Edward Miller (b. Norwich, England, 1735; d. Doncaster, Yorkshire, England, 1807) adapted ROCKINGHAM from an earlier tune, TUNEBRIDGE, which had been published in Aaron Williams's A Second Supplement to Psalmody in Miniature (c. 1780). ROCKINGHAM has long associations in Great Britain and North America with Isaac Watts' "When I Survey the Wondrous Cross" (384). The tune title refers to a friend and patron of Edward Miller, the Marquis of Rockingham, who served twice as Great Britain's prime minister.

Miller's father had made his living laying brick roads, and the young Edward became an apprentice in the same trade. Unhappy with that profession, however, he ran away to the town of Lynn and studied music with Charles Burney, the most prominent music historian of his day. A competent flute and organ player, he was organist at the parish church in Doncaster from 1756 to 1807. Miller was active in the musical life of the Doncaster region and composed keyboard sonatas and church music. His most influential publications were The Psalms of David for the Use of Parish Churches (1790), in which he sought to reform metrical psalmody (and which included ROCKINGHAM), and David's Harp(1805), an important Methodist tunebook issued by Miller with his son.

ROCKINGHAM (or ROCKINGHAM OLD) is one of the finest long-meter tunes in the history of church music and is much loved by those who sing in harmony. A slight hold (stretching rather than adding a beat) is appropriate at the end of the second phrase and helps to provide a sense of two long musical lines. Stanzas 4 and 5 need the full resources of organ and other instruments. Keep the music stately and awe-inspiring with respect to the marvelous salvation of which the text sings.

--Psalter Hymnal Handbook