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Ruth C. Duck

1947 - 2024 Topics: Year A, Ordinary Time after Pentecost, October 30-November 5; Year B, Ordinary Time after Pentecost, June 19-25 (if after Trinity Sunday); Year C, Ordinary Time after Pentecost, July 31-August 6 Author of "Give Thanks to God Who Hears Our Cries" in Psalms for All Seasons

Norman Johnson

1928 - 1983 Person Name: Norman E. Johnson Topics: Year A, Ordinary Time after Pentecost, July 31-August 6; Year A, Ordinary Time after Pentecost, July 3-9; Year A, Ordinary Time after Pentecost, September 18-24; Year B, Ordinary Time after Pentecost, July 24-30; Year C, Ordinary Time after Pentecost, November 6-12 Harmonizer of "HOLY MANNA" in Psalms for All Seasons

Calvin Hampton

1938 - 1984 Person Name: Calvin Hampton, 1938-1984 Topics: Ordinary Time 11, Year C; Ordinary Time 16, Year B; Ordinary Time 25, Year A Composer of "ST. HELENA" in Worship (3rd ed.)

Margaret Pleasant Douroux

b. 1941 Person Name: Margaret J. Douroux, b. 1941 Topics: Year B, Ordinary Time after Pentecost, July 31-August 6; Year C, Ordinary Time after Pentecost, September, 11-17 Author of "Give Me a Clean Heart" in Psalms for All Seasons Margaret Pleasant Douroux (b 21 March 1941, Los Angeles, CA), daughter of Earl Amos Pleasant (1918–1974) and Olga Mae Williams (1920–2006), one of six siblings. Earl was a singer who toured with Mahalia Jackson before he became the founder (1945) and longtime pastor of Mount Moriah Baptist Church, Inglewood, CA. Olga was an accompanist; Margaret likewise took an interest in music, playing piano for Sunday School classes until she was able to play for adult choirs. Through her father’s musical connections, she met influential gospel musicians such as Mahalia Jackson, Joe May, Sallie Martin, Thurston Frazier, and James Cleveland. In 1963, she married Donald Douroux, and they had one daughter, Mardy. She earned a degree in music from Cal State L.A. (1963), plus master’s degrees from the University of Southern California (1968, 1973), and a doctorate from the University of Beverly Hills (1979). After the death of her father, she joined her brother Earl in starting Greater New Bethel Baptist Church in Inglewood, California (1976). At the time, she was a school psychologist for Los Angeles City Schools. She had previously worked as an elementary school teacher and a guidance counselor. Magaret retired as music director of Greater New Bethel in 2015. Her career as a songwriter began when she wrote “Give Me a Clean Heart” (1970). —Chris Fenner, Hymns & Devotions for Daily Worship: African American Edition (2025)

Edith McNeill

1920 - 2014 Person Name: Edith McNeill, b. 1920 Topics: Year A, Ordinary Time after Pentecost, August 7-13; Year A, Ordinary Time after Pentecost, July 24-30; Year A, Ordinary Time after Pentecost, September 18-24 Composer of "[The steadfast love of the Lord never ceases]" in Psalms for All Seasons Composer: Not much is known about Edith McNeill (1920-2014), except that she was a long-time member of the Church of the Redeemer (Episcopal) in Houston, Texas, and that her husband was a professor at the University of Texas. The Church of the Redeemer, founded in the 1920s in a depressed inner city area, went through a charismatic renewal in the early 1960s under the leadership of pastor Graham Pulkingham and his wife Betty, a composer and musician who was the spark behind many worship songs that arose out of that community, some of which are still sung today, including songs like “The Steadfast Love of the Lord” and “I Want to Walk as a Child of the Light” by Kathleen Thomerson. The worship life of this congregation was very influential, and the Pulkinghams with a group of members left Redeemer in the early 1970s to begin an international ministry known as the Community of Celebration. -Emily Brink (from correspondence with Mimi Farra of the Community of Celebration)

