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John Reynell Wreford

1800 - 1891 Person Name: John R. Wreford Author of "Lord, I believe; Thy power I own" in Hymns, Psalms and Gospel Songs Wreford, John Reynell, an English Unitarian minister, was born December 12, 1800, at Barnstaple; educated at Manchester College, and in 1826 became pastor of a Church in Birmingham. In 1831, on account of the failure of his voice, he withdrew from the active work of the ministry and, in conjunction with Rev. Hugh Hutton, established a school at Edgbaston. He wrote a History of Presbyterian Nonconformity in Birmingham, 1832, and Lays of Loyalty, 1837. He contributed fifty-five hymns to Rev. J. R. Beard's Collection, 1837. His most popular and valuable hymn is the one given in this book. The last years of his life were spent in retirement at Bristol, where he died in 1891. —Hymn Writers of the Church by Charles Nutter ================= Wreford, John Keynell, D.D., born Dec. 12, 1800, educated at Manchester College, York, and in 1826 succeeded the Rev. James Yates as co-pastor to the Rev. John Kentish at the New Meeting, Birmingham. In 1830 he published a translation of Cellerier's Discourse on the Authenticity and Divine Origin of the Old Testament. In the following year, in consequence of failure of voice, he withdrew from the Ministry, and in conjunction with the Rev. Hugh Hutton, Minister of the Old Meeting, opened a school at Edgbaston. In 1832 he published a Sketch of the History of Presbyterian Nonconformity in Birmingham; and in 1837, Lays of Loyalty, in celebration of the Queen's accession. He also contributed, in 1837, to the Rev. J. R. Beard's Collection of Hymns for Public and Private Worship 55 hymns, of which the following are still in common use:— 1. God of the ocean, earth, and sky. God seen in His Works. In various collections, including those by Page Hopps, G. Dawson, and others. 2. Lord, I believe; Thy power I own. For increase of Faith. In Martineau's Hymns, &c, 1840. 3. Lord, while for all mankind we pray. National Hymn. This is in a large number of collections of various denominations, and is by far the most popular of his hymns. Sometimes it begins with stanza iii., "O! guard our shores from every foe." 4. When my love to Christ[God]grows weak. Passiontide. In Longfellow and Johnson's Unitarian Hymns of the Spirit, Boston, U. S. A., 1864, "When my love to God grows weak." This is repeated in Martineau's Hymns, &c, 1873. Dr. Wreford was also the author of several volumes of verse, chiefly devotional. The latter years of his life he spent in retirement at Bristol, and died there in 1881. [Rev. Valentine D. Davis, B.A.] -- John Julian, Dictionary of Hymnology (1907)

Josua Stegmann

1588 - 1632 Person Name: Stegmann Author of "Abide among us with Thy grace" in Worship in the School Room Stegmann, Josua, D.D., son of Ambrosius Stegmann, Lutheran pastor at Sülzfeld, near Meiningen, and finally, in 1593, superintendent at Eckartsberga, near Merseburg, was born at Sülzfeld, Sept. 14,1588. He entered the University of Leipzig in 1608, M.A. in 1611, and was for sometime adjunct of the Philosophical Faculty. In 1617 he was appointed Superintendent of the district (Grafschaft) of Schaumburg, and also pastor at Stadthagen, and first professor of the Gymnasium there; and before entering on his duties graduated D.D. at Wittenberg, on Oct. 24, 1617. When the Gymnasium was erected into a university, and transferred (1621) to Rinteln, he became ordinary professor of Theology there. By the outbreak of war he was forced to flee from Rinteln, in 1623. After his return he was appointed, in 1625, Ephorus of the Lutheran clergy of Hesse-Schaumburg. By the Edict of Restitution, promulgated by the emperor on March 6, 1629, he was greatly harassed; for the Benedictine monks, after they had settled in Rinteln, in 1630, claimed to be the rightful professors, and demanded the restoration of the old church lands, and