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Text Identifier:"^lord_while_for_all_mankind_we_pray$"
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Arthur Cottman

1842 - 1879 Composer of "DALEHURST" in The Cyber Hymnal Born: Cir­ca No­vem­ber 1841, Ring­wood, Hamp­shire, Eng­land. Died: Cir­ca May 1879, Brent­ford, Mid­dle­sex, Eng­land. Cottman was a so­li­ci­tor and am­a­teur mu­si­cian. His works in­clude: Ten Orig­in­al Tunes, 1874 Music: CATERHAM COTTMAN DALEHURST EVERSLEY MIRFIELD MORN OF GLADNESS --www.hymntime.com/tch

Richard Farrant

1525 - 1580 Person Name: R. Farrant (1530-1583) Composer of "FARRANT" in In Excelsis for School and Chapel Like many composers of his day, the early years of Richard Farrant’s (c.1525- November 30, 1580) life are not well documented. The first acknowledgment of him is in a list of the Gentleman of the Chapel Royal in 1552. It is assumed from that list that his birth was around 1525. Although, that cannot be accurately determined. During his life he was able to establish himself as a successful composer, develop the English drama considerably, founded the first Blackfriar Theatre, and be the first to write verse-anthems. He married Anne Bower, daughter of Richard Bower who was Master of the Chapel Royal choristers at the time. With Anne he conceived ten children, one of whom was also named, Richard. As a member of the Gentleman of the Chapel Royal, Farrant was active in ceremonies surrounding the royal family. He began his work with the Chapel Royal around 1550 under the reign of Edward VI. Fortunately, for Farrant, this is a time that saw huge developments in Latin Church Music. Composers like William Byrd and Christopher Tye were busy expanding and elaborating on the Church Music of the day. In Farrant's twelve years with the Chapel Royal, he was able to participate in funerals for Edward VI and Mary I, and coronations for Mary I and Elizabeth I. After his work there, he took up a post as organist at St. George’s Chapel at Windsor. For Farrant, the post at at Windsor became a permanent one that he retained for the rest of his life. Along with this, he also acquired the position of Master of the Chapel Royal choristers in November of 1569. Having the choirs of both of these institutions at his disposal gave him an outlet to showcase all of his compositions and plays. In fact, every winter he was able to produce a play for the Queen herself. These positions also allowed him to move back to London in 1576 and begin a public theater of sorts where he rehearsed some of his choir music openly. It was soon after, in 1580, that he passed away, having left his house to his wife. Unlike many composers of his day that stuck to only music composition, Farrant also wrote many plays. One of his most important contributions to drama in England is of course the creation of the first Blackfriars Theatre. This eventually became one of the most important places in London for drama to develop during the Renaissance. Farrant is also one of the earliest and most well known composers that began to mix the two mediums of music and drama. It was this uncommon mixture that allowed him to begin to develop the composition style of 'verse.' This becomes prominent in a lot of his pieces including the anthems "When as we sat in Babylon" and "Call to remembrance" and "Hide not thou thy face." --en.wikipedia.org/wiki/

H. A. Henry

1856 - 1932 Composer of "[Lord, while for all mankind we pray]" in Awakening Songs for the Church, Sunday School and Evangelistic Services See also Gabriel, Chas H., 1856-1932

Friedrich Burgmüller

1806 - 1874 Composer of "RHINE" in Songs of Praise and Prayer

Ebenezer Prout

1835 - 1909 Person Name: E. Prout Composer of "[Lord! while for all mankind we pray]" in The Spirit of Praise

Shumway

1761 - 1843 Person Name: N. Shumway Composer of "FREEDOM" in The Standard Church Hymnal

Robert N. Quaile

1867 - 1937 Person Name: R. N. Quaile Composer of "COMFORT" in The New Canadian Hymnal Son of a Me­tho­dist pas­tor, Quaile was ed­u­cat­ed at Wes­ley Col­lege in Dub­lin. He went in­to bu­si­ness in Mal­low and pur­sued mu­sic as a hob­by. Three of his tunes ap­peared in the 1910 Eng­lish Me­tho­dist Sun­day School Hym­nal. Ten years lat­er, he lost all his pos­sess­ions in the 1920 Ir­ish up­ris­ing. —The Cyber Hymnal™

J. Rusling

1788 - 1839 Person Name: Joseph Rusling Author of "On, on, on, we are marching" in The Centenary Singer Rusling, J., p. 931, i. 255, b. 1788, d. 1839. From this American writer there is a mutilated fragment in Stryker's College Hymnal, 1904: "The morn, O Christian, breaketh o'er thee" (Death and Heaven anticipated). In H. W. Beecher's Plymouth Collection, 1855, this hymn begins “Christian, the morn breaks sweetly o'er thee." It is usually dated 1832. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Hubert P. Main

1839 - 1925 Composer of "[Lord! while for all mankind we pray]" in The Service Song Book Hubert Platt Main DD USA 1839-1925. Born at Ridgefield, CT, he attended singing school as a teenager. In 1854 he went to New York City and worked as an errand boy in a wallpaper house. The next year he became an errand boy in the Bristow & Morse Piano Company. He was an organist, choir leader, and compiled books of music. He also helped his father edit the “Lute Songbook” by Isaac Woodbury. In 1866 he married Olphelia Louise Degraff, and they had two sons: Lucius, and Hubert. In 1867 he filled a position at William B Bradbury’s publishing house. After Bradbury’s death in 1868 the Bigelow & Main Publishers were formed as its successor. He also worked with his father until his father’s death in 1873. Contributors to their efforts were Fanny Crosby, Ira Sankey, Wilbur Crafts, and others. In addition to publishing, Main wrote 1000+ pieces of music, including part song, singing school songs, Sunday school music, hymns, anthems, etc. He also arranged music and collected music books. He 1891 he sold his collection of over 3500 volumes to the Newberry Library in Chicago, IL, where they were known as the Main Library. Some of his major publications include: “Book of Praise for the Sunday school” (1875), “Little pilgrim songs” (1884), “Hymns of Praise” (`1884), “Gems of song for the Sunday school” (1901), “Quartettes for men’s voices: Sacred & social selections” (1913). In 1922 Hope Publishing Company acquired Bigelow & Main. He was an editor, author, compiler, and composer, as well as publisher. He died in Newark, NJ. John Perry

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