PRECIOUS LORD

Composer (attributed to): George Nelson Allen

George Nelson Allen (b. Mansfield, OH, 1812; d. Cincinnati, OH, 1877). Nearly all of Allen's adult life was associated with Oberlin College. After his graduation from Oberlin in 1837, he became a faculty member, teaching music and geology. His most lasting contribution was the introduction of choral and instrumental programs, which later developed into the Oberlin Conservatory of Music. --Psalter Hymnal Handbook See also Allen's biography at Oberlin College Archives Go to person page >

Adapter: Thomas Andrew Dorsey

Thomas Andrew Dorsey (July 1, 1899 – January 23, 1993) was known as "the father of black gospel music" and was at one time so closely associated with the field that songs written in the new style were sometimes known as "dorseys."[1] Earlier in his life he was a leading blues pianist known as Georgia Tom. As formulated by Dorsey, gospel music combines Christian praise with the rhythms of jazz and the blues. His conception also deviates from what had been, to that time, standard hymnal practice by referring explicitly to the self, and the self's relation to faith and God, rather than the individual subsumed into the group via belief. Dorsey, who was born in Villa Rica, Georgia, was the music director at Pilgrim Baptist Church in Chic… Go to person page >

Tune Information

Adapter: Thomas Andrew Dorsey (1938)
Composer (attributed to): George Nelson Allen
Meter: Irregular
Key: A♭ Major
Copyright: © Copyright 1938 Hill & Range Songs, Inc. Copyright Renewed, assigned to Unichappell Music, Inc. (Rightsond Music, Publisher)

Texts

Precious Lord, Take My Hand

Precious Lord, take my hand,
lead me on, help me stand;
I am tired, I am weak, I am worn;
through the storm, through the night,
lead me on to the light;
take my hand, precious Lord, lead me home.
Go to text page >

Notes

Intense spirituality of African American gospel music like PRECIOUS LORD thrives in musical improvisation and flexibility in performance; this is especially true when it is performed by a soloist or a trained choir. When led by improvisation at the keyboard, sing this hymn in unison. Otherwise the congregation may well sing in harmony, even unaccompanied, in the tradition of African American spirituals. Traditional gospel accompaniment consists of piano, or piano and organ together, often with drums and guitars; all these instruments would assist in coloring the harmonization with additional chords, rhythmic figures, and melodic ornaments.

Dorsey slightly adapted the tune MAITLAND, composed by George Nelson Allan (b. Mansfield, OH, 1812; d. Cincinnati, OH, 1877), which was first published in his 1844 collection of hymn texts and tunes, The Oberlin Social and Sabbath School Hymn Book. Nearly all of Allen's adult life was associated with Oberlin College. After his graduation from Oberlin in 1837, he became a faculty member, teaching music and geology. His most lasting contribution was the introduction of choral and instrumental programs, which later developed into the Oberlin Conservatory of Music.

--Psalter Hymnal Handbook

Instances

Instances (25)TextImageAudioScore
African American Heritage Hymnal #471Image
Baptist Hymnal 1991 #456TextImage
Baptist Hymnal 2008 #450TextImage
Celebrating Grace Hymnal #400Image
Celebration Hymnal #684Image
Chalice Hymnal #628Text
Christian Worship: a Lutheran hymnal #451Text
Common Praise #509
Evangelical Lutheran Worship #773Image
Gather Comprehensive #874Text
Gather Comprehensive, Second Edition #847
Lift Every Voice and Sing II: an African American hymnal #106Text
Lift Up Your Hearts: psalms, hymns, and spiritual songs #465Image
Lutheran Service Book #739Text
Presbyterian Hymnal #404TextImage
Psalter Hymnal (Gray) #493TextImageAudio
Sing Joyfully #494TextImage
The Covenant Hymnal: a worshipbook #413
The New Century Hymnal #472Image
The United Methodist Hymnal #474TextImage
The Worshiping Church #638TextImage
Voices United: The Hymn and Worship Book of The United Church of Canada #670Text
With One Voice #731Text
Wonder, Love, and Praise: a supplement to the Hymnal 1982 #800Text
Worship and Rejoice #500TextImage