Savior of the nations, come, Show yourself, the virgin's son (Seerveld)Author: Ambrose, 4th c.; Author: Martin Luther (1523); Translator: Calvin Seerveld (1984)
Tune: NUN KOMM, DER HEIDEN HEILAND
Published in 4 hymnals
Printable scores: PDF, SibeliusAudio files: MIDI, Recording
|First Line:||Savior of the nations, come, Show yourself, the virgin's son (Seerveld)|
|Title:||Savior of the Nations, Come|
|Latin Title:||Veni, Redemptor gentium|
|Translator:||Calvin Seerveld (1984)|
|Author:||Ambrose, 4th c.|
|Author:||Martin Luther (1523)|
|Copyright:||Trans. © Calvin Seerveld|
st. 1-3 = Luke 1:26-45
st. 4 = Phil. 2:6-11
As attested by Augustine in 372, as well as by other early writers, Ambrose wrote this hymn in Latin ("Veni, Redemptor gentium") in the fourth century. The text appears in a number of eighth- and ninth-century manuscripts. Martin Luther (b. Eisleben, Saxony, Germany, 1483; d. Eisleben, 1546) translated this text into German ("Nun komm, der Heiden Heiland") in 1523 and included it in the Erfurt Enchiridia (1524). Consequently "Savior of the Nations" has become possibly the best known of the Lutheran Advent hymns. Various English translations are found in modern hymnals, many of which use, at least in part, William M. Reynolds's translation from his Hymns, Original and Selected (1851). Using the Latin and German texts as well as several English translations, Calvin Seerveld (PHH 22) prepared the translation that appears in the Psalter Hymnal in Toronto, Ontario, in 1984.
Stanzas 1-3 explain in hymn form what the Apostles' Creed confesses: he was "conceived by the power of the Holy Spirit and born of the virgin Mary" (see also Luke 1:26-45). Stanza 4 alludes to Philippians 2:6-11, which speaks of Christ's humiliation and exaltation. Stanza 5 is a prayer for faithfulness, and stanza 6 is a plea that Christ continue to intercede for his people. Stanza 7, a doxology, points to Christ's second coming and the coming of his eternal "lasting kingdom."
Ambrose (b. Treves, Germany, 340; d. Milan, Italy, 397), one of the great Latin church fathers, is remembered best for his preaching, his struggle against the Arian heresy, and his introduction of metrical and antiphonal singing into the Western church. Ambrose was trained in legal studies and distinguished himself in a civic career, becoming a consul in Northern Italy. When the bishop of Milan, an Arian, died in 374, the people demanded that Ambrose, who was not ordained or even baptized, become the bishop. He was promptly baptized and ordained, and he remained bishop of Milan until his death. Ambrose successfully resisted the Arian heresy and the attempts of the Roman emperors to dominate the church. His most famous convert and disciple was Augustine. Of the many hymns sometimes attributed to Ambrose, only a handful is thought to be authentic.
The influence of Martin Luther was monumental in biblical studies, theology, and the course of church history, but his influence was equally important in the worship and music of the church. He was educated at Magdeburg, Eisenach, and Erfurt and Intended to enter the legal profession. But at the age of twenty-two he decided to become a monk and entered the Augustinian monastery in Erfurt. There he under¬went the required rigors of spiritual training and was ordained in 1507. In 1510 he was commissioned to go to Rome to discuss a controversy within the Augustinian order. While in Rome, Luther was shocked by the worldliness and commercialism of the Italian clergy and the ostentation of the papacy.