David Hurd

b. 1950 Topics: Ordinary Time Week 8 Composer of "MIGHTY SAVIOR" in Hymns and Devotions for Daily Worship (African American Edition) David Hurd (b. Brooklyn, New York, 1950) was a boy soprano at St. Gabriel's Church in Hollis, Long Island, New York. Educated at Oberlin College and the University of North Carolina, he has been professor of church music and organist at General Theological Seminary in New York since 1976. In 1985 he also became director of music for All Saints Episcopal Church, New York. Hurd is an outstanding recitalist and improvisor and a composer of organ, choral, and instrumental music. In 1987 David Hurd was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received honorary doctorates from the Church Divinity School of the Pacific, Berkeley, California, and from Seabury-Western Theological Seminary, Evanston, Illinois. His I Sing As I Arise Today, the collected hymn tunes of David Hurd, was published in 2010. Bert Polman and Emily Brink

Samuel Medley

1738 - 1799 Topics: liturgical Scripture Songs Author of "I Know That My Redeemer Lives" Medley, Samuel, born June 23, 1738, at Cheshunt, Herts, where his father kept a school. He received a good education; but not liking the business to which he was apprenticed, he entered the Royal Navy. Having been severely wounded in a battle with the French fleet off Port Lagos, in 1759, he was obliged to retire from active service. A sermon by Dr. Watts, read to him about this time, led to his conversion. He joined the Baptist Church in Eagle Street, London, then under the care of Dr. Gifford, and shortly afterwards opened a school, which for several years he conducted with great success. Having begun to preach, he received, in 1767, a call to become pastor of the Baptist church at Watford. Thence, in 1772, he removed to Byrom Street, Liverpool, where he gathered a large congregation, and for 27 years was remarkably popular and useful. After a long and painful illness he died July 17, 1799. Most of Medley's hymns were first printed on leaflets or in magazines (the Gospel Magazine being one). They appeared in book form as:— (1) Hymns, &c. Bradford, 1785. This contains 42 hymns. (2) Hymns on Select Portions of Scripture by the Rev. Mr. Medley. 2nd ed. Bristol. W. Pine. 1785. This contains 34 hymns, and differs much from the Bradford edition both in the text and in the order of the hymns. (3) An enlargement of the same in 1787. (4) A small collection of new Hymns, London, 1794. This contains 23 hymns. (5) Hymns. The Public Worship and Private Devotion of True Christians Assisted in some thoughts in Verse; principally drawn from Select Passages of the Word of God. By Samuel Medley. London. Printed for J. Johnson. 1800. A few of his hymns are also found in a Collection for the use of All Denominations, published in London in 1782. Medley's hymns have been very popular in his own denomination, particularly among the more Calvinistic churches. In Denham's Selections there are 48, and in J. Stevens's Selections, 30. Their charm consists less in their poetry than in the warmth and occasional pathos with which they give expression to Christian experience. In most of them also there is a refrain in the last line of each verse which is often effective. Those in common use include:— 1. Come, join ye saints, with heart and voice. (1800). Complete in Christ. 2. Death is no more among our foes. Easter. 3. Eternal Sovereign Lord of all. (1789). Praise for Providential Care. 4. Far, far beyond these lower skies. (1789). Jesus, the Forerunner. 5. Father of mercies, God of love, whose kind, &c. (1789.) New Year. 6. Great God, today Thy grace impart. Sermon. 7. Hear, gracious God! a sinner's cry. (1789). Lent. 8. In heaven the rapturous song began. Christmas. 9. Jesus, engrave it on my heart. (1789). Jesus, Needful to all. 10. Mortals, awake, with angels join. (1782). Christmas. 11. My soul, arise in joyful lays. (1789). Joy in God. 12. Now, in a song of grateful praise. Praise to Jesus. In the Gospel Magazine, June, 1776. 13. O could I speak the matchless worth. (1789.) Praise of Jesus. 14. O for a bright celestial ray. Lent. 15. O God, Thy mercy, vast and free. (1800). Dedication of Self to God. 16. O let us tell the matchless love. Praise to Jesus. 17. O what amazing words of grace. (1789). Foutain of Living Waters. 18. Saints die, and we should gently weep. (1800). Death and Burial. From his "Dearest of Names, Our Lord and King." 19. See a poor sinner, dearest Lord. Lent. 20. Sing the dear Saviour's glorious fame. (1789). Jesus the Breaker of bonds. In 1800 a Memoir of Medley was published by his son, which is regarded by members of the family now living as authoritative. But in 1833 appeared another Memoir by Medley's daughter Sarah, to which are appended 52 hymns for use on Sacramental occasions. These she gives as her father's. But 8 of them are undoubtedly by Thos. Kelly, published by him in 1815, and reprinted in subsequent editions of his Hymns. The remainder are by Medley. Nearly all of these 52 hymns (both Medley's and Kelly's) have been altered in order to adapt them to Sacramental use. In Sarah Medley's volume, Kelly's hymns all follow one another, and three of them are in a metre which Medley apparently never used. What could have been Sarah Medley's motive in all this it is hard to divine. She is said to have been a clever, though unamiable woman, and was herself the author of a small volume of Poems published in 1807. In the Memoir she does not conceal her hatred of her brother. [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Samuel Longfellow

