Thy word, O God, declareth

Representative Text

1 Thy Word, O God, declareth
No man hath seen or heard
The joys our God prepareth
For them that love their Lord.
Their eyes shall see Thy glory,
Thy face, Thy throne, Thy might;
With shouts shall they adore thee,
The true, eternal Light.

2 With Thee, their warfare ended,
Thy saints, from earth released,
Shall keep, with glories splendid,
Eternal holy feast.
There shall Thy sons and daughters
The tree of life partake,
Shall drink the living waters,
And bread with Thee shall break.

3 Thy constant praises sounding
Before Thy great white throne,
They all in joy abounding
Shall sing the song unknown:
Laud, honor, praise, thanksgiving
And glory ever be
To Thee, the everlasting
And blessed Trinity.

Source: Hymnal and Liturgies of the Moravian Church #568

Translator: Alfred Ramsey

(no biographical information available about Alfred Ramsey.) Go to person page >

Author: Johann Walter

Johann Walther (b. Kahla, Thuringia, Germany, 1496: d. Torgau, Germany, 1570) was one of the great early influences in Lutheran church music. At first he seemed destined to be primarily a court musician. A singer in the choir of the Elector of Saxony in the Torgau court in 1521, he became the court's music director in 1525. After the court orchestra was disbanded in 1530 and reconstituted by the town, Walther became cantor at the local school in 1534 and directed the music in several churches. He served the Elector of Saxony at the Dresden court from 1548 to 1554 and then retired in Torgau. Walther met Martin Luther in 1525 and lived with him for three weeks to help in the preparation of Luther's German Mass. In 1524 Walther published the… Go to person page >

Text Information

First Line: Thy word, O God, declareth
German Title: Kein Ohr hat nie gehöret
Author: Johann Walter
Translator: Alfred Ramsey
Language: English
Copyright: Public Domain

Tune

ST. ANSELM (Barnby)


WIE SOLL ICH DICH EMPFANGEN

Johann Crüger composed WIE SOLL ICH DICH EMPFANGEN for Gerhardt's text and published the tune in 1653; the tune name is the German incipit of Gerhardt's text. Enhancing a sense of personal and communal meditation, the tune gives reflective support to this text. The tune is in isorhythmic form (all…

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The Cyber Hymnal #6737
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The Cyber Hymnal #6737

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