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O. D. Hall

Person Name: O. D. Hall, Jr. Arranger (last st. setting, descant, choral end. of "HENDON" in The Celebration Hymnal

Joachim Neander

1650 - 1680 Person Name: Joach. Neander Author of "Himmel, Erde, Luft und Meer" in Deutsches Lieder- und Melodienbuch Neander, Joachim, was born at Bremen, in 1650, as the eldest child of the marriage of Johann Joachim Neander and Catharina Knipping, which took place on Sept. 18, 1649, the father being then master of the Third Form in the Paedagogium at Bremen. The family name was originally Neumann (Newman) or Niemann, but the grandfather of the poet had assumed the Greek form of the name, i.e. Neander. After passing through the Paedagogium he entered himself as a student at the Gymnasium illustre (Academic Gymnasium) of Bremen in Oct. 1666. German student life in the 17th century was anything but refined, and Neander seems to have been as riotous and as fond of questionable pleasures as most of his fellows. In July 1670, Theodore Under-Eyck came to Bremen as pastor of St. Martin's Church, with the reputation of a Pietist and holder of conventicles. Not long after Neander, with two like-minded comrades, went to service there one Sunday, in order to criticise and find matter of amusement. But the earnest words of Under-Eyck touched his heart; and this, with his subsequent conversations with Under-Eyck, proved the turning-point of his spiritual life. In the spring of 1671 he became tutor to five young men, mostly, if not all, sons of wealthy merchants at Frankfurt-am-Main, and accompanied them to the University of Heidelberg, where they seem to have remained till the autumn of 1673, and where Neander learned to know and love the beauties of Nature. The winter of 1673-74 he spent at Frankfurt with the friends of his pupils, and here he became acquainted with P. J. Spener (q.v.) and J. J. Schütz (q.v.) In the spring of 1674 he was appointed Rector of the Latin school at Düsseldorf (see further below). Finally, in 1679, he was invited to Bremen as unordained assistant to Under-Eyck at St. Martin's Church, and began his duties about the middle of July. The post was not inviting, and was regarded merely as a stepping stone to further preferment, the remuneration being a free house and 40 thalers a year, and the Sunday duty being a service with sermon at the extraordinary hour of 5 a.m. Had he lived, Under-Eyck would doubtless have done his best to get him appointed to St. Stephen's Church, the pastorate of which became vacant in Sept., 1680. But meantime Neander himself fell into a decline, and died at Bremen May 31, 1680 (Joachim Neander, sein Leben und seine Lieder. With a Portrait. By J. F. Iken, Bremen, 1880; Allgemeine Deutsche Biographie, xxiii. 327, &c.) Neander was the first important hymn-writer of the German Reformed Church since the times of Blaurer and Zwick. His hymns appear to have been written mostly at Düsseldorf, after his lips had been sealed to any but official work. The true history of his unfortunate conflict has now been established from the original documents, and may be summarized thus. The school at Düsseldorf was entirely under the control of the minister and elders of the Reformed Church there. The minister from about July, 1673, to about May, 1677, was Sylvester Lürsen (a native of Bremen, and only a few years older than Neander), a man of ability and earnestness, but jealous, and, in later times at least, quarrelsome. With him Neander at first worked harmoniously, frequently preaching in the church, assisting in the visitation of the sick, &c. But he soon introduced practices which inevitably brought on a conflict. He began to hold prayer meetings of his own, without informing or consulting minister or elders; he began to absent himself from Holy Communion, on the ground that he could not conscientiously communicate along with the unconverted, and also persuaded others to follow this example; and became less regular in his attendance at the ordinary services of the Church. Besides these causes of offence he drew out a new timetable for the school, made alterations on the school buildings, held examinations and appointed holidays without consulting any one. The result of all this was a Visitation of the school on Nov. 29, 1676, and then his suspension from school and pulpit on Feb. 3, 1677. On Feb. 17 he signed a full and definite declaration by which "without mental reservations" he bound himself not to repeat any of the acts complained of; and thereupon was permitted to resume his duties as rector but not as assistant minister. The suspension thus lasted only 14 days, and his salary