1819 - 1892 Author of "Holy Spirit, Truth Divine" Longfellow, Samuel, B. A., brother of the Poet, was born at Portland, Maine, June 18, 1819, and educated at Harvard, where he graduated in Arts in 1839, and in Theology in 1846. On receiving ordination as an Unitarian Minister, he became Pastor at Fall River, Massachusetts, 1848; at Brooklyn, 1853; and at Germantown, Pennsylvania, 1860. In 1846 he edited, with the Rev. S. Johnson (q. v.), A Book of Hymns for Public and Private Devotion. This collection was enlarged and revised in 1848. In 1859 his Vespers was published, and in 1864 the Unitarian Hymns of the Spirit , under the joint editorship of the Rev. S. Johnson and himself. His Life of his brother, the Poet Longfellow, was published in 1886. To the works named he contributed the following hymns:— i. To A Book of Hymns , revised ed., 1848. 1. Beneath the shadow of the Cross. Love. 2. 0 God, thy children gathered here. Ordination. ii. To the Vespers 1859. 3. Again as evening's shadow falls. Evening. 4. Now on land and sea descending. Evening. iii. To the Hymns of the Spirit, 1864. 5. A voice by Jordan's shore. Advent. 6. Father, give Thy benediction. Ordination. 7. Go forth to life, 0 child of earth. Life's Mission. 8. God of ages and of nations. Holy Scriptures. 9. Holy Spirit, Truth divine. The Holy Spirit desired. 10. I look to Thee in every need. Trust in God. 11. In the beginning was the Word. The Word. 12. Love for all, and can it be? Lent. The Prodigal Son. 13. 0 God, in Whom we live and move. God's Law and Love. 14. 0 God, Thou Giver of all good. Prayer for Food. 15. O still in accents sweet and strong. Missions. 16. 0 Thou, Whose liberal sun and rain. Anniversary of Church dedication. 17. One holy Church of God appears. The Church Universal. 18. Out of the dark, the circling sphere. The Outlook. 19. Peace, peace on earth! the heart of man for ever. Peace on Earth. 20. The loving Friend to all who bowed. Jesus of Nazareth. 21. ’Tis winter now, the fallen snow. Winter. Of these, hymn No. 2 was written for the Ordination of E. E. Hale (q. v.), at Worcester, 1846. Several are included in Martineau's Hymns, 1873. Died Oct. 3, 1892. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907), p. 685 =============== Longfellow, S., p. 685, i. Since Mr. Longfellow's death on Oct. 3, 1892, his hymns have been collected by his niece, Miss Alice Longfellow, as Hymns and Verses(Houghton, Mifflin & Co., 1904.) From this work we find many of the hymns signed Anon, in the Index to Longfellow and Johnson's Hymns of the Spirit, 1864, were his; several of these, including E. Osier's "O God unseen, yet ever near," were popular English hymns which he rewrote from his own theological standpoint. These re¬written hymns are very widely used by Unitarians and others. During the last ten years the following additional hymns by S. Long¬fellow have come into common use:— 1. Eternal One, Thou living God. Faith in God. 2. God of the earth, the sky, the sea. God in Nature. 3. God's trumpet wakes the slumbering world. Call to duty. 4. Light of ages and of nations. God in and through all time. 5. Lo, the earth is risen again. Spring. (1876.) 6. Now while we sing our closing psalm. Close of Worship. 7. O Life that maketh all things new. Unity. (1874.) 8. O Thou in Whom we live and move. The Divine Law. 9. The summer days are come again. Summer. From his hymn,"The sweet[bright] June days are come again." 10. Thou Lord of lite, our saving health. In Sickness. (1886.) Of these hymns Nos. 2, 3 appeared in the Hymns of the Spirit, 1864, and all with the dates appended in Hymns and Verses, 1904. --John Julian, Dictionary of Hymnology, New Supplement (1907) ================== http://en.wikipedia.org/wiki/Samuel_Longfellow