After his return to Germany, Luther was appointed professor of sacred Scriptures at the University of Wittenberg, a position he retained until his death. In his lectures and preaching Luther began to teach the biblical and Augustinian doctrines of salvation by grace through faith in Christ, and he began to urge reforms of the abuses in the church. This call for reform came to a head when the Dominican friar Johann Teael appeared selling indulgences. Luther protested the whole system of salvation as taught by the church and published his "Ninety-five Theses" in 1517. This challenge resulted in a condemnation from Rome, and Luther found himself on a collision course with the church. He devoted the rest of his life to working out the implications of his stance and to assuming the leadership of the Protestant Reformation. Luther embodied his teachings in sermons, lectures, debates, table conversations, devotions, letters, and songs. His collected works number over fifty volumes (in English translation), not including one of his greatest contributions-the translation of the Bible into German.
Luther also became involved in the reformation of the worship of the church. It is generally recognized that in his liturgy Luther remained much closer to the Roman Catholic Church than did Calvin. However, both his Latin Mass ("Formula missae," 1523) and German Mass ("Deutscher messe," 1526) incorporated the basic teachings of the Reformation and became the model of worship for later Lutheran (and other) churches. Luther also promoted congregational singing and wrote thirty-five hymns, many based on the psalms and others on early hymns. Scholars are not completely certain how many hymn tunes he composed himself or arranged from other sources, but more are attributed to Luther now than in the past. Luther was a fine singer and lute player, and his love of music influenced the Lutheran tradition. In cooperation with a number of associates, Luther supervised the compilation of various hymnals, ranging from the Achtliederbuch (1524) to Babst's Geystliche Lieder (1545).
During Advent or for Christmas Day (on Christmas Day st. 1-6 could be sung during the worship service, with st. 7 reserved for the doxology); stanzas 4-7 could also be used during Lent and for Easter Sunday.
--Psalter Hymnal Handbook
|Instances (1 - 4 of 4)||Title||First Line||Tune||Tune Key||Author||Meter||Scripture||Date||Subject||Source|
|Lift Up Your Hearts: psalms, hymns, and spiritual songs #74||Savior of the Nations, Come||Savior of the nations, come||NUN KOMM DER HEIDEN HEILAND||Ambrose, 4th c.; Martin Luther; Calvin Seerveld||184.108.40.206||Genesis 18:18; Luke 1:26-45; Philippians 2:6-11||2013||Biblical Names and Places | Bethlehem; Biblical Names and Places | Gethsemane; Biblical Names and Places | Mary; Church Year | Advent; Doxologies ||
|Psalter Hymnal (Gray) #336||Savior of the Nations, Come||Savior of the nations, come||NUN KOMM DER HEIDEN HEILAND||Ambrose, 4th cent.; Calvin Seerveld; Martin Luther||77 77||Luke 1:35; John 1:1-14||1987||Intercession of Christ | ; Ascension & Reign of Christ | ; Biblical Names & Places | Bethlehem; Biblical Names & Places | Gethsemane; Biblical Names & Places | Mary; Return of Christ | ; Suffering of Christ | ; Advent | ; Christmas | ; Kingdom | ; New Creation | ; Trinity ||
|The Worshiping Church #138||Savior of the Nations, Come||Savior of the nations, come||NUN KOMM, DER HEIDEN HEILAND||Ambrose of Milan, 4th C.; Martin Luther; Calvin Seerveld||220.127.116.11.||Philippians 2:8; Philippians 2:6-8; John 1:13-14; Genesis 18:18; Psalm 67:2; Matthew 6:10; Hebrews 7:25; Colossians 3:1; Revelation 22:20||1990||Advent Season | ; Jesus Christ | Self-humiliation|
|Worship and Rejoice #168||Savior of the Nations, Come||Savior of the nations, come||NUN KOMM, DER HEIDEN HEILAND||Calvin Seerveld, 1930-; Ambrose of Milam, 4th c.; Martin Luther, 1483-1546||18.104.22.168.||John 1:13-14; Psalm 67:2; Philippians 2:6-8; Luke 1:34; Revelation 22:20; Genesis 18:18; Acts 7:55; Matthew 6:10; Hebrews 9:23-28; Acts 1:10-11; Matthew 1:23; Hebrews 7:25; John 14:1-3; Isaiah 7:14; Colossians 3:1||2008|