was never actually stopped. The statements that he was banished from Düsseldorf, and that he lived for months in a cave in the Neanderthal near Mettmann are therefore without foundation. Still his having had to sign such a document was a humiliation which he must have felt keenly, and when, after Lürsen's departure, the second master of the Latin school was appointed permanent assistant pastor, this feeling would be renewed. Neander thus thrown back on himself, found consolation in communion with God and Nature, and in the composition of his hymns. Many were without doubt inspired by the scenery of the Neanderthal (a lovely valley with high rocky sides, between which flows the little river Düssel); and the tradition is probable enough that some of them were composed in a cave there. A number were circulated among his friends at Düsseldorf in MS., but they were first collected and published after his removal to Bremen, and appeared as:— A und Ώ, Joachimi Neandri Glaub-und Liebesübung: — auffgemuntert durch ein fällige Bundes Lieder und Danck-Psalmen, Bremen, Hermann Brauer, 1680; 2nd ed. Bremen, 1683 ; 3rd ed. Bremen, 1687; 4th ed. Frankfurt, 1689. These editions contain 57 hymns. In the 5th ed., Frankfurt and Leipzig, 1691, edited by G. C. Strattner, eight hymns were added as being also by Neander. [The whole of these eds. are in the Royal Library, Berlin. The so-called 3rd. ed. at Wesel, 1686, also found in Berlin, was evidently pirated.] Other editions rapidly followed till we find the complete set (i.e. 57 or 58) formally incorporated as part of a hymnbook, e.g. in the Marburg Reformed Gesang-Buch, 1722, where the first part consists of Lobwasser's Psalter, the second of Neander's Bundeslieder, and the third of other hymns. Neander's Bundeslieder also form a division of the Lemgo Reformed Gesang-Buch, 1722; and of a favourite book used in the meetings conducted by G. Tersteegen, which in the 5th ed., Solingen, 1760, has the title Gott-geheiligtes Harfen-Spiel der Kinder Zion; bestehend in Joachimi Neandri sämtlichen Bundes-Liedern, &c. In this way, especially in the district near Düsseldorf and on the Ruhr, Neander's name was honoured and beloved long after it had passed out of memory at Bremen. Many of Neander's hymns were speedily received into the Lutheran hymnbooks, and are still in universal use. The finest are the jubilant hymns of Praise and Thanksgiving, such as his "Lobe den Herren”, and those setting forth the Majesty of God in His works of beauty and wonder in Nature, such as his "Himmel, Erde", and "Unbegreiflich Gut"; while some of his hymns of Penitence, such as his "Sieh hier bin ich, Ehrenkönig" (q.v.), are also very beautiful. Many are of a decidedly subjective cast, but for this the circumstances of their origin, and the fact that the author did not expect them to be used in public worship, will sufficiently account. Here and there there are doubtless harshnesses, and occasionally imagery which is rather jarring; and naturally enough the characteristic expressions and points of view of German 17th cent. Pietism and of the "Covenant Theology" are easily enough detected. But the glow and sweetness of his better hymns, their firm faith, originality, Scripturalness, variety and mastery of rhythmical forms, and genuine lyric character fully entitled them to the high place they hold. Of the melodies in the original edition of 1680 there are 19 by Neander himself, the best known being those to Nos. viii. and xi. below. The hymns by Neander which have passed into English, and have not already been referred to, are:— Hymns in English common use: i. Meine Hoffnung stehet feste. Thanksgiving. Founded on 1 Tim. vi. 17. 1680 as above, p. 115, in 5 stanzas of 7 lines, entitled "Grace after meat." In the Unverfälschter Liedersegen, 1851, No. 712. Translated as:— All my hope is grounded surely. A full and good translation by Miss Winkworth, as No. 8 in her Chorale Book for England, 1863. Another translation is: "All my Hope is fix'd and grounded." By J. C. Jacobi, 1720, p. 17, repeated in his ed., 1732, p. 64, altered and beginning, "All my Hope is firmly grounded." ii. Unbegreiflich Gut, wahrer Gott alleine. Summer. According to tradition this was written in the summer of 1677, in a cave in the Neanderthal near Düsseldorf, while Neander was in enforced absence from his school duties (Koch, vi. 20). It is founded on Ps. civ. 24. 