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John Frederick Wolle
1863 - 1933 Person Name: John Fred. Wolle, 1863— Composer of "DIES IRAE" in Hymnal and Liturgies of the Moravian Church Born Bethlehem, Pennsylvania, April 4, 1863. Graduated from the Moravian Parochial School in 1879, and began teaching in Bethlehem. Organist of Trinity Church, Philadelphia (1881-84) and a student there under David D. Wood. Studied with Rheinberger in Munich, 1884-85, and after returning to America was organist of the Packer Memorial Church at Lehigh University (1887-1905). Organized the first choral societies in Bethlehem and Easton. With the Bethlehem society, presented the first complete performance of Bach's St. John Passion in 1888, the St. Matthew Passion in 1892, and the B-minor Mass in 1900. In 1905, moved to California, where he taught at the University of California (1905-11) and was organist of the First Congregational Church, Berkeley (1907-9). Returned to Bethlehem in 1911, resumed administration of the Bach Choir, and was organist at the Salem Lutheran Church. He died in Bethlehem, Pennsylvania, on his seventieth birthday, April 4, 1933.
His name was frequently given as J. Frederick Wolle or even J. Fred Wolle.
(source: AGO Founders Hymnal, p. 114.)
John Frederick Wolle
Samuel Sebastian Wesley
1810 - 1876 Person Name: Samuel Sebastian Wesley (1810-1876) Composer of "DIES IRAE" in The Oxford Hymn Book Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him.
Bert Polman
Samuel Sebastian Wesley
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