Bright and Morning Star,
and bring us comfort from afar!
Dispel the shadows of the night
and turn our darkness into light. Refrain
7 O come, O King of nations, bind
in one the hearts of all mankind.
Bid all our sad divisions cease
and be yourself our King of Peace. Refrain
Psalter Hymnal (Gray)
|First Line:||O come, O come, Emmanuel, And ransom captive Israel|
|Title:||O Come, O Come, Emmanuel|
|Latin Title:||Veni, veni Emmanuel|
|Translator:||John Mason Neale (1851)|
|Source:||Latin, c. 12th century; Ancient Antiphons (Latin), versified in 18th century|
|Refrain First Line:||Gaude, gaude, Emmanuel|
|Liturgical Use:||Opening Hymns|
The text for "O Come, O Come, Emmanuel" comes from a 7 verse poem that dates back to the 8th century. It was used in a call and response fashion during the vespers, or evening, service. The original text created the reverse acrostic "ero cras," which means "I shall be with you tomorrow," and is particularly appropriate for the advent season. A metrical version of five of the verses appeared in the 13th century, which was translated into English by J.M. Neale in 1851. Each of the five verses expounds upon one of the names for the Messiah:
"Emmanuel" (Isaiah 7:14, Mt 1:23) means "God with us"
"Adonai" (Exodus 19:16) is a name for God, the giver of the law
"Branch of Jesse" (Isaiah 11:1) refers to Jesus' lineage
"Oriens" (Malachi 4:2, Luke 1:78-79) is the morning star or daystar
"Key of David" (Isaiah 22:22) again refers to Jesus' lineage
--Greg Scheer, 1994
Bulletin Score (melody only)
Each verse of this hymn refers to Christ by various Old Testament titles, thus exemplifying Christ as the fulfillment of Old Testament prophecy. In addition to its anticipation of Christ’s birth, the hymn can also be interpreted to refer to the Second Coming. Van Trapp’s alternate text expounds on this theme:
“O Come, Messiah, come again And rid the world of death and sin. Return Thou risen Savior and King, That heav’n and earth at last may sing.” (Hymnal for Worship and Celebration: Word Music, 1986).
Fifteen hundred years gives a lot of time to make changes to the text, and it turns out there aren’t many hymnals that have exactly the same words. Like the original Latin poem, J.M Neale’s translation from 1851 contained seven stanzas; today many modern hymnals contain only five. You probably won't come across any big disputes over which text you use; most of the changes have occurred gradually and the versions we now use have simply been passed along in our various traditions. A refrain was also added to the original text that is familiar and oft-sung today: “Rejoice, rejoice, Immanuel shall come to you, O Israel.”
“O Come, O Come, Immanuel” is set to the tune VENI EMMANUEL, adapted by Thomas Helmore. This haunting and pleading tune beautifully supports the words of longing found in the text, with the hopeful change into the refrain. When arranging, be sure to highlight the juxtaposition between the verses and the refrain that is powerfully moving – the verses should evoke a sense of deep, deep longing, and the refrain then acts as a response of assurance to that plea. This could be expressed by singing the stanzas in unison and the refrain in harmony, or using lighter instrumentation on the verses and get louder on the refrain, as well changing from minor accompaniment to major.
Despite being an old hymn, “O Come, O Come, Immanuel” is easily adaptable for a worship team. The hymn lends itself to various interpretations, but is perhaps most effective with soft, cascading piano accompaniment in the upper registers and soft acoustic guitar. Auxiliary instruments such as violins and flutes can also be used effectively; music director David Schaap recommends intermittently ringing hand bells throughout the piece to affect an ethereal feel (Schaap, David. "Hymn of the Month," Reformed Worship. The plainchant is also quite effective when simply sung a cappella, especially if led by a skilled choir. You can find many examples of contemporary interpretations to inspire your own arrangements. Here are just a few:
In Hymnal for Worship and Celebration, “O Come, O Come, Immanuel” is part of a brief worship sequence for an Advent service that begins with a responsive reading and connects the hymns “O Come, O Come, Immanuel,” “Come Thou Long-Expected Jesus” and “Joy to the World!” with musical segues. Additionally, the hymn may be sung antiphonally, with a choir or soloist introducing the opening refrain (possibly in the original Latin) and the congregation joining in on the first stanza. David Schaap recommends singing each verse separately followed by a reading of the corresponding Old Testament prophesy (perhaps over ambient piano or organ transitions). While the ‘O’ Antiphons would have been sung each day during the week before Christmas, it is also possible to sing two stanzas each week of Advent, a tradition some Catholic churches hold: stanzas 1 & 2 on the first Sunday, 3 & 4 on the second Sunday, 5 & 6 on the third Sunday, and 1 & 7 on the fourth Sunday.
Other suggested music:
Laura de Jong, Hymnary.org
This ancient advent hymn originated in part from the “Great ‘O’ Antiphons,” part of the medieval Roman Catholic Advent liturgy. On each day of the week leading up to Christmas, one responsive verse would be chanted, each including a different Old Testament name for the coming Messiah. When we sing each verse of this hymn, we acknowledge Christ as the fulfillment of these Old Testament prophesies. We sing this hymn in an already-but not yet-kingdom of God. Christ's first coming gives us a reason to rejoice again and again, yet we know that all is not well with the world. So along with our rejoicing, we plead using the words of this hymn that Christ would come again to perfectly fulfill the promise that all darkness will be turned to light. The original text created a reverse acrostic: “ero cras,” which means, “I shall be with you tomorrow.” That is the promise we hold to as we sing this beautiful hymn.
InstrumentalMore Instrumental >
HandbellsMore Handbells >
|Instances of this text:|
|No available text instances|