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F.-H. Barthélémon

1741 - 1808 Person Name: Francois Hippolyte Barthelemon, 1741 - 1808 Composer (melody) of "BALLERMA" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada French violinist, composer, teacher, he became active in England, playing in an Italian comedy orchestra and led a band. He wrote opera, ballet, theatre music and ballads, popular songs, masques, concertos and 6 symphonies. John Perry

Henry Hiles

1826 - 1904 Person Name: Dr. H. Hiles Composer of "ST. LEONARD" in Church Hymnal Born: December 31, 1826, Shrewsbury, England. Died: October 20, 1904, Worthing, England. Hiles was educated at Oxford (BMus 1862, DMus 1867). He played the organ at Shrewsbury, as his brother’s deputy (1846); Bishopwearmouth (1847); St. Michael’s, Wood Street (1859); the Blind Asylum, Manchester (1859); Bowden (1861); and St. Paul’s, Manchester (1863-67). He lectured in harmony and composition at Owen’s College in Manchester (1867) and Victoria University (1879), and was Professor at the Manchester College of Music (1893). He also conducted musical societies in Lancashire and Yorkshire, and owned and edited the Quarterly Music Review (1885-88). He retired in 1904, moving to Pinner, near Harrow. His works include: Twelve Tunes to Original or Favourite Hymns, 1867 Harmony of Sounds, three editions: 1871, 1872, 1879 Wesley Tune Book, 1872 (editor) Grammar of Music, 1879 First Lessons in Singing (Manchester: Hime & Addison, 1881) Part Writing or Modern Counterpoint (Novello: 1884) Harmony or Counterpoint, 1889 Harmony, Choral or Counterpun --www.hymntime.com/tch/

Harriett H. Pierson

Person Name: H. H. Pierson, 1815-1873 Composer of "ST. JEROME" in Church Hymns

H. Ellis Wooldridge

1845 - 1917 Person Name: H. E. W. Arranger of "LONDON NEW" in Hymns b. 3/28/1845, Winchester; d. 2/13/17, London; English music scholar LOC Name Authority File

Myles Birket Foster

1851 - 1922 Person Name: Myles B. Foster Composer of "HEAVENLY LIGHT" in The Westminster Abbey Hymn-Book Born: November 29, 1851, London, England. Died: December 18, 1922, London, England. Son of an artist, Foster attended Brighton and Guildford Grammar School and entered the stock exchange. He subsequently enrolled at the Royal Academy of Music and played the organ at St. James Church, Marylebone, and St. George’s, Campden Hill. From 1880-92 he was organist at the Foundling Hospital and at Her Majesty’s Theatre, and was choirmaster of St. James, Holborn. He composed children’s cantatas and much church music. His works include: Methodist Free Church Hymns, 1889 (co-editor) Anthems and Anthem Composers (London: Novello and Company, 1901) History of the Philharmonic Society (London: 1913) --www.hymntime.com/tch/

Robert Wainwright

1748 - 1782 Person Name: R. Wainwright (1748-82) Composer of "LIVERPOOL" in A Missionary Hymn Book baptized Sep. 17, 1748, Stockport; d. July 15, 1782, Liverpool; organist and composer

William Henry Harris

1883 - 1973 Person Name: William Henry Harris, 1883- Composer of "SENNEN COVE" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada Sir William Henry Harris KCVO (28 March 1883 - 6 September 1973) was an English organist and composer, affectionately nicknamed 'Doc H' by his choristers. Harris was born in Fulham, London and died in Petersfield. He was a chorister of Holy Trinity, Tulse Hill. At the age of 14, he took up a "flexible" position as Assistant Organist at St David's Cathedral in Wales, followed at 16 by a scholarship to the Royal College of Music where he was Professor of Organ and Harmony from 1921 to 1955. He was organist at St Augustine's Church, Edgbaston from 1911 to 1919 and concurrently of Assistant Organist at Lichfield Cathedral followed in 1919 by becoming Organist successively at New College and in 1929 Christ Church, Oxford, moving to St. George's Chapel, Windsor in 1933. As Organist at Windsor, Harris was at his most productive. He produced music for the Three Choirs Festival, was a conductor at both the 1937 and 1953 coronations, and had music premiered at the Proms, all of which led to being appointed KCVO in 1954. Harris is best remembered for his Anglican church music, though his main achievements were as a choir-trainer. His most famous works are the anthems "Faire is the heaven" (1925) and to a lesser extent "Bring us, O Lord God" (1959), both for unaccompanied double choir, and "Strengthen ye the weak hands" (1949) for choir and organ. His very accessible Communion Service in F was frequently sung in a great many Anglican parish churches up until the 1970s. The canticles Harris in A and Harris in A minor are still sung at Evensong in a number of Anglican cathedrals. He also composed cantatas and organ pieces, as well as the hymn tune Alberta (often used for the words "Lead, Kindly Light"), and various Anglican psalm chants. --en.wikipedia.org/wiki/

Robert Simpson

1790 - 1832 Person Name: Robert Simpson, 1790-1832 Adapter of "BALLERMA" in The Hymnary of the United Church of Canada Robert Simpson, of Scotland; b. 1790; d. 1832 Evangelical Lutheran Hymnal, 1908

