When Thou my righteous Judge shalt come

Representative Text

When Thou, my righteous Judge, shalt come
To fetch Thy ransomed people home,
Shall I among them stand?
Shall such a worthless worm as I,
Who sometimes am afraid to die,
Be found at Thy right hand?

I love to meet among them now,
Before Thy gracious feet to bow,
Though vilest of them all;
But can I bear the piercing thought:
What if my name should be left out,
When Thou for them shalt call?

Prevent, prevent it by Thy grace;
Be Thou, dear Lord, my hiding-place,
In this the accepted day:
Thy pardoning voice, O let me hear,
To still my unbelieving fear,
nor let me fall, I pray.

Let me among Thy saints be found,
Whene'er the archangel's trump shall sound
To see Thy smiling face;
Then loudest of the crowd I'll sing,
While heaven's resounding mansions ring
With shouts of sovereign grace.

Author: Selina Hastings, Countess of Huntingdon

Born: August 24, 1707, Astwell House, Nottinghamshire, England. Died: June 17, 1791, London, England. Buried: St. Helen’s Church, Ashby-de-la-Zouch, Leicester, England. Selena Huntingdon, née Shirley, Countess of, daughter of Washington, Earl Ferrers, was born Aug. 24, 1707; married to Theophilus Hastings, 9th Earl of Huntindon, June, 1728; and d. in London, June 17, 1701. At an early age she received serious religious impressions, which continued with her, and ruled her conduct through life. She was a member of the first Methodist Society, in Fetter Lane, London, and the first Methodist Conference was held at her house in June, 1744. Her sympathies, however, were with the Calvinism of G. Whitefield, and when the breach took plac… Go to person page >

Notes

O when my righteous Judge shall come. [The Judgment Day.] Miller's account of this hymn in his Singers and Songs, &c, 1869, p. 182, is:—

"It was in this fourth edition [of the Lady Huntingdon Hymn Book] that there appeared for the first time the striking and well-known hymn by the Countess ‘Oh! when my righteous Judge shall come.' . . . It is the second part of a piece on the Judgment Day which has a first part of five verses, beginning ‘We soon shall hear the midnight cry.'"

This statement by Miller is based upon information which he received from Daniel Sedgwick. On turning to D. Sedgwick's own copy of the edition of the Lady Huntingdon Hymn Book referred to by Miller, we find, first, two separate and distinct hymns numbered 146 and 147, and beginning respectively, "We soon shall hear the midnight cry” and "O when my righteous Judge shall come;" and, secondly, a note in pencil in Sedgwick's handwriting which reads, "Hymn 146 and 147 seem to be both by the same Author-—perhaps the Countess's." On turning to Sedgwick's copy of Miller's Singers and Songs, we find, written by Sedgwick opposite the words quoted by Miller as above, the following:—

" Upon the testimony of the Rev. Thomas Young of Canterbury this hymn was composed by Charles Wesley. None doubt it was wrote at the suggestion of the Countess by C. Wesley."

It is clear that these guesses of Sedgwick are worthless. The history of the hymn, so far as we have been able to trace it, is as follows:—
(1) In an enlarged edition of the Lady Huntingdon Collection, circa 1774, it was given, together with "We soon shall hear the midnight cry" (as Nos. 145 and 147), in 4 stanzas of 6 lines, and in common with all the rest of the hymns in the collection without signature. Both hymns were subsequently omitted from all official editions of the hymn-book, a fact which tells greatly against the guess that they were written by the Countess.
(2) We next find both hymns in the 1775 Appendix by L. Coughlan to J. Bazlee's Select Collection of Psalms & Hymns . . . for the Use of the Congregation of Cumberland Street ,[London] Chapel. [Lady Huntingdon.] They are numbered 295, 296.
(3) "We soon shall hear the midnight cry," is seldom found after this date; but its companion hymn, "0 when my righteous Judge shall come," appears in Rippon's Baptist Selection, 1787, No. 579, as "When Thou, my righteous Judge, shalt come." This was repeated in numerous hymn-books in Great Britain and America, and is the popular form of the hymn.
The most, therefore, that can be said with regard to its authorship is that it is "Anon. Lady Huntingdon’s Hymn Book, circa 1774: Rippon’s Baptist Selection 1787."