1680, p. 165, in 12 stanzas of 6 lines, and entitled, "The Joys of Summer and Autumn in Field and Forest." The following note shows that the "Feeling for Nature" is not entirely modern. “It is also a travelling hymn in summer or autumn for those who, on their way to Frankfurt on the Main, go up and down the river Rhine, where between Cologne and Mainz, mountains, cliffs, brooks and rocks are to be beheld with particular wonder; also in the district of Berg in the rocky region [the ‘Gestein' now called the Neanderthal], not far from Düsseldorf." The hymn is in Knapp's Evangelischer Lieder-Schatz 1850, No. 2163 (1865, No. 2231), omitting st. x. Translated as:-— 0 Thou true God alone. A very good translation, omitting st. x., by Miss Winkworth, in her Christian Singers, 1869, p. 286. Her translation of st. i., iii.-v. altered in metre, and beginning "Thou true God alone," are No. 53 in M. W. Stryker's Christian Chorals, 1885. Hymns not in English common use:—— iii. Auf, auf, mein Geist, erhebe dich zum Himmel. Holy Communion. Founded on Ps. xxiii. 6. 1860, as above, p. 27, in 5 stanzas, entitled, "The soul strengthened and refreshed. After the reception of the Holy Communion." In Porst's Gesang-Buch, ed. 1855, No. 218. In the Moravian London Gesang-Buch, 1753, No. 697, it begins, "Den Himmels-Vorschmack hab' ich auf der Erde," and in the Brüder Gesang-Buch, 1778, No. 1178, it was further recast (by C. Gregor?) and altered to "hab'ich schon hinieden." Translated as "Heav'n's foretaste I may here already have." By F W. Foster & J. Miller, as No. 596, in the Moravian Hymn Book, 1789. In the 1801 ed. (1849, No. 1003) it begins, “Since Jesus dy'd, my guilty soul to save." iv. Der Tag ist hin, mein Jesu, bei mir bleibe. Evening. Founded on St. Luke xxiv. 29. 1680, p. 15, in 6 stanzas entitled, "The Christian returning thanks at eventide." In the Unverfälschter Liedersegen, 1851, No. 512. The translations are: (1) "The Day is gone, come Jesu my Protector." In the Supplement to German Psalmody, ed. 1765, p. 72. (2) "The day is past, Thou Saviour dear, still dwell my breast within." By H. J. Buckoll, 1842, p. 82. (3) "The day is gone, abide with me tonight." By E. Massie, 1867, p. 192. (4) "The day is gone, abide with me, 0 Jesus." By R. Massie, in the Day of Rest, 1877. v. Grosser Prophete, mein Herze begehret. Love to Christ. Founded on 1 Cor. xvi. 22. 1680, p. 191, in 4 stanzas. Translated as “Heavenly Prophet, my Heart is desiring." By J. C. Jacobi, 1720, p. 40. vi. Jehovah ist mein Licht und Gnadensonne. God's Perfections. Founded on 1 John i. 7. 1680, p. 19 in 4 stanzas, entitled, "Walking in the Light." Translated as, "Jehovah is my light, salvation showing." By Dr. H. Mills, 1845 (1856, p. 6). vii. 0 allerhöchster Menschenhüter. Morning. A hymn of praise to our Almighty Preserver. 1680, p. 11, in 6 stanzas, founded on Ps. lix. 16; and entitled, "The Christian singing at Morning." Translated as, "O Thou Most Highest! Guardian of mankind." By Miss Winkworth, 1858, p. 72. viii. Unser Herrscher, unser König. Thanksgiving. Founded on Acts viii. 2. 1680, p. 147, in 6 stanzas, entitled, "The glorious Jehovah." In the Unverfälschter Liedersegen 1851, No. 344. The well-known melody (in the Society for Promoting Christian Knowledge Church Hymns called Munich) is also by Neander, and appeared along with the hymn. Translated as, "Sovereign Ruler, King victorious," in the British Herald, Dec, 1865, p. 185, and Reid's Praise Book, 1872. ix. Wie fleucht dahin der Menschenzeit. For the Dying. A powerful hymn on the vanity of the earthly, founded on Ps. xc. 12. 1680, p. 174, in 7 stanzas, entitled, "He that counts his days." In the Unverfälschter Liedersegen, 1851, No. 845. The translations are: (1) "This life is like a flying dream" (beginning with st. ii. "Das Leben ist gleich wie ein Traum"). By Mrs. Findlater, in Hymns from the Land of Luther, 1858, p. 24 (1884, p. 146). (2) "Though hastening onward to the grave." By E. Massie, 1867, p. 36. x. Wo soil ich hin? wer helfet mir? Lent. Founded on Romans vii. 24. 1680, p. 51, in 5 st. entitled “The distressed one longing for Redemption." In the Unverfälschter Liedersegen, 1851, No. 393. The translations are: (1) "For help, O whither shall I flee." By Dr. H. Mills, 1845 (1856, p. 146). (2) "How shall I get there? who will aid?" By Miss Warner, 1858, p. 52. xi. Wunderbarer König. Thanksgiving. Founded on Ps. cl. 6. 1680, p. 159, in 4 stanzas, entitled, "Inciting oneself to the Praise of God." In the Unverfälschter Liedersegen, 1851, No. 787. The melody, a very fine one (called by Mr. Mercer Groningen), is also by Neander, and appeared along with the hymn. The translations are: (1) "Wonderful Creator." By J. C. Jacobi, 1722, p. 88. (2) "Wonderful and blessed." By J. D. Burns in his Memoir and Remains, 1869, p. 230. (3) "Wondrous King Almighty." By N. L. Frothingham, 1870, p. 266. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Sarah Slinn