Shirley Erena Murray

1931 - 2020 Author of "Give Thanks for Life" Shirley Erena Murray (b. Invercargill, New Zealand, 1931) studied music as an undergraduate but received a master’s degree (with honors) in classics and French from Otago University. Her upbringing was Methodist, but she became a Presbyterian when she married the Reverend John Stewart Murray, who was a moderator of the Presbyterian Church of New Zealand. Shirley began her career as a teacher of languages, but she became more active in Amnesty International, and for eight years she served the Labor Party Research Unit of Parliament. Her involvement in these organizations has enriched her writing of hymns, which address human rights, women’s concerns, justice, peace, the integrity of creation, and the unity of the church. Many of her hymns have been performed in CCA and WCC assemblies. In recognition for her service as a writer of hymns, the New Zealand government honored her as a Member of the New Zealand Order of Merit on the Queen’s birthday on 3 June 2001. Through Hope Publishing House, Murray has published three collections of her hymns: In Every Corner Sing (eighty-four hymns, 1992), Everyday in Your Spirit (forty-one hymns, 1996), and Faith Makes the Song (fifty hymns, 2002). The New Zealand Hymnbook Trust, for which she worked for a long time, has also published many of her texts (cf. back cover, Faith Makes the Song). In 2009, Otaga University conferred on her an honorary doctorate in literature for her contribution to the art of hymn writing. I-to Loh, Hymnal Companion to “Sound the Bamboo”: Asian Hymns in Their Cultural and Liturgical Context, p. 468, ©2011 GIA Publications, Inc., Chicago

