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R. M. Moorsom

1831 - 1911 Person Name: Robert M. Moorsom Meter: 8.6.8.8.6 Translator (from Latin) of "Lo! Now the Time Accepted Peals" in The Cyber Hymnal Moorsom, Robert Maude, M.A., son of Admiral Moorsom, was born at Cosgrove Priory, Feb. 2, 1831, and educated at King Edward's School, Birmingham, and Trinity College, Cambridge, B.A., 1854; M.A., 1858. Taking Holy Orders in 1857, he was Curate of Poulton-le-Fylde, Lancashire, 1857-59; Barnham-Broom, Norfolk, 1861; and Rector of Sadberge, Durham, 1861-81. Mr. Moorsom published in 1889 A Historical Companion to Hymns Ancient and Modern. He has also edited a pamphlet on The Writers of Hymns Ancient & Modern, according to their Churches, and contributed to the 1889 Supplemental Hymns to Hymns Ancient & Modern. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================== Moorsom, R. M., p. 1580, ii. In 1901 Mr. Moorsom published Renderings of Church Hymns from Eastern and Western Office Books. These translations of Syrian, Armenian, and other hymns from Eastern sources, together with renderings from the Greek and Latin Office Books, are well done, and have already received deserved attention at the hands of hymnal compilers. His second edition of his Historical Companion to Hymns Ancient and Modern, 1903, is noted under England Hymnody, Church of, p. 1633, i. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Henry Killick Morley

b. 1855 Meter: 8.6.8.8.6 Composer of "NEWCASTLE" in The Hymnary

David Mowbray

b. 1938 Person Name: David Mowbray (born 1938) Meter: 8.6.8.8.6 Adapter of "O Master Christ, draw near to take" in Hymns for Today's Church (2nd ed.) David Mowbray (b. 1938) was born in Wallington, Surrey, England. He attended Dulwich College, Fitzwilliam, Cambridge where he read English. He gained an MA at Trinity in Bristol and a BD at London (External). Ordained in the Church of England, he was a curate at St. Giles in Northampton and at St. Mary's in Walford. Appointed Vicar of Broxborne, Herts in 1970 in 1984, he became Vicar of All Saints, Hertfordshire. In 1991 he became Vicar of St. Matthew's Darley Abbey, Derby, where he serves to this day. He has been writing hymns since 1977 and most of his texts are represented by Jubilate Hymns. Three of his hymn texts have been included in Hope's new hymnal Worship & Rejoice (2001). --www.hopepublishing.com

George Taylor Rygh

1860 - 1942 Person Name: G. A. T. Rygh, 1860-1942 Meter: 8.6.8.8.6 Translator of "O Happy Day When We Shall Stand" in Evangelical Lutheran Hymnary

Edwin J. Orchard

b. 1834 Person Name: E. J. Orchard, 1834-1915 Meter: 8.6.8.8.6 Composer of "ROYAL FORT" in The Methodist Hymn-Book with Tunes Orchard, Edwin John, a chemist at Salisbury, was born at Whitchurch, Hants, in 1834. In 1869 he published a collection of original tunes as Orchard's Supplemental Psalmody. His hymn, "I have a Father up in heaven" (The Divine Father), appeared in W. R. Stevenson's School Hymnal, 1880, and again in other collections. One of his songs, "The Muster Roll," has been widely circulated in the Army. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Kenneth E. Runkel

1882 - 1982 Meter: 8.6.8.8.6 Composer of "ETERNAL LIGHT" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940

William Henry Gladstone

1840 - 1891 Person Name: William Henry Gladstone, 1840-1891 Meter: 8.6.8.8.6 Composer of "HAMMERSMITH" in The Hymnary of the United Church of Canada Born: June 3, 1840, Hawarden, Flintshire, Wales. Died: July 4, 1892, Westminster, London, England. Eldest son of British prime minister William Gladstone, William attended Eton College and read Greek and Latin at Christ Church College, Oxford University. A Member of Parliament for a total of 20 years, representing Chester for 3; Whitby, Yorkshire for 12; and East Worcestershire for 5. A singer and organist, he was well versed in musical history, especially the development of Anglican church music. He wrote on musical topics, and one of the views he expressed was that choral church services were to be deplored because "the choirs often discourage the congregations from singing." He wrote the anthems "Gracious and Righteous" and "Withdraw Not Thou", & chants, anthems, introits & organ voluntaries. His works include: A Selection of Hymns and Tunes, 1882 --www.hymntime.com/tch/

William S. W. Pond

1819 - 1919 Person Name: William Pond Meter: 8.6.8.8.6 Author of "The Blood of Christ, Thy Spotless Lamb" in The Cyber Hymnal

