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Ira David Sankey

1840 - 1908 Person Name: Ira D. Sankey Composer of "[Thy life was given for me]" in Christian Endeavor Hymns Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known. Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages. --John Julian, Dictionary of Hymnology (1907) Pseudonymns: Harry S. Lower Rian A. Dykes ==================== Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:— 1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:— "I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full." The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus. 2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:— "During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888. From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns. From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:— In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns. In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888. --John Julian, Dictionary of Hymnology, New Supplement (1907)

John Farmer

1836 - 1901 Person Name: J. Farmer Composer of "HARROW" in Church Hymns and Tunes Born: August 16, 1835, Nottingham, England. Died: July 17, 1901, at his home in Oxford, England. Buried: St. Sepulchre’s Cemetery, Jericho, Oxford, England. Eldest child of butcher John Farmer and milliner Mary Blackshaw Farmer, John learned to play the piano, violin, and harp when young. He was apprenticed to his uncle Henry Farmer, an organist, composer, and music teacher with a music and musical instrument business in Nottingham. At age 14, John went to study at the Leipzig Conservatory, then three years later under Andreas Spaeth in Coburg for a year. He returned to England in 1853, and entered his father’s lace business. After his mother’s death in 1856, he went to Zürich, Switzerland, where he taught music. He returned to England again in 1861, and became music master of Harrow School in 1864, staying there until 1885. He then accepted an invitation to become organist at at Balliol College, Oxford, where he founded the Balliol Concerts. During his career, Farmer composed oratorios, cantatas, church music, chamber music and numerous school songs, especially for Harrow School. One of his best known compositions was "Forty Years On," which he wrote at Harrow in 1872. While at Balliol, he composed Warwick School’s first school song, "Here’s a Song For All", in 1892. His other works include: Cinderella The oratorio Christ and His Soldiers The cricketing song "Willow the King" Music: FARMER © The Cyber Hymnal™ (www.hymntime.com/tch)

David Bruening

1869 - 1934 Person Name: Rev. David Brüning Composer of "FOR THEE" in The Evangelical Hymnal Born: December 10, 1869, Richmond, Virginia. Died: May 2, 1934, Baltimore, Maryland. The son of German immigrants, Brüning graduated from Elmhurst College in 1889, and Eden Seminary, St. Louis, Missouri, in 1892. He was ordained at St. Paul’s Church, Chicago, Illinois, in July 1892 by Rudolph John. He went on to serve the parishes of Rosehill, Chicago (1892-98); St. Paul’s, Pekin, Illinois (1898-1904); St. Peter’s, Louisville, Kentucky (1904-20), and St. Matthew’s, Baltimore, Maryland (1920-34). He was also president of the Indiana District of the Evangelical Synod; chairman of the board of directors of Eden Seminary; and editor of the 1917 Evangelical Hymnal. Sources: Haeussler, pp. 569-70 © The Cyber Hymnal™. Used by permission. (www.hymntime.com)

A. Croil Falconer

1850 - 1903 Person Name: A. C. Falconer Composer of "ST. VIGIAN" in The Church Hymnal Born: October 24, 1850, Ferryport-on-Craig, Fife, Scotland. Died: March 30, 1903, Islington, London, England.

John Bacchus Dykes

1823 - 1876 Person Name: Rev. J. B. Dykes, Mus. Doc. Composer of "[Thy life was given for me]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

W. J. Herbert Hogan

Person Name: Frederick William Hogan, 1845- Composer of "MAGHERAFELT" in The Book of Praise Early 20th Century Currently, our only data on Hogan is that he was a minister. --www.hymntime.com/tch

George A. Macfarren

1813 - 1887 Composer of "THY LIFE" in The Hymnal George Alexander Macfarren, Mus. Doc.; b. London, 1813; d. London, 1887 Evangelical Lutheran Hymnal, 1908 ======================= Born: March 2, 1813, Westminster, England. Died: October 31, 1887, St. Marylebone, England. Buried: Hampstead Cemetery, London, England. Brother of Walter Macfarren, George was a principal of the Royal Academy of Music; professor at Cambridge University; conductor at Covent Garden, London; program note writer for the Philharmonic Society; and editor of Handel and Purcell. He wrote 18 operas, 13 oratorios and cantatas, 9 symphonies, and 162 songs. He went blind in 1860, and was knighted in 1883. Sources: Frost, p. 681 Lightwood, p. 189 Nutter, p. 460 http://www.hymntime.com/tch/bio/m/a/c/macfarren_ga.htm =============================== http://en.wikipedia.org/wiki/George_Alexander_Macfarren

Joseph Barnby

1838 - 1896 Person Name: Joseph Barnby, 1838-1896 Composer of "PRO ME PERFORATUS (ST. OLAVE)" in Hymnal and Liturgies of the Moravian Church Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Frank S. Hunnewell

b. 1860 Person Name: Rev. Frank S. Hunnewell Composer of "PHILEO" in Gloria Hunnewell, pastor of the Presbyterian Church in White Plains, New York, was living in 1918, when his 23-year old son Donald was killed in World War I. Sources New York Times, November 24, 1918, p. 23 Music-- OAKLAND PARTING HYMN SALVATOR WOODBRIDGE --www.hymntime.com/tch

George Lomas

1834 - 1884 Composer of "[Thy life was giv'n for me]" in Songs of Victory Born: 1834, Birch Hall, Bolton, Lancashire, England. Died: 1884, Sheffield, South Yorkshire, England. A student of William Sterndale Bennett and Charles Steggall, Lomas received his BMus degree from New College, Oxford. He played the organ at Didsbury Parish Church, and at Emmanuel Church, Barlow Moor, Manchester (1858-84). Music: CHAMOUNI ST. PAUL'S COLLEGE SURSUM CORDA http://www.hymntime.com/tch/bio/l/o/m/lomas_g.htm ============= George Lomas was born in England and was a volunteer organist for twenty-five years before becoming a professional musician. He received his Bachelor of Arts degree in music at age forty-five, only five years before his death. The Presbyterian Hymnal Companion, 1993