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![]() | GREENLAND (Haydn)Composer (attr.): Michael HaydnPublished in 29 hymnals Printable scores: PDF, Sibelius Audio files: MIDI |
Johann Michael Haydn(14 September 1737 – 10 August 1806) was an Austrian composer of the classical period, the younger brother of Joseph Haydn.
Johann Michael Haydn was born in 1737 in the Austrian village of Rohrau, Austria near the Hungarian border. His father was Mathias Haydn, a wheelwright who also served as "Marktrichter", an office akin to village mayor. Haydn's mother Maria, née Koller, had previously worked as a cook in the palace of Count Harrach, the presiding aristocrat of Rohrau. Mathias was an enthusiastic folk musician, who during the journeyman period of his career had taught himself to play the harp, and he also made sure that his children learned to sing; for details see Mathias Haydn.
Michael's early profession… Go to person page >| Composer (attr.): | Michael Haydn |
| Meter: | 7.6.7.6 |
| Incipit: | 35555 13322 44323 |
| Key: | E♭ Major |
Rejoice, rejoice, believers!
And let your lights appear;
The evening is advancing,
And darker night is near.
The Bridegroom is arising,
And soon He will draw nigh;
Up! pray, and watch, and wrestle!
At midnight comes the cry.
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O God, the Rock of Ages,
Who evermore hast been,
What time the tempest rages,
Our dwelling place serene:
Before Thy first creations,
O Lord, the same as now,
To endless generations
The Everlasting Thou!
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GREENLAND, an example of the popular nineteenth-century practice of creating hymn tunes from the works of classical composers, is thought to be originally from one of J. Michael Haydn's (PHH 67) "Deutschen Kirchen Messen." The tune acquired its title from its occasional association with the text "From Greenland's Icy Mountains" by Reginald Heber (PHH 249).
The harmonization is from Benjamin Jacob's National Psalmody (1819). Jacob (b. London, England, 1778; d. London, 1829) became the organist of Salem Chapel in Soho, London, at age ten. Known as one of the best organists of his day, he was also active as a pianist and conductor. He included his own tunes and harmonizations as well as those of others in the 1819 hymnbook he compiled.
GREENLAND has a large range, strong high points, and a rising "rocket" figure at the beginning of the fourth line. It is well suited to choral harmony with brass accompaniment. Because the first two stanzas are sung by believers to believers, the congregation could divide as follows: women on stanza 1; men on stanza 2; all on stanza 3. Sing the hymn with a great sense of rejoicing, but note the change (st. 2-3) to a sense of hopeful expectation that Christ will soon return.
--Psalter Hymnal Handbook
| Instances (3) | First Line | Text Title | Refrain First Line | Authors | Composers | Meter | Scripture | Tune Title | Tune Key | Incipit | Languages | Publication Date | |||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Christian Classics Ethereal Hymnary #708 | Johann Michael Haydn; B. Jacob | 7.6.7.6 | GREENLAND | 355551332244323 | 2007 | ||||||||||||
| Les Chants de Pèlerin #72 | Tu m'as aimé, Seigneur! | Tu M'As Aimé, Seigneur! | Frédéric L.F. Chavannes | Michael Haydn (1737-1806) | GREENLAND | E Flat Major | French | 2001 | |||||||||
| Psalter Hymnal (Gray) #333 | Rejoice, rejoice, believers | Rejoice, Rejoice, Believers | Laurentius Laurenti; Sarah B. Findlater | J. Michael Haydn, 1737-1806 | 7.6.7.6.7.6.7.6 | Matthew 25:1-13; Matthew 25:13 | GREENLAND | E Flat Major | English | 1987 |