1758 - 1831 Author of "God with us, O glorious name, Let it shine" in The National Baptist Hymnal Slinn, Sarah. In the Gospel Magazine for July 1779 a hymn in 9 stanzas of 4 lines was given beginning "God with us! 0 glorious Name;" headed "Emanuel; or, God with us. By a Lady," and signed "S. S—N." In Rippon's Baptist Selection, 1787, st. i. ii. vi. iii. iv. with alterations, and in the order named, were given as No. 174, but without signature. In J. Dobell's New Selection, 1806, the same text is repeated as from Wood's Collection The same text was again repeated to modern hymnbooks, and is that now in common use. From D.Sedgwick's manscripts we find the signature "S. S—N." was filled in as Sarah Slinn by him, but his papers do not furnish any authority for the name, nor for the date of 1777 which he has attached thereto in his manuscript note to Dobell's New Selection. --John Julian, Dictionary of Hymnology (1907)

Julia C. R. Dorr

1825 - 1913 Author of "Heir of all the ages, I" in Sacred Songs For Public Worship Born: Feb­ru­ary 13, 1825, Charles­ton, South Car­o­li­na. Died: Jan­u­a­ry 18, 1913, Rut­land, Ver­mont, at her home, The Ma­ples. Buried: Ev­er­green Cem­e­te­ry, Ru­tland, Ver­mont. Pseudonym: Car­o­line Tho­mas. Daughter of Will­iam Young Rip­ley, Julia lost her mo­ther as a child. In 1830 her fa­ther took her to Ver­mont, where she was ed­u­cat­ed. She be­gan writ­ing po­et­ry at an ear­ly age, but did not publ­ish an­y­thing un­til two years af­ter her 1847 mar­ri­age to Sen­e­ca M. Dorr, a prom­i­nent New York law­yer and bank­er. After her mar­ri­age, Ju­lia con­trib­ut­ed to mag­a­zines, main­ly po­e­try, with an oc­ca­sion­al short sto­ry. She count­ed among her friends writ­ers such as Ralph Wal­do Em­ers­on, James Russ­ell Low­ell, Ju­lia Ward Howe, Rich­ard Wat­son Gild­er, and Ol­iv­er Wen­dell Holmes. She car­ried on a cor­res­pon­dence with Holmes for over 20 years. Dorr’s works in­clude: Farmingdale, 1854 A Ca­thed­ral Pil­grim­age Bermuda. An Idyl of the Sum­mer Is­lands Bride and Bride­groom. A Ser­ies of Let­ters to a Young Mar­ried Couple Friar An­sel­mo and Other Po­ems The Le­gend of the Ba­bouh­ka Lanmere Sybil Hunt­ing­ton Expiation The Fal­low Field --www.hymntime.com/tch/

Julia Morgan

Person Name: Julie Morgan Harmonizer of "HENDON" in The United Methodist Hymnal Music Supplement II

Cudworth

Author of "Christ, the Lord is risen today!" in Songs for the Service of Prayer

Conder

Author of "Holy, holy, holy, Lord" in Songs for the Service of Prayer

Richard Burnham

1749 - 1810 Person Name: Burnham Author of "Jesus draws the chosen race" in The Primitive Baptist Hymnal Burnham, Richard, b. 1749, d. 1810, was for many years pastor of a Baptist Church in London, first in Little Chapel Street, and afterwards in Grafton Street, Soho. He is said to have been an excellent preacher. His hymns, 452 in all, were published as follows:— New Hymns on Divers Subjects, Lond., Gilbert and Plummer, 1783. This contained 141 hymns. A 2nd edition with 74 additional hymns as New Hymns on Various Subjects (same publishers), 1785. To this was added New Hymns on Divine Love, chiefly designed for Love Feasts or Christian Societies (25 hymns and 2 poetical pieces), Lond., W. Smith, but no date (cir. 1787). The 3rd edition of the Hymns, &c, is dated 1794, the 4th 1796, and the 5th, 1803. This last contains 452 hymns. In addition 3 hymns were printed at the end of a Sermon on Believer's Baptism, 1805, and many others on leaflets which have not been reprinted. Burnham's hymns rank with the most intensely Calvinistic in the English language, and have been much used by congregations of Calvinistic sentiments. In the last edition of Gudsbey’s Selection there are 20; in Denham's Selection 82; and in Snepp's Songs of Grace & Glory. 10. His best known hymns are, “Jesus! Thou art the sinner's Friend," and "O glorious God of grace." The following, from the editions of his Hymns, &c, indicated in brackets, are still in common use:— 1. Free grace, melodious sound [1794]. Grace. 2. God in Three appears all glorious [1796]. Holy Trinity. 3. Great Jehovah's love endureth [1794]. God unchangeable. 4. How truly glorious is the love [1803]. Love of God. In Snepp's Songs of Grace & Glory, 1872, this is altered by Miss Havergal. 5. Jesus draws the chosen race [1794]. Election. 6. Love will I ever sing [1796]. Love of God. 7. Now 1 know the great Redeemer [1794]. The Advocate. 8. The goodness of our glorious God [1794]. Divine Goodness. 9. The people of the Lord were chosen, &c. [1796], Election. 10. Who can e'er fathom God's rich love [1803]. Love of God. [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Sidney Dyer