Michael Weisse

1480 - 1534 Topics: Chorales; Christ Resurrection; Resurrection Author of "Christ the Lord is risen again!" Michael Weiss was born at Neisse, in Silesia. He was a pastor among the Bohemian Brethren, and a contemporary with Luther. His hymns have received commendation. He died in 1540. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ============ Weisse, Michael (Weiss, Wiss, Wegs, Weys, Weyss), was born circa 1480, in Neisse, Silesia, took priest's orders, and was for some time a monk at Breslau. When the early writings of Luther came into his hands, Weisse, with two other monks, abandoned the convent, and sought refuge in the Bohemian Brethren's House at Leutomischl in Bohemia. He became German preacher (and apparently founder of the German communities) to the Bohemian Brethren at Landskron in Bohemia, and Fulnck in Moravia, and died at Landskron in 1534 (Koch, ii. 115-120; Wackernagel's D. Kirchenlied, i. p. 727; Fontes rerum Austricarum, Scriptores, vol. ii. pt. ii. p. 227, Vienna, 18G3, &c). Weisse was admitted as a priest among the Brethren at the Synod of Brandeis, in 1531, and in 1532 was appointed a member of their Select Council, but he had previously performed important missions for the Brethren. He was, e.g., sent by Bishop Lucas, in 1522, along with J. Roh or Horn, to explain the views of the Bohemian Brethren to Luther; and again, in 1524, when they were appointed more especially to report on the practices and holiness of life of the followers of the German Reformers. He was also entrusted with the editing of the first German hymn-book of the Bohemian Brethren, which appeared as Ein New Gesengbuchlen at Jungen Bunzel (Jung Bunzlau) in Bohemia in 1531. This contained 155 hymns, all apparently either translations or else originals by himself. The proportion of translations is not very clear. In the preface to the 1531, Weisse addressing the German Communities at Fulnek and Landskron says, "I have also, according to my power, put forth all my ability, your old hymn-book as well as the Bohemian hymn-book (Cantional) being before me, and have brought the same sense, in accordance with Holy Scripture, into German rhyme." Luther called Weisse "a good poet, with somewhat erroneous views on the Sacrament" (i.e. Holy Communion); and, after the Sacramental hymns had been revised by Roh (1544), included 12 of his hymns in V. Babst's Gesang-Buch, 1545. Many of his hymns possess considerable merit. The style is flowing and musical, the religious tone is earnest and manly, but yet tender and truly devout, and the best of them are distinguished by a certain charming simplicity of thought and expression. At least 119 passed into the German Lutheran hymnbooks of the 16th and 17th centuries, and many are still in use. The following hymns by Weisse have also passed into English:— i. Christus ist erstanden. Von des Todes Banden. Easter. First published 1531 as above, and thence in Wackernagel, iii. p. 273, in 7 stanzas of 4 lines. It is suggested by the older hymn, "Christ ist erstanden". In the Unverfälschter Liedersegen, 1851, No. 129. The translation in common use is:— Christ the Lord is risen again! This is a full and very good translation by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 37, and her Chorale Book for England, 1863, No. 58. It has been included in many recent English and American hymnals. Other translations are:— (1) "Christ (and 'tis no wonder"). This is No. 260 in pt. i. of the Moravian Hymn Book, 1754. (2) "Christ our Lord is risen," by Dr. H. Mills, 1856, p. 322. ii. Es geht daher des Tages Schein. Morning. 1531 as above, and thence in Wackernagel, iii. p. 318, in 7 stanzas of 4 lines. In the Unverfälschter Liedersegen, 1851, No. 455. The translations in common use are:— 1. The Light of Day again we see. In full, by H. J. Buckoll in his Hymns from German, 1842, p. 14. His translations of stanzas iii., iv., vi., vii., beginning “Great God, eternal Lord of Heaven," were included in the Rugby School Hymn Book, 1843. 2. Once more the daylight shines abroad. This is a full and very good translation by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 69, and her Chorale Book for England, 1863, No. 18. Repeated in Thring's Collection, 1880-82. iii. Gelobt sei Gott im höchsten Thron. Easter. 