Of the Father's love begotten,
Ere the worlds began to be,
He is Alpha and Omega,
He the source, the ending he,
Of the things that are, that have been,
And that future years shall see,
Evermore and evermore!

O that Birth for ever blessèd,
When the Virgin, full of grace,
By the Holy Ghost conceiving,
Bare the Savior of our race;
And the Babe, the world's Redeemer,
First revealed his sacred face,
Evermore and evermore!

O ye heights of heaven adore him;
Angel hosts, his praises sing;
Powers, Dominions, bow before him,
And extol our God and King;
Let no tongue on earth be silent,
Every voice in concert ring,
Evermore and evermore!

Thee let old men, thee let young men,
Thee let boys in chorus sing;
Matrons, virgins, little maidens,
With glad voices answering:
Let their guileless songs re-echo,
And the heart its music bring,
Evermore and evermore!

Christ, to thee with God the Father,
And, O Holy Ghost, to thee,
Hymn and chant and high thanksgiving,
And unwearied praises be:
Honour, glory, and dominion,
And eternal victory,
Evermore and evermore!

Amen.

Scripture References:
st. 1 = Rev. 22:13, Rev. 1:8, Rev. 21:6, Ps. 2:7, Heb. 1:5
st. 2 = Luke 1:35, Luke 2:11, Matt. 1:18, 21
st. 3 = Luke 1:70
st.4 = Ps. 148:1-2, Ps. 150:6

This hymn, with very ancient roots, is a confession of faith about the Christ, the eternal Son of God, whose birth and saving ministry were the fulfillment of ancient prophecies (st. 1-3). The final stanzas are a doxology inspired by John's visions recorded in Revelation 4-7 (st. 4-5). The text is based on "Corde natus ex parentis," a Latin poem by Marcus Aurelius C. Prudentius (b.Saragossa[?], Northern Spain, 348; d. c. 413).

Prudentius was the greatest Christian poet of his time. We know little of his life–only what he tells us in his own writings. He received a fine education, served as a judge and "twice ruled noble cities." He also tells of an appointment at the imperial court in Rome. But at the age of fifty-seven Prudentius bade farewell to this successful, prosperous life and vowed to spend the rest of his days in poverty. He served the church by meditating and writing, presumably at an unnamed monastery. All of his writings are in poetic form, including learned discussions in theology and apologetics. Most of the English hymns derived from his works, including "Of the Father's Love Begotten," were taken from his Liber Cathemerinon (c. 405), which consists of twelve extended poems meant for personal devotions, six for use throughout the hours of the day and six for special feasts.

Working from the Latin text, John Mason Neale (b. London, England, 1818; d. East Grinstead, Sussex, England, 1866) prepared a translation and published it as a six-stanza hymn in his The Hymnal Noted (1854). He retained the refrain "Evermore and evermore," an eleventh-century addition to the original Latin text.

Neale's life is a study in contrasts: born into an evangelical home, he had sympathies toward Rome; in perpetual ill health, he was incredibly productive; of scholarly temperament, he devoted much time to improving social conditions in his area; often ignored or despised by his contemporaries, he is lauded today for his contributions to the church and hymnody. Neale's gifts came to expression early–he won the Seatonian prize for religious poetry eleven times while a student at Trinity College, Cambridge, England. He was ordained in the Church of England in 1842, but ill health and his strong support of the Oxford Movement kept him from ordinary parish ministry. So Neale spent the years between 1846 and 1866 as a warden of Sackville College in East Grinstead, a retirement home for poor men. There he served the men faithfully and expanded Sackville's ministry to indigent women and orphans. He also founded the Sisterhood of St. Margaret, which became one of the finest English training orders for nurses.

Laboring in relative obscurity, Neale turned out a prodigious number of books and artic1es on liturgy and church history, including A History of the So-Called Jansenist Church of Holland (1858); an account of the Roman Catholic Church of Utrecht and its break from Rome in the 1700s; and his scholarly Essays on Liturgiology and Church History(1863). Neale contributed to church music by writing original hymns, including two volumes of Hymns for Children (1842, 1846), but especially by translating Greek and Latin hymns into English. These translations appeared in Medieval Hymns and Sequences (1851, 1863, 1867), The Hymnal Noted (1852, 1854), Hymns of the Eastern Church (1862),
and Hymns Chiefly Medieval (1865). Because a number of Neale's translations were judged unsingable, editors usually amended his work, as evident already in the 1861 edition of Hymns Ancient and Modem; Neale claimed no rights to his texts and was pleased that his translations could contribute to hymnody as the "common property of Christendom."

The story of "Of the Father's Love Begotten" continues with the 1859 nine-stanza revision by Henry W. Baker (b. Vauxhall, Lambeth, Surrey, England, 1821; d. Monk1and, England, 1877), published in Hymns Ancient and Modern (1861). Educated at Trinity College, Cambridge, Baker was ordained in the Church of England in 1844. He became the vicar of the Monkland parish in 1851, where he remained until his death. Because of his high-church beliefs in the celibacy of the clergy, Baker was unmarried. In the history of hymnody Baker is well known as the editor and chairman of the committee that compiled Hymns Ancient and Modern, the most significant British hymnal of the nineteenth century. Baker devoted at least twenty years of his life to this endeavor.
Considered an autocratic editor in his time, Baker freely changed hymn texts, but man' of his decisions have proven themselves over time. The 1875 edition of Hymns Ancient and Modern contained thirty-three of Baker's original hymns and translations.

Liturgical Use:
Christmas season; without stanza 2 on many other occasions; because the original Latin poem concerns Christ’s miracles, could be sung during Epiphany or at worship services when the New Testament gospel is preached; stanza 4 and 5 make a fine doxology for the close of any service.

--Psalter Hymnal Handbook