LAUDATE DOMINUM (Parry)

Composer: C. Hubert H. Parry

Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music. Parry's first major works appeared in 1880. As a composer he is best known for the choral song "Jerusalem", the coronation anthem "I was glad" and the hymn tune "Repton", which sets the words "Dear Lord and Father of Mankind". He was director of the Royal College of Music from 1895 until his death and was also professor of music at the University of Oxford from 1900 to 1908. He also wrote several books about music and music history. Some contemporaries rated him as the finest English composer since Henry Purcell, but his academic duties prevented him from devoting all his energies to composition.… Go to person page >

Tune Information

Composer: C. Hubert H. Parry (1894)
Meter: 10.10.11.11
Incipit: 53125 16543 53251
Key: A♭ Major

Texts

Sing Praise to the Lord

Sing praise to the Lord! Praise him in the height;
rejoice in his word, you angels of light.
You heavens, adore him by whom you were made,
and worship before him, in brightness arrayed.
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O Praise Ye the Lord

Ye Servants of God, Your Master Proclaim

You servants of God, your Master proclaim,
and publish abroad his wonderful name;
the name all-victorious of Jesus extol;
his kingdom is glorious and rules over all.
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Notes

LAUDATE DOMINUM (Latin words for the opening phrase of Psalm 150) comes from the end of the anthem "Hear My Words, O Ye People" by C. Hubert H. Parry (PHH 145), an anthem he composed in 1894 for a festival of the Salisbury Diocesan Choral Association. Parry's tune was set to Baker's text in the 1916 Supplement of Hymns Ancient and Modern, replacing an earlier LAUDATE DOMINUM by Henry J. Gauntlett for Baker's text. Parry's tune is an inspired melody from a great tune writer who rarely came to church but who produced some of the best hymn tunes in the later Victorian era.

Sing this noble tune with vigor and excitement; accompany it on the organ with a full registration and a touch of marcato. Sing stanza 1 in unison, stanzas 2 and 3 in parts (possibly one of them unaccompanied), and stanza 4 in unison again. For a real treat use Parry's majestic alternate harmonization with a "walking bass" on the final stanza; that harmonization is found in The Hymnal 1982 (432) and requires a slower tempo (half note = 88).

--Psalter Hymnal Handbook

Media

Christian Classics Ethereal Hymnary #659
  • Four-part harmony, full score, Organ Accompaniment (PDF, NWC)
  • Four-part harmony, full-score (PDF, NWC)
Psalter Hymnal (Gray) #466
Text: Sing Praise to the Lord

Instances

Instances (27)TextImageAudioScore
A New Hymnal for Colleges and School #46
Christian Classics Ethereal Hymnary #659AudioScore
Church Hymnary, Fourth Edition #130Text
Church Hymnary, Fourth Edition #742Text
Common Praise #330Text
Evangelical Lutheran Worship #418Image
Gather Comprehensive #545Text
Gather Comprehensive #655Text
Gather Comprehensive, Second Edition #639
Hymnal 1982: according to the use of the Episcopal Church #432TextImage
Hymns of Truth & Light #17
Lift Up Your Hearts: psalms, hymns, and spiritual songs #566Image
Lutheran Service Book #665Text
Presbyterian Hymnal #257TextImage
Psalms for All Seasons: a complete Psalter for worship #149BImage
Psalter Hymnal (Gray) #466TextImageAudioScore
Rejoice in the Lord #143Text
Seventh-day Adventist Hymnal #20
Singing the New Testament #207
The Christian Life Hymnal #26
The Worshiping Church #704TextImage
Trinity Hymnal #21Text
Trinity Hymnal #361Text
Voices United: The Hymn and Worship Book of The United Church of Canada #228Text
Voices United: The Hymn and Worship Book of The United Church of Canada #872Text
Voices United: The Hymn and Worship Book of The United Church of Canada #873b
With One Voice #689Text