especially the property formerly belonging to the nunnery at Rinteln, but which had been devoted to the payment of the stipends of the Lutheran professors. They sent soldiers into Stegmann's house to demand that he should refund his salary, and on July 13, 1632, compelled him to hold a disputation, at which they annoyed him in every possible way. Soon after he was seized with fever, and died Aug. 3, 1632. (Koch, iii., 128; Wetzel, iii., 251; Einladungsschrift des Gymnasium Bernhardinum, Meiningen, 1888; manuscript from Pastor A. Bicker, Rinteln; Dr. Förstemann, Leipzig), &c. Stegmann was known as a writer of Latin verse while yet a student at Leipzig, and by his contemporaries was reckoned as a hymn writer. It is, however, very difficult to discriminate his productions. The hymns interspersed in his devotional works are given without any indications of authorship, and many of them are certainly by earlier writers, or recasts founded on earlier hymns….Two hymns, which are usually ascribed to Stegmann, and are not found earlier than in his works, have passed into English as follows:— i. Ach bleib mit deiner Gnade. Supplication. In 1630 it is given in 6 stanzas of 4 lines, as a "Closing Hymn," after the "Prayer for the Preservation of the Doctrine, and of the Church of God." It is a simple and beautiful hymn, and is found in most recent German hymnals, e.g. as No. 208 in the Unverfälschter Liedersegen, 1851. Lauxmann, in Koch, viii., 146, relates various incidents regarding its use (it was, e.g., a favourite hymn of king Friedrich Wilhelm IV. of Prussia), and thus analyses it:— "It has as its keynote the saying of the two disciples at Emmaus, 'Abide with us.' St. i. puts this prayer simply before the Lord Jesus; st. ii.—vi. develop it in detail: Abide with us with Thy Word as our Saviour (ii.); with the illumination of Thy Spirit as our ever-guiding Truth (iii.) ; with Thy blessing as the God rich in power (iv.); with Thy protection as the Conqueror in battle (v.); and with Thy Faithfulness as our Rock in the time of need (vi.). The translations are:— 1. Abide with us, our Saviour. This is a free translation of st. i.-iii., as No. 51, in the Dalston Hospital Hymn Book, 1848; and repeated in the Pennsylvania Lutheran Church Book, 1868. 2. 0 Saviour, go beside us. This is a free translation of st. i., iv.,i v., with an original " Shepherd " st., as st. ii., by J. S. Stallybrass, in the Tonic Solfa Reporter, July 1857. 3. Abide among us with Thy grace. This is a good and full translation, in CM., by Miss Winkworth, in her Lyra Germanica, 2nd ser., 1858, p. 84; and her Chorale Book for England, 1863, No. 14. 4. Abide with us, Lord Jesus! Thy grace. This is a complete translation, as No. 8 in the Ohio Lutheran Hymnal, 1880, and marked as a compilation. 5. Come, abide with Thy grace, in our hearts, 0 Lord. By Dr. R. Maguire, 1872, p. 197. ii. Wie schon leuchtet der Morgenstern, Vom Firmament des Himmels fern. Morning. Included in 1630, as above, p. 10, in 8 stanzas of 10 lines, entitled, "Morning Hymn." The translation in common use is — How beautiful the Morning Star shines from the firmament afar. This was contributed by Philip Pusey to A. R. Reinagle's Psalm & Hymn Tunes, Oxford, 1840, p. 130. Other trs. are :—(1) "How fair shines forth the Morning-star." By H. J. Buckoll, 1842, p. 24. (2) "How lovely now the morning-star." By Miss Cox, 1864, p. 3. (3) “How beautiful the morning star, Shines in." By R. Massie, in the Day of Rest, 1876, p. 472. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Wilhelm Hey

