BETHANY (Smart)

Composer: Henry Thomas Smart

Henry Thomas Smart (26 October 1813 – 6 July 1879) was an English organist and composer. Smart was born in London, a nephew of the conductor Sir George Smart. He studied first for the law, but soon gave this up for music. In 1831 he became organist of Blackburn parish church, where he wrote his first important work, a Reformation anthem; then of St Giles-without-Cripplegate; St Luke's, Old Street; and finally of St Pancras New Church, in 1864, which last post he held at the time of his death, less than a month after receiving a government pension of £100 per annum. Smart was also skilled as a mechanic, and designed several organs. Smart was highly rated as a composer by his English contemporaries, but is now remembered only by a fe… Go to person page >

Tune Information

Composer: Henry Thomas Smart (1867)
Meter: 8.7.8.7 D
Incipit: 36531 21765 13543
Key: E♭ Major

Texts

At Thy feet, our God and Father

At Thy feet, our God and Father,
Who has blessed us all our days,
We with grateful hearts would gather,
To begin the year with praise:
Praise for light so brightly shining
On our steps from heaven above;
Praise for mercies daily twining
Round us golden cords of love.
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"What things were gain to Die, those I counted loss for Christ"

Notes

BETHANY, named after the village near Jerusalem, is a suitably dramatic tune for the song text. It was composed by Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). He originally composed BETHANY for the text “Jesus, I My Cross Have Taken”; it was first published in Psalms and Hymns for Divine Worship (1867). Though Smart favored unison singing, which works well, especially with all the stops pulled out and the tempo increased on stanza 2, the harmonization is quite accessible to part singing. (Note: this BETHANY should not be confused with one composed by Lowell Mason in 1856 and first published as a setting for "Nearer, My God, to Thee.")

Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporizations and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for important places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861).

--Psalter Hymnal Hadnbook

Media

Christian Classics Ethereal Hymnary #805
  • Four-part harmony, full-score (PDF, NWC)
Psalter Hymnal (Gray) #233
Text: Heavenly Hosts in Ceaseless Worship

Instances

Instances (6)TextImageAudioScore
Christian Classics Ethereal Hymnary #805AudioScore
Evangelical Lutheran Hymnary #385Text
Presbyterian Hymnal #523TextImage
Psalter Hymnal (Gray) #233TextImageAudioScore
Rejoice in the Lord #382Text
Revival Hymns and Choruses #218