1531 as above, and thence in Wackernagel, iii. p. 265, in 20 stanzas of 3 lines, with Alleluia. The translations in common use are: — 1. Praise God upon His heavenly throne. This is a free translation of stanzas 1, 4, 10, 19, 20, by A. T. Russell, as No. 112, in his Psalms & Hymns, 1851. 2. Glory to God upon His throne. By Mrs. H. R. Spaeth, in the Southern Lutheran Service and Hymns for Sunday Schools , Philadelphia, 1883. iv. Gott sah zu seiner Zeit. Christmas. 1531 as above, and thence in Wackernagel, iii. p. 244, in 10 stanzas of 9 lines. The translation in common use is:— When the due Time had taken place. By C. Kinchen, omitting stanza v., as No. 169 in the Moravian Hymn Book, 1742 (1849, No. 20). In the ed. of 1886, No. 954 consists of stanza x., beginning “Ah come, Lord Jesus, hear our prayer." v. Lob sei dem allmächtigen Gott. Advent. 1531 as above, and thence in Wackernagel, iii. p. 230, in 14 stanzas of 4 lines. Included in V. Babst's Gesang-Buch, 1545, and recently as No. 12 in the Unverfälschter Liedersegen , 1851. In the larger edition of the Moravian Hymn Book, 1886, it is marked as a translation from a Bohemian hymn, beginning "Cirkev Kristova Boha chval." The translations are:— 1. Praise be to that Almighty God. By J. Gambold, omitting stanza xi.-xiii., as No, 246, in pt. i. of the Moravian Hymn Book, 1754. In the 1789 and later eds. (1886, No. 31), it begins “To God we render thanks and praise." 2. O come, th' Almighty's praise declare. By A. T. Russell, of stanzas i.-iii., v., as No. 26 in his Psalms & Hymns, 1851. vi. O Herre Jesu Christ, der du erschienen bistanza. For Children. On Christ's Example in His early years on earth . 1531 as above, and in Wackernagel, iii. p. 326, in 7 stanzas of 7 lines. The first three stanzas are translated as “Christ Jesus, Lord most dear," in the Moravian Hymn Book, 1754, pt. i., No. 278. The form in common use is that in Knapp's Evangelischer Lieder-Schatz , 1837, No. 2951, which begins "Nun hilf uns, o Herr Jesu Christ," and is in 3 stanzas of 4 lines, entirely recast. This is translated as:— Lord Jesus Christ, we come to Thee . In full from Knapp, by Miss Winkworth, in her Chorale Book for England , 1863, No. 179. Hymns not in English common use:— vii. Den Vater dort oben. Grace after Meat. 1531, and thence in Wackernagel, iii., p. 321, in 5 stanzas of 7 lines. In the Berlin Geistliche Lieder, ed. 1863, No. 1136. Translated as, "Father, Lord of mercy," by J. V. Jacobi, 1122, p. 117. In his edition, 1732, p. 183, slightly altered, and thence in the Moravian Hymn Book, 1754, pt. i., No. 290. viii. Die Sonne wird mit ihrem Schein. Evening. 1531, and thence in Wackernagel, iii., p. 323, in 6 stanzas of 4 lines. In the Unverfälschter Liedersegen, 1851, No. 517. Translated as, "Soon from our wishful eyes awhile," by H. J. Buckoll, 1842. ix. Komm, heiliger Geist, wahrer Gott. Whitsuntide . 1531, and in Wackernagel , iii., p. 282, in 9 stanzas of 5 lines From the Bohemian as noted at p. 157, and partly suggested by the "Veni Sancte Spiritus reple " (q.v.). The translations are: (1) “Come, Holy Ghost, Lord God indeed." This is No. 285 in pt. i. of the Moravian Hymn Book, 1754. (2) "Thou great Teacher, Who instructest." This is a translation of stanza vii., as No. 234 in the Moravian Hymn Book, 1801 (1849, No. 267). x. Lob und Ehr mit stettem Dankopfer. The Creation: Septuagesima . 1531, and in Wackernagel, iii., p. 287, in 5 stanzas of 16 lines. Translated as, “Praise, glory, thanks, be ever paid," by Miss Winkworth, 1869, p. 137. xi. 0 Jesu Christ, der Heiden Licht. Epiphany. 1531, and in Wackernagel , iii. p. 248, in 2 stanzas of 14 lines. Translated as, "0 Jesus Christ, the Gentiles' Light." This is No. 253 in pt. i. of the Moravian Hymn Book, 1754. In the Brüder Gesang-Buch, 1778, No. 1467, stanza ii. was rewritten. This form begins, "Erscheine alien Auserwahlten," and is in 4 stanzas of 4 lines. Translated as, "Lord, to Thy chosen ones appear," by Miss Winkworth, 1869, p. 139. xii. Singet lieben Leut. Redemption by Christ. 1531, and in Wackernagel, iii. p. 243, in 16 stanzas of 4 lines. Translated as, "Sing, be glad, ye happy sheep." This is a translation of stanza xiv., by C. G. Clemens, as No. 299 in the Moravian Hymn Book, 1789. In the 1801 and later editions (1849, No. 403) it begins, "O rejoice, Christ's happy sheep." [Rev. James Mearns, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907)