1814 - 1898 Author of "காலம் நேர்த்தியாய் நகருதே" in The Cyber Hymnal Dyer, Sidney, who served in the U. S. Army from 1831 to c. 1840, is a native of White Creek, Washington County, New York, where he was born in 1814. On leaving the army he was ordained a Baptist Minister in 1842, and acted first as a Missionary to the Choctaws, then as Pastor in Indianapolis, Indiana (1852), and as Secretary to the Baptist Publication Society, Phila. (1859). He has published sundry works, and in the Southwestern Psalmist, 1851, 16 of his hymns are found. The following are later and undated:— 1. Go, preach the blest salvation. Missions. In the Baptist Praise Book, 1871, and The Baptist Hymn & Tune Book, 1871. 2. Great Framer [Maker] of unnumbered worlds. National Humiliation. In the Boston Unitarian Hymn [and Tune] Book, 1868, and others. 3. When faint and weary toiling. Work whilst it is day. In the Baptist Praise Book, 1871. 4. Work, for the night is coming. Duty. This hymn is in wider use than the foregoing, but though often ascribed to Dyer, is really by Miss Anna L. Walker, of Canada, who published a volume of Poems, 1868. S. Dyer, in 1854, wrote a hymn on the same subject for a Sunday-school in Indianapolis, and hence the confusion between the two. In 1882 a cento beginning with the same stanza was given in Whiting's (English) Hymns for the Church Catholic, No. 366. Of this cento, stanzas i., ii. are by Miss Walker; and stanzas iii., iv. by Miss Whiting, daughter of the editor of that collection. [Rev.F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) ================== Dyer, S., p. 317, ii. Additional hymns by Dr. Dyer are given in the Baptist Sursum Corda, Phila., 1898, with the following dates :— 1. Enter, Jesus bids thee welcome. Invitation. 1883. 2. No more with horrors veil the tomb. Burial. 1897. Dr. Dyer d. in 1898. --John Julian, Dictionary of Hymnology, New Supplement (1907) ================= Dyer, Sidney. (White Creek, New York, February 11, 1814--December 22, 1898, Philadelphia). Baptist. Indiana State University, honorary A.M. ; Bucknell University, honorary Ph.D. Missionary to the Choctaws early in his career. Pastorates at Brownsville, New York, 1842; Indianapolis, 1852-1859. District secretary of the American Baptist Publication Society, Philadelphia, 1859-1885. Author of eight religious books designed for children, two volumes of verse: Voices of Nature (Louisville, 1849), and Songs and Ballads (Indianapolis, 1857). Wrote a large number of hymns in Sunday School as well as church collections. In 1851, he published The South Western Psalmist (Louisville), which became known as Dyer's Psalmist. Of 467 hymns, 16 are by Dyer. Also wrote a prize-winning hymn "O wondrous land! thy onward march sublime" for the Jubilee of the American Baptist Home Mission Society which was help in New York in 1882. This 66-stanza hymn may be found in Baptist Home Missions in North America: Including a Full Report of the Proceedings and Address of the Jubilee Meeting . . . (New York: Baptist Home Mission Rooms, 1883). "Work, for the night is coming," written by Annie L. (Walker) Coghill, was sometimes ascribed to Dyer. The confusion arose when, in 1854, Dyer wrote a text on the same subject for a Sunday School in Indianapolis. --Deborah Carlton Loftis, DNAH Archives

Simon Zachariah

b. 1951 Translator (Malayalam) of "പ്രശംസിപ്പാനെന്തുള്ളൂ?" in The Cyber Hymnal

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