William Cameron

1751 - 1811 Person Name: Rev. William Cameron (1751-1811) Alterer of "How bright these glorious spirits shine!" in The Evangelical Hymnal with Tunes William Cameron was born in 1751. He studied at Marischal College, Aberdeen, and in 1785 was ordained minister of Kirknewton, in Mid Lothian. He died in 1811. He was the author of several works. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ================ Cameron, William, M.A., seems to have been born in 1751, at or near Pananich, a hamlet near Ballater, Aberdeenshire, his father, a son of Cameron of Glen Nevis, being apparently then a farmer in the parish of Glenmuick. He studied at the University of Aberdeen (Marischal College), where he graduated M.A. in 1770, was ordained parish minister of Kirk-newton, Midlothian, in 1786, and died at Kirk-newton, Nov. 17,1811. Though not a member of the Committee appointed by the General Assembly of 1775, to revise the Scottish Translations and Paraphrases of 1745-51, yet the burden of revision seems to have fallen upon him (probably through the influence of Dr. Hugh Blair), as to him are ascribed the changes made in 1775-1781 in no less than 34 of that collection, which in the 1781 are numbered thus:—Nos. 1, 3, 4, 6, 7.22, 24, 26, 32, 34, 36, 39-43, 45-47, 49-52, 54-57, 59-61, 63, 65-67. He is also said to be the author of Nos. 14 and 17, in the 1781 collection, and to have altered Nos. 5, 12 of those first included there. His published works are:— (1) Poems on Various Subjects (Edin., Gordon & Murray). 1780, containing 8 poems, 3 fables, and 20 lyric odes, two of which are called hymns. (2) Poems on Several Occasions (Edin., A. Constable & Co.), 1813; with 2 poems (1 from 1780), 2 fables (from 1780), and 23 lyric odes. Of the lyric odes 6 are so-called hymns (2 from 1780), and 5 are Psalm versions. Of the remaining twelve, 7 are from his 1780 volume, and 6— including a continuation of Dr. Beattie's Minstrel, in two books—printed for the first time. But neither volume contains any of the original hymns or recasts he is said to have contributed to the Translations and Paraphrases of 1781. The ascriptions above are taken from the markings by Cameron's eldest daughter in a copy of the Psalms and Paraphrases kindly lent by her son, Mr. R. G. Sillar, of Bexley, Kent. Another son, Mr. W. C. Sillar, of Blackheath, London, possesses a us. volume of poems by his grandfather, which, however, like the printed volumes, contains none of the Paraphrases of 1781. To Cameron, No. 12 of the 1781, and the changes made, in 1781, on Nos. 13,15, and Hymn iv. have been sometimes ascribed, but they are not assigned to him in his daughter's markings. These markings thus apportion the remainder of the Scottish contributions:—to Logan, Nos. 8-11,27, 31, 63,58, and Hymn v., besides No. 48, which he merely altered, and No. 59, in which he probably had no share: to Logan and Morison, No. 28; to Morison, Nos. 19, 21, 29,30,35, besides No. 38, which more probably owes its form in 1781 to Bruce or Logan: to Blair Nos. 4,33, 34, 44 (a cento): to Robertson, Nos. 25, 26,42, 43: to Blacklock, No. 16: to Randall, No. 49: and to Ogilvie, No. 62. They also give Logan as alterer of Nos. 2, 18, 23, 25, from the 1745-51; and of No. 30 of those added in 1781. Bruce's name is never mentioned. Nos. 6,12,18,23,52, are ascribed to Watts—so far as we can see without shadow of proof—while the recast from Watts, No. 50 in 1781, is ascribed to Randall. A list by the late Principal Lee of Edinburgh (now, as revised by the late Dr. David Laing, in the possession of Mr. William Bonar, Kensington, London), professedly based on a list in the possession of Cameron, differs in ascribing No. 12 of the 1781 to Cameron, and the alterations on Nos. 13,15; while not ascribing to him the alterations on Nos. 5, 32,56. It marks as anonymous from the 1745, Nos. 23, 26, 30 (!), 52, 59. The recast from the 1745, No. 38, it ascribes to Logan, and the recast No. 50, from Watts, is given as anonymous from the 1745. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Herbert Stephen Irons

1834 - 1905 Person Name: Herbert Stephen Irons, 1834-1905 Composer of "SOUTHWELL (IRONS)" in The Irish Presbyterian Hymnbook Born: January 19, 1834, Canterbury, Kent, England. Died: June 29, 1905, Nottingham, England. Irons was a nephew of the brothers Stephen & George Elvey. He became a chorister at Canterbury Cathedral under T. E. Jones. After studying music under Stephen Elvey at Oxford, he was appointed organist at St. Columba’s College, a large public school at Rathfarnham, near Dublin, Ireland. He stayed there only a few months before being offered the position of organist at Southwell Minister. From Southwell, he went to Chester as assistant organist to Frederic Gunton. Three years later, he accepted an appointment at St. Andrew’s Church, Nottingham, where he remained until his death. --www.hymntime.com/tch