WIE LIEBLICH IST DER MAIEN

Composer: Johann Steurlein

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Tune Information

Composer: Johann Steurlein (1575)
Meter: 7.6.7.6 D
Incipit: 51232 17666 51171
Key: D Major/G Major or modal
Source: Himmlische Harpffe Davids

Texts

Sing to the Lord of Harvest

Sing to the Lord of harvest,
Sing songs of love and praise;
With joyful hearts and voices
Your alleluias raise:
By Him the rolling seasons
In fruitful order move;
Sing to the Lord of harvest
A song of happy of love.
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We Come as Guests Invited

We come as guests invited
when Jesus bids us dine,
his friends on earth united
to share the bread and wine;
the bread of life is broken,
the wine is freely poured
for us, in solemn token
of Christ our dying Lord.
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Notes

This tune was originally a love song composed in 1575 by Johann Steurlein (b. Schmalkalden, Thuringia, Germany, 1546; d. Meiningen, Germany, 1613) as a setting of "Mit Lieb bin ich umfangen." Steurlein studied law at the University of Wittenberg. From 1569 to 1589 he lived in Wasungen near Meiningen, where he served as town clerk as well as cantor and organist in the Lutheran church. From 1589 until his death he lived in Meiningen, where at various times he served as notary public, mayor, and secretary to the Elector of Saxony. A gifted poet and musician, Steurlein rhymed both the Old and New Testaments in German. A number of his hymn tunes and harmonizations were published in Geistliche Lieder (1575) and Sieben und Zwantzig Neue Geistliche Gesenge (l588).

His tune WIE LIEBLICH IST DER MAIEN gets its name from its original use as a setting for Martin Behm's hymn text that began with those words in 1581; text and tune were published together in Gregor Gunderreitter's David's Himlische Harpffen. The Steurlein tune was later set to Monsell's text in W. Garrett Horder's Worship Song in 1905 and popularized through the 1954 anthem by Healey Willan (PHH 258). The harmonization is by Willan, simplified from his anthem.

The tune is a rounded bar form (AABA) whose melodic variation in the fourth line sometimes confuses congregations. Use bright organ tone on that line to support the tune, but use a lighter touch on other lines. The tune can be sung in harmony by agile voices, but congregations may prefer to sing in unison.

--Psalter Hymnal Handbook

Media

Christian Classics Ethereal Hymnary #507
  • Four-part harmony, full-score (PDF, NWC)
Psalter Hymnal (Gray) #458
Text: Sing to the Lord of Harvest
Worship and Rejoice #702
Text: We Come as Guests Invited
Worship and Rejoice #724
Text: Sing to the Lord of Harvest

Instances

Instances (22)TextImageAudioScore
Baptist Hymnal 1991 #389TextImage
Chalice Hymnal #386Text
Christian Classics Ethereal Hymnary #507AudioScore
Christian Worship: a Lutheran hymnal #614Text
Common Praise #45Text
Evangelical Lutheran Hymnary #464Text
Evangelical Lutheran Worship #694Image
Gifts of Love: new hymns for today's worship #18Text
Hymns of the Saints: Reorganized Church of Jesus Christ of Latter Day Saints #46
Lift Up Your Hearts: psalms, hymns, and spiritual songs #398Image
Lutheran Service Book #893Text
Presbyterian Hymnal #517TextImage
Psalter Hymnal (Gray) #458TextImageAudioScore
Rejoice in the Lord #19Text
Seventh-day Adventist Hymnal #339
Sing Joyfully #258TextImage
Sing Joyfully #593TextImage
The Worshiping Church #375TextImage
Trinity Hymnal #716Text
Voices United: The Hymn and Worship Book of The United Church of Canada #519Text
Worship and Rejoice #702TextImageAudioScore
Worship and Rejoice #724TextImageAudioScore