--John Julian, Dictionary of Hymnology (1907)

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Instances

Instances (201 - 300 of 437)
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Sacred Melodies for Social Worship #169

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Sacred Melodies for Social Worship #415

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Sacred Melodies #13

Sacred Songs for Church and Home #d373

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Sacred Songs for Family and Social Worship #356

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Sacred Songs for Social Worship #249

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Salvation Army Songs #153

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Seamen's Hymns #665

Seamen's Hymns and Devotional Assistant #d465

Select Hymns #d137

Social Hymn and Tune Book #d313

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Social Hymn Book #447

Social Hymns, Original and Selected #d137

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Social Psalmist #665

Song Evangel #d115

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Songs for Social and Public Worship #686

Songs for Social and Public Worship. Rev. ed. #d320

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Songs for the Lord's House #539

Songs for the New Life #d511

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Songs for the Sanctuary, or Hymns and Tunes for Christian Worship #542

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Songs for the Sanctuary; or Psalms and Hymns for Christian Worship (Baptist Ed.) #542

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Songs for the Sanctuary; or, Psalms and Hymns for Christian Worship (Words only) #542

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Songs for the Sanctuary #542

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Songs for the Sanctuary #542

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Songs for the Sanctuary #542

Songs of Christian Praise with Music #d423

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Songs of Devotion for Christian Assocations #149

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Songs of the Church #320

Songs of Zion #d139

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Songs of Zion Enlarged #286

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Songs of Zion #157

Sought-Out Songs for Christian Workers #d114

Sought-Out Songs for Christian Workers #d119

Spiritual Melodies #d242

Spiritual Melodies. Enl. & impr. ed. #d284

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Sunday-School Hymns #198

Supplement to Watts #d327

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Sursum Corda #767

Temple Chimes #d193

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Temple Melodies #288

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The Academic Hymnal #272

The Advent Christian Hymnal #d644

The Advent Christian Hymnal. Rev. #d270

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The Advent Harp; designed for believers in the speedy coming of Christ #66

The American Hymn and Tune Book #d615

The American Hymn and Tune Book, Newly Revised and Especially Adapted to Vestry Use #d108

The American Repository of Sacred Music #d120

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The American Sunday-School Hymn-Book #315

The American Tune Book (Carmina Sacra, enlarged) #d302

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The American Vocalist #140b

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The American Vocalist #279b

The Anniversary and Sunday School Music Book No. 1-5 #d131

The Army Hymn Book #d62

The Army Hymn Book. 2nd ed. #d79

The Baptist Harmony #d438

The Baptist Harmony #d281

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The Baptist Harp #570

The Baptist Hymn and Praise Book #d379

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The Baptist Hymn and Tune Book for Public Worship #963

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The Baptist Hymn and Tune Book, for Public Worship #330.963

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The Baptist Hymn and Tune Book #383

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The Baptist Hymn Book #963

The Baptist Hymn Book, in Two Parts #d435

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The Baptist Hymn Book #1265

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The Baptist Hymn Book #B106

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The Baptist Hymnal, for Use in the Church and Home #662

The Baptist Hymnal #662

The Baptist Hymnal. Shaped notes ed. #d447

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The Baptist Praise Book #621

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The Baptist Psalmody #1241

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The Baptist Standard Hymnal #600

The Bible Harp #d198

The Book of Praise #d604

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The Book of Worship #532

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The Calvary Selection of Spiritual Songs #496

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The Camp-Meeting Chorister #126

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The Canadian Baptist Hymn Book #725

The Canadian Baptist Hymnal for the use of Churches and Families #d483

The Centennial Hymnal #d299

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The Chapel hymn book, with tunes #328

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The Choice #S140

The Choice #S140

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The Choir #194

The Choralist #d270

The Chord #d91

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The Christian Church Hymnal #420

The Christian Hymn Book #d489

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The Christian Hymn Book #1114

The Christian Hymn Book. 7th ed. #d493

The Christian Hymnal #d518

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The Christian Hymnal #744

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The Christian hymnal #385

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The Christian Hymnal #431

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The Christian Hymnal #105

The Christian Hymnist #d413

The Christian Lyre #d312

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The Christian Lyre, Volume 1 #94

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The Christian Lyre #94

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The Christian Lyre #94

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The Christian Melodist #524

Pages

Exclude 434 pre-1979 instances
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