1789 - 1854 Person Name: Wilh. Hey, 1789-1854 Author of "Singt Gottes Lob im Winter auch" in Unser Liederbuch Hey, Johann Wilhelm, son of H. A. Hey, pastor at Leina, near Gotha, was born at Leina, March 26, 1789. He studied at the Universities of Jena and Göttingen, became in 1811 licentiate in theology, and, after varied tutorial work, was appointed in 1818 pastor at Töttelstadt, near Gotha. In 1827 he became court preacher at Gotha, where his preaching attracted large audiences, but being regarded as a Pietist, was in 1832 appointed superintendent of Ichtershausen. He died at Ichtershausen, May 19, 1854 (Koch, vii. 262-266; Allgemeine Deutsche Biographie, xii. 344-345; MS. from Pfarrer Ortlob of Leina). Hey's poems were mostly written for children. The best known are his Fabeln für Kinder, with illustrations by Otto Speckter, of which the first fifty appeared at Hamburg, 1833, the second fifty in 1837. Since then they have passed through a large number of editions in German, and have been several times translated into English. At the end of each series is a "Serious Appendix," containing religious and moral songs. The whole of these two Appendices have been translated into English as Hymns and Poems for Little Children. Translated from the German. London, 1853. Also in the Fifty Fables, 1867, and Other Fifty Fables, 1869, translated by Sophie Klingemann, and published by F. A. Perthes at Gotha. Very few of Hey's hymns are suited for Church use. Those which we have to note are:— I. Hymns for Church Use. i. Wenn auch vor deiner Thür eimnal. Christian Charity. First published in Knapp's Christoterpe, 1835, p. 68, in 9 stanzas of 4 lines, as the fifth hymn of a series on the words "Behold I stand at the door and knock," Rev. iii. 20. In Knapp's Evangelischer Lieder-Schatz, 1837, No. 2412 (1865, No. 2146), it was altered to "Christ! wenn die Armen manchesmal," and this form passed into the Württemberg Gesang-Buch 1842, and other recent collections. The only translation is, "Ah, Christian! if the needy poor," by Mrs. Findlater, in Hymns from the Land of Luther, 3rd Ser, 1858, p. 30 (1884, p. 152). ii. Wenn je du wieder zagst. Passiontide. On Christ in the Garden of Gethsemane. First published in Severin Vater's Jahrbuch für häusliche Andacht, Gotha, 1824, p. 173, as No. 9 of the "Reminiscences of the sufferings of Jesus; for the Quiet Days of the week before Easter," in 9 stanzas of 8 lines, with the motto "Not my will, but Thine be done." Included in Bunsen's Versuch, 1833; Knapp's Evangelischer Lieder-Schatz, 1850 and 1865, &c. Translated as:— Whene'er again thou sinkest. A good and full translation by Miss Winkworth in her Lyra Germanica, 2nd Ser., 1858, p. 26, and repeated, abridged, in Psalms & Hymns, Bedford, 1864, and in Holy Song, 1869. II. Hymns for Children. All those to be noted appeared in the Appendix to the 2nd Series of his Fabeln für Kinder, Hamburg, 1837. iii. Alle Jahre wieder, kommt das Christus Kind. Christmas. 1837, p. 31, in 3 st. The translations are: (1) "The blessed feast of Christmas," in Hymns & Poems, 1853, p. 81. (2) "Every year that endeth," by Sophie Klingemann, 1869, p. 31. (3) "As each happy Christmas," by Mrs. H. K. Spaeth, as No. 33 in the Little Children's Book, Philadelphia, 1885. iv. Aus dem Himmel ferne. God our Father. 1837, p. 7, in 4 stanzas. The translations are: (1) "From the glorious heav'n above," in Hymns & Poems, 1853, p. 49. (2) "From the glorious heaven," by Mrs. Sevan, 1859, p. 139. (3) “From the angels' dwelling," in Dr. F. Silcher's Song Book for the Young, Nelson, 1868, No. 1. (4) "From His heaven above," by Sophie Klingemann, 1869, p. 7. (5) "From the far blue heaven," as No. 676, in the Tribute of Praise, Boston, U.S., 1873. v. Glöcklein klingt, Vöglein singt. Thanksgiving. 1837, p. 17 (in the ed. 1886, n.d., as part of Sonnentchein, Sternelein),in 5 stanzas. The translations are: (1) "The bells they ring, The birds they sing," in Hymns & Poems, 1853, p. 63. (2) "Bells do ring, birds do sing," in Silcher's Song Book, 1868, No. 9. (3) "Bells are ringing, Birds are singing," by Sophie Klingemann, 1869, p. 17. (4) "Church bells ring," by Mrs. H. R. Spaeth, in Little Children's Book 1885, No. 72. vi. Weisst du wie viel Sternlein stehen. God's care of His creatures. 