Richard Hillert

1923 - 2010 Person Name: Richard W. Hillert, b. 1923 Meter: 8.6.8.8.6 Composer of "SHEPHERDING" in Lutheran Book of Worship Richard Hillert was born in Granton, Clark County, Wis., on March 14, 1923. There he attended parochial and public schools and later enrolled at Concordia Teachers College (now Concordia University Chicago), River Forest, where he received the Bachelor of Science degree in Education. He served as teacher and music director for parishes in St. Louis, Mo., Wausau, Wis., and Chicago and Westchester, Ill. He received both the Master of Music and the Doctor of Music degrees in composition from Northwestern University, Evanston, Ill. His teachers included Matthew Nathaniel Lundquist, Anthony Donato, Alan Stout, Arrand Parsons, Emil Nolte, and John Ohl. He studied composition with the Italian composer, Goffredo Petrassi, at Aaron Copland’s Berkshire Music Center, Tanglewood, Mass. Richard Hillert was a noted Lutheran composer. He was Distinguished Professor of Music Emeritus at Concordia University Chicago, River Forest, Ill. He was best known for his work as a composer and teacher of composition. Among his most frequently performed liturgical works for congregation is Worthy Is Christ, with its antiphon, “This is the Feast of Victory” which was written as an alternate Song of Praise for inclusion in Setting One of the Holy Communion in Lutheran Book of Worship (1978) and Lutheran Worship (1982). "This is the Feast" is now widely published in more than 20 recent worship books of many denominations, most recently in Lutheran Service Book (2006) and Evangelical Lutheran Worship (2006). Other major liturgical works include a setting of Evening Prayer (1984) and a Eucharistic Festival Liturgy (1983), which was first performed at Holy Name Cathedral in Chicago. He wrote liturgical pieces and hymns and served as music editor for Worship Supplement(1969) and Lutheran Book of Worship (1978). His compositions and publications include an array of pieces of liturgical music for congregation, choral motets, hymns and hymn anthems, psalm settings and organ works, concertatos, and cantatas, including settings of The Christmas Story According to Saint Luke and The Passion According to Saint John. He edited eleven volumes of the Concordia Hymn Prelude Series. Hillert's career as Professor of Music at Concordia (now Concordia University Chicago) spanned four decades, from 1959 to 1993. During this time he taught classes in music theory and composition, music literature, 20th century music, orchestration, keyboard instruction, comparative arts and liturgical worship. He served in various capacities in the music department, as chair in 1964-65 and from 1986–89, as coordinator of the Master of Church Music program, and as associate editor of the journal Church Music (1966–80). Non-liturgical compositions include symphonic works for orchestra (Symphony in Three Movements, Variations for Orchestra, Suite for Strings), chamber works for small orchestra and ensembles (Alternations for Seven Instruments, Divertimento I and II) as well as many works for keyboard, instrumental solos and songs. The latter include Sonata for Piano (1961), a violin sonata, and two sonatas for flute and keyboard. Major organ works include Prelude and Toccata, Ricercata, Passacaglia on Innocent Sounds, Partita on Picardy, and Partita on Atkinson. There are also concert works with sacred texts, such as Five Canticles from the Exodus (1958), Te Deum for two pianos, percussion, and wind instruments (1962), The Alleluiatic Sequence (1980), and Seven Psalms of Grace for baritone solo and chamber orchestra (1998). Extended choral works, many written for Concordia’s Kapelle conducted by Thomas Gieschen, include the Cantata: "May God Bestow on Us His Grace" (1964), "Motet for the Day of Pentecost" for choir, vibraphone, and prepared electronic tape (written for the round-the-world tour in 1969), "Motet for the Time of Easter" for double choir, percussion, and harp (1971), and "Agnus Dei" for three choirs and percussion instruments (1974). Richard Hillert authored numerous scholarly articles and reviews for the periodicals such as Church Music, CrossAccent, and Currents in Theology and Mission, and other professional books and journals. He received an honorary Doctor of Sacred Music degree from Valparaiso University, and honorary Doctor of Letters degrees from Concordia University at Seward, Nebraska, and Concordia Seminary, St. Louis. He was an honorary life member of the Association of Lutheran Church Musicians. His former students throughout the land have careers as practicing church musicians, elementary and secondary school teachers, teachers in higher education, music editors and publishers, and composers. Richard Hillert was married to Gloria Bonnin Hillert. They had three children: Kathryn Brewer, Virginia and Jonathan Hillert. --en.wikipedia.org

Paul Wigmore

b. 1925 Person Name: Paul Wigmore, b. 1925 Meter: 8.6.8.8.6 Author of "We come to this your table, Lord" in Common Praise Born 1925, London. Schools in Harrow, Bushey Heath and Barnstaple (N Devon). Many occupations between the ages of 14 and 42: apprentice mechanical engineer, shop assistant, junior clerk, photo lab trainee, National Service RAF photographer in India, Burma and UK, Kodak medical radiographer and haematology lab technician, then technical author. Publications and PR manager with air/sea lifesaving equipment manufacturer. PRO for the Christian Medical College and Brown Memorial Hospital, Ludhiana, Punjab. Freelance writer, graphic designer and photographer in Cambridge. Advertising editor and art director with Kodak UK from 1967 to early retirement in 1985. Wrote first verse at age ten in Port Isaac, Cornwall, getting as far as: Clouds race like tattered rags across Port Isaac Bay, ... and then stopping. During brief acquaintance with Penelope and John Betjeman from August 1982 until John's death in July, 1984, encouraged by the poet to keep writing verse. Two collections of light verse published in 1988 and 1990. First attempt at a hymn text written ('ÄòMay we, O Holy Spirit, bear your fruit'Äô) at the request of Jubilate Hymns Limited in compilation of Hymns for Today's Church. Something approaching 100 hymn texts now published, plus a couple of cantatas and one opera. The Jubilate Group

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