1837, p. 20, in 3 stanzas. The translations are: (1) "Canst thou sum up each brilliant star." In Hymns & Poems, 1853, p. 67. (2) "How many stars are shining," by Mrs. Bevan, 1859, p. 144. (3) "Can you tell the countless number," by Sophie Klingemann, 1869, p. 20. (4) "Canst thou count the stars that twinkle," in the Rev. C. S. Bere's Children's Choral Book, 1869, p. 4, repeated as No. 425 in the Universal Hymn Book,1885. vii. Wen Jesus liebt Der kann allein. Love of Christ. 1837, p. 37, in 4 stanzas. The translations are: (1) "They who love Jesus alone can be gay," in Hymns & Poems, 1853, p. 90. (2) "The love of Christ makes ever glad," by Sophie Klingemann, 1869, p. 37. (3) "Whom Jesus loves," by Mrs. H. R. Spaeth, in Service & Hymns for Sunday Schools (Southern Lutheran), Philadelphia, 1883, p. 178. (4) "Whom Christ holds dear," by Prof. M. H. Richards, as No. 98 in the Little Children's Book, Philadelphia, 1885. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Donald S. Marsh

1923 - 2010 Person Name: Don Marsh Arranger (last st. and choral ending) of "AZMON" in Baptist Hymnal 2008 Donald Stuart Marsh USA 1923-2010. Born at Akron, OH, he spent his early years in Singapore and Sumatra, Indonesia, where his father was an accountant for rubber plantations. He attended Western Maryland College, Westminster, MD (now McDaniel College). He then attended the U of Houston, TX, and received Masters degrees in music, art, and drama. For 17 years he was involved with theatre, concert, and TV work in NYC as actor, choreographer, teacher, and pianist. For three decades he served at the First Presbyterian Church of Port Jervis (FPCPJ), along with pastor, Richard K Avery, his friend and partner for 50 years. As an ordained elder, he directed 75+ plays and musicals, and conducted three choirs. With pastor Avery, the two wrote and published 150+ songs. They formed Proclamation Productions to publish their works. Later, Hope Publishing handled their sales. Don spent his retirement years at Santa Fe, NM, with his friend, Avery. He died at Santa Fe, never having married. His record is staggering. He directed two full productions each year; created the church’s High Tea concerts; and for years, wrote a new musical to be performed at the annual Thanksgiving weekend Holiday Fair. All this in addition to directing the choirs for Sunday services. He was head of the ‘Presby Players’ there, and is believed to be the longest-running director of a church arts group in America. Proclamation Publications collections of works include: ‘Hymns Hot and Carols Cool’ (1967); ‘More, More, More’ (1970); ‘Songs For the Search’ (1970; ‘Alive and Singing’ (1971); ‘Songs For Easter People’ (1972); three volumes of ‘Hymns and Carols’ (1974-1979); and ‘Songs For Special Occasions’ (1980). John Perry

Calvin Weiss Laufer

1874 - 1938 Person Name: Calvin W. Laufer, 1874-1938 Author of "O Master of the Loving Heart" in Christian Worship (1993) Presbyterian minister and hymnographer Calvin Weiss Laufer was born today in Brodheadsville, Pennsylvania in 1874. Following his graduation from Union Seminary in 1900 he was ordained into the Presbyterian ministry and led congregations in New York and New Jersey for several years. Laufer had a generally cheerful outlook on his Christian life, and his first two books, Key-Notes of Optimism (1911) and The Incomparable Christ (1914) expressed that viewpoint. A review of the first book spoke of the "crisp and stirring note in these sermonettes which is well calculated to rouse the mind of readers and banish dejection." His books were popular in their time but today are seen as somewhat superficial. He later began to work with the Presbyterian Board of Christian Education and became its editor of musical publications, producing books such as The Junior Church School Hymnal (1927), The Church School Hymnal for Youth (1928) and When the Little Child Wants to Sing (1935). He was also the associate editor of the Presbyterian Hymnal of 1933, a very popular book which was used in many churches for more than fifty years. In 1932, his book Hymn Lore was published, which contained the stories of fifty hymns from The Church School Hymnal for Youth, with information about their writers and composers (much like this blog). He chose a broad range of hymns, some quite modern and others well-known and loved for centuries. Several of them were by his mentor and friend Louis F. Benson, who had edited the Presbyterian Hymnal of 1895 and its 1911 revision (and also wrote The Best Church Hymns). In the preface to Hymn Lore, Laufer wrote: To live with hymns and to make them one's own is the only sure way of appreciating their literary beauty and spiritual power. (...) That the reading and singing of hymns may become less mechanical, more thoughtful and intelligent, and emotionally more effective, this volume is released to the public. Laufer wrote both hymn texts and tunes himself, most of which first appeared in the books he edited but also had some life outside Presbyterian circles. This tune was written while Laufer was attending a conference in Kansas, though with no particular text in mind. Not long after, he hummed it to a friend, William H. Foulkes, who then wrote the text "Take thou our minds, dear Lord." Laufer's tune was originally called STONY BROOK, but he changed it to honor a friend, William Ralph Hall. Little is known about the writer May Pierpont Hoyt. Her text is generally sung to the tune BREAD OF LIFE by William F. Sherwin, but since that tune is more known with "Break thou the Bread of life," this text could use a different one. --conjubilant.blogspot.com/2010/04/

George Burder

1752 - 1832 Author of "Come, ye that know and fear the Lord" in The Otterbein Hymnal Burder, George, born in London, June 5, 1752, and trained as an engraver. At the age of 24 he commenced preaching with the Calvinist Methodists, but subsequently joined the Congregationalists,and was pastor sucessively at Lancaster, Coventry, and Fetter Lane, London. He was one of the active founders of the Religious Tract, the London Missionary, and the British and Foreign Bible Societies, and some time editor of the Evangelical Magazine. He died May 29, 1832. His works include Village Sermons, 1704; Sea Sermons, 1821; Cottage Sermons, 1826, and others. He is known to hymnology by his Collection of Hymns from various Authors, intended as a Supplement to Dr. Watts, &c, 1784. (Preface dated Nov. 20, 1784.) It had attained to the 25th edition in 1827. To this collection he contributed 4 hymns, the best known being, "Sweet the time, exceeding sweet" (q.v.), sometimes altered to "Great the joy when Christians meet." The remaining three, all from the 1st edition 1784, are:— 1. Come, dear Desire of nations, come. Missions. 2. Come ye that know and fear the Lord. Love of God. In Dr. Hatfield's Church H. Bk., N.Y., 1872, 5 st. out of 9 are given as No. 236. 3. Lord, solemnize our trifling minds. Before Sermon. Altered to "Great God, impress our trifling minds," in the New Congregational Hymn Book, No. 786, &c. Burder's Collection is of importance in the history of Congregational hymnody. The 1st edition, 1784, contained 187 hymns; 2nd edition, 1784, 211; 9th edition, 1803, 257 hymns; 18th edition, 1820, 277; and the last, the 25th edition, 1827, 294. His son, Henry Foster Burder, published a Collection of Ps. & Hymns, 1826; and another son, the Rev. John Burder, also compiled a Collection published without date. To the 18th edition, 1820, of G. Burder's Collection, the wife of his son H. F. Burder contributed "And will the God Who reigns on high " (Sunday Schools), under the signature “S. M. Burder" [Sophia Maria]. -- John Julian, Dictionary of Hymnology (1907)

Benjamin H. Kennedy

1804 - 1889 Person Name: Benjamin Hall Kennedy Author of "Psalm 57" in Christadelphian Hymn Book Kennedy, Benjamin Hall, D.D., son of the Rev. Raun Kennedy, sometime Incumbent of St. Paul's, Birmingham, and editor of A Church of England Psalm-Book, &c, 1821 (12th ed. 1848), was born at Summer Hill, near Birmingham, Nov. 6, 1804, and educated at King Edward's School, Birmingham; Shrewsbury School; and St. John's College, Cambridge. He graduated B.A. in 1827 (First Class Classical Tripos and First Chancellor's Medallist). He was Fellow of his College 1828-36; Head Master of Shrewsbury School, 1836-66; and Regius Professor of Greek in the University of Cambridge and Canon of Ely , 1867. Dr. Kennedy took Holy Orders in 1829, and was for some time Prebendaiy in Lichfield Cathedral and Rector of West Felton, Salop. He was elected Hon. Fellow of St. John's College, Cambridge, in 1880. Besides his Public School Latin Grammar, Palaestra Latina, Palaestra Stili Latini, &c, his editions of some of the Classics, and University Sermons, Dr. Kennedy published the following:— (1) The Psalter, or the Psalms of David, in English Verse. By a Member of the University of Cambridge, 1860; (2) Hymnologia Christiana, or Psalms & Hymns Selected and Arranged in the Order of the Christian Seasons (quoted in this Dictionary as Kennedy), 1863. i. From these two works many psalms and hymns have passed into other collections. The following versions of the Psalms first appeared in The Psalter, 1860, and again in the Hymnologia Christiana 1863. In many instances they have undergone considerable alteration in the latter work, and those of great length are broken into parts:— 1. All ye people, come and clap, &c. Ps. xlvii. 2. Arise, 0 Lord, with healing rod. Ps. x. 3. As pants the hind for cooling streams. Ps. xlii. 4. As Thy mercy lasts for ever. Ps. cix. 5. Be merciful to me, 0 God. Ps. lvii. 6. Be Thou my Judge, and I will strive. Ps. xvii. 7. Bless ye the Lord, His solemn praise record. Ps. cxxxiv. 8. Bow down Thine ear, and hear my cry. Ps. lxxxvi. 9. Come, ye children, list to me. Ps. xxxiv. 10. Ever, O my God and King. Ps. cxlv. 11. Ever will I bless the Lord. Ps. xxxiv. 12. Every king shall bow before Him. Ps. lxxii. 13. Full oft my chafing thoughts, &c. Ps. lxxiii. 14. God, avert the deadly blow. Ps. lix. 15. God, in Judah's homes is known. Ps. lxxvi. 16. God of my righteousness. Ps. iv. 17. Hear Thou my prayer, O Lord. Ps. cxliii. 18. Help us, O Lord, the good decay. Ps. xii. 19. How blest are they who flee, &c. Ps. cxix. 20. How blest the man, who fears to stray. Ps. i. 21. How blest the man whose errors, &c. Ps. xxxii. 22. How good it is to praise the Lord. Ps. xcii. 23. How long art silent, Lord? how long. Ps. xxxv. 24. How long forgotten, Lord, by Thee. Ps. xiii. 25. How long wilt Thou conceal Thy face. Ps. lxxxix. 26. I lift mine eyes unto the hills. Ps. cxxi. 27. I love the Lord, for He is nigh. Ps. cxvi. 28. I muse upon Thine ancient praise. Ps. lxxvii. 29. I praise Thee, Lord, who o'er my foes. Ps. xxx. 30. I trod the path of life, my strength. Ps. cii. 31. In trouble to the Lord I prayed. Ps. cxx. 32. Jehovah reigns, arrayed in light. Ps. xciii. 33. Judge me, O God; maintain my cause. Ps. xliii. 34. Lord, hear my prayer, and let my cry. Ps. cii. 35. Lord, I am not lofty-minded. Ps. cxxxi. 36. Lord, I lift my soul to Thee. Ps. xxv. 37. Lord, my Rock. I cry to Thee. Ps. xxviii. 38. Lord, save me from the foeman's wrath. Ps. cxl. 39. Lord, Thou wilt guard with faithful love. Ps. xxxvii. 40. Lord, Thy love and truth I praise. Ps. ci. 41. My God, my God, to Thee I cry, Ah! why hast Thou, &c. Ps. xxii. 42. My heart is fain, O God, my heart. Ps. cviii. 43. My portion is the living Lord. Ps. cxix. 44. My Saviour is the living Lord. Ps. xi. 45. My Shepherd is the Lord, no care. Ps. xxiii. 46. My trust is in Thy holy Name. Ps. lxxi. 47. My voice to God ascends on high. Ps. lxxvii. 48. Not in envy, not in anger. Ps. xxxvii. 49. Not in Thy fury, Lord, reprove. Ps. xxxviii. 50. O grant us, God of love. Ps. lxvii. 51. O God, be merciful to me. Ps. li. 52. 0 God of hosts, a vine. Ps. lxxx. 53. 0 God, subdue the power of sin. Ps. vii. 54. O Lord, in Thine accepted day. Ps. lxix. 55. 0 Lord our King, how bright Thy fame. Ps. viii. 56. O Lord, the God of my salvation. Ps. lxxxviii. 57. 0 praise ye the Lord, Praise Him in His shrine. Ps. cl. 58. O rejoice, ye righteous, in the Lord. Ps. xxxiii. 59. Oft, as to scatter kings. Ps. lxviii. 60. Out of the depths to Thee I cry. Ps. cxxx. 61. Praise, O my soul, the Lord and all. Ps. ciii. 62. Praise, 0 my soul, the Lord; how great. Ps. civ. 63. Praise the Lord, for good is He. Ps. cxxxvi. 64. Praise the Lord, for it is wise. Ps. cxlvii. 65. Praise the Lord from heaven on high. Ps. cxlviii. 66. Praise the Lord, His people; raise. Ps. cxlvi. 67. Praise ye the Lord, all nations. Ps. cxvii. 68. Praise ye the Lord, for good is He. Ps. cxviii. 69. Praise ye the Lord, for very good. Ps. cvii. 70. Praised be the Lord, my Rock of might. Ps. cxliv. 71. Save me, O God, the dangerous, &c. Ps. lxix. 72. Save me through Thy name, 0 God. Ps. liv. 73. Seek we Jehovah's house, they said. Ps. cxxii. 74. Sing a new song unto the Lord. Ps. xcvi. 75. Sing the Lord, ye sons of heaven. Ps. xxix. 76. Sing unto the Lord with mirth. Ps. c. 77. Take note, O Lord, of all my fears. Ps. lvi. 78. The heavens declare Thy wondrous fame. Ps. lxxxix. 79. The heavens, O God, Thy glory tell. Ps. xxx. 80. The king, 0 Lord, with hymns of praise. Ps. xxi. 81. The life of man is like the grass. Ps. ciii. 82. The Lord in thy distressful day. Ps. xx. 83. The Lord is King; glad earth, and ye. Ps. xcvii. 84. There is no God, so saith the fool. Ps. xiv. 85. Thou searchest all my secret ways. Ps. cxxxix. 86. To Thee I call. O Lord, be swift. Ps. cxli. 87. 'Twas dream-like, when the Lord's decree. Ps. cxxvi. 88. Unless the Lord with us had wrought. Ps. cxxiv. 89. Unto my feet a lantern shines Thy word. Ps. cxix. 90. Unto the Lord I make my moan. Ps. cxlii. 91. We sat and wept by Babel's stream. Ps. cxxxvii. 92. When Israel came from Egypt's strand. Ps. cxiv. 93. When through the dismal waste. Ps. lxviii. 94. Who rules his life by God's behest. Ps. cxxviii. 95. Whoe'er his secret home has made. Ps. xci. 96. With weary care brought low. Ps. lxix. 97. With my whole heart I will praise Thee. Ps. cxxxviii. 98. Within Thy tabernacle, Lord. Ps. xv. 99. Ye Judges of the earth, be still. Ps. lxxxii. ii. The following also appeared in The Psalter, 1860, and again in Hymnologia Christiana 1863, mostly altered, and based upon the corresponding Psalms by George Sandys (q.v.), published in his Paraphrase upon the Psalms of David, 1636:— 100. Blest he whose timely mercies heed. Ps. xli. 101. Hide not, 0 Lord, Thy cheering face. Ps. xl. 102. I waited for a gentle word. Ps. xl. 103. Israel of God, be Christ your Guide. Ps. cxv. 104. Who in the Lord securely lay. Ps. cxxv. iii. To the Rev. A. T. Russell's Psalms & Hymns, 1851, Dr. Kennedy was indebted to a limited extent in preparing his Psalter, 1860. In his Preface he says, p. viii.," Mr. Russell's metres, and occasionally his words, have been adopted in the following Psalms: 2, 24, 39, 45, 46, 50, 84, 85, 90, 110, 111, 113." Of these the following, sometimes with alterations of the 1860 text, were given in the

Richard Chenevix Trench

1807 - 1886 Person Name: Archbishop Richard C. Trench (1807-1886) Author of "Make channels for the streams of love" in Hymnal Amore Dei Trench, Richard Chenevix, D.D. was born in North Frederick Street, Dublin, on Sept. 9th, 1807, during a visit of his parents of some mouths to Ireland. His father was Richard Trench, 6th son of Frederick Trench, of Woodlands, Co. Galway; his mother Melesina, only grandchild and heiress of Richard Chenevix, Bishop of Waterford, and widow of Colonel St. George. On his mother's side he was almost purely French, the grandfather of Bishop Chenevix of Waterford, Philip Chenevix of d'Eply of Loraine having only taken refuge in England on the revocation of the Edict of Nantes. The Huguenot refugee families married for a long time within themselves, and in Mrs. Richard Trench, four distinct foreign strains were blended. Her sons (the Archbishop and his brothers, besides his two sisters) were the only descendants of the Refugee Philip, either in the male or female line, all the other branches having come to an end. Trench's home in childhood was Elm Lodge, close to the village of Bursledon, not far from Southampton. In February, 1816 he proceeded to Twyford School, and in 1819 to Harrow, where he won great distinction. In October 1825 he was entered at Trinity College, Cambridge. His mother's correspondence is full of references to a little periodical called The Translator, begun in 1825, or immediately on his becoming an undergraduate. She was his ardent co-worker both as contributor and critic. In 1826 he had acquired Spanish, and in that year applied himself to preparing and publishing a volume of Miscellanies, of which the "profits were to be sent to the committee formed for the relief of the exiled Spaniards." On May 27th, 1827, his mother died at Malvern. The Letters and Memorials (1888) give vivid and exciting details of his continuous interest and daring personal service and sacrifices on behalf of Spain. It was during the winter days of 1829-30 that the consultations and schemes respecting Spain were discussed in John Sterling's apartment. Robert Boyd, Trench's cousin, threw himself and his entire fortune into the plot by purchasing a small ship in the Thames and storing it with arms, in which General Torrijos and fifty picked Spaniards were to sail for the new adventure of the Golden Fleece. The enterprise ended tragically. Boyd and others perished by the inevitable vengeance of the Spanish sovereign when captured. By the hand of God, Trench was safe in Gibraltar. Till far up in young manhood he was undecided as to his calling, Law rather than Divinity colouring his thoughts and plans. He left Cambridge on February 1st, 1829, and rejoined his widowed father at Elm Lodge, near Southampton. He married, at the Abbey Church, Bath, on May 31st, 1832, his own cousin, Frances Mary Trench, daughter of his uncle, Francis Trench (2nd son of Frederick Trench, of Woodlawn, co. Galway, Ireland, and next brother to the 1st Lord Ashtown). On October 7th, 1832, he received Deacon's Orders in Norwich Cathedral at the hands of the aged Bishop Bathurst of Norwich. His first curacy was at Hadleigh, Norfolk, with H. J. Rose. He was ordained priest early in July, 1835, by Bishop Sumner, of Winchester. He published in 1835 The Story of Justin Martyr, and other Poems (Moxon). This was (practically) his first book. In 1838 followed Sabbation, Honor Neale, and other Poems, with Notes. In 1840 appeared his first prose work, Notes on the Parables of our Lord, subsequently companioned with Notes on the Miracles of our Lord (1846). In 1841 "the loving discipline of pain" visited his heart and hearth by the death of his eldest born, a deep sorrow which gave its subtlest and finest inspiration to his Elegiac Poems. A third volume of poetry, Poems from Eastern Sources, the Steadfast Prince, and other Poems, was published early in 1842; and a fourth, Genoveva, later in the same year. Early in 1843 he delivered his Five Sermons before the University of Cambridge, published in 1844. In 1844 also was published Exposition of the Sermon on the Mount, drawn from the Writings of St. Augustine, with Observations. In this same year he became Vicar of Itchen Stoke. In 1845 he delivered a lecture "On Language as an instrument of Knowledge," which expanded into his famous and suggestive Study of Words. In 1846 he was appointed Professor of Divinity at King's College, London, later changed into "Professor of the Exegesis of the New Testament,” which he held until 1858. The friendship between Trench and Maurice here was very beautiful. In 1846 also came the Hulsean Lectures, their subject being Christ "the Desire of all Nations." In 1849 appeared his Sacred Latin Poetry. This is an inestimable book. In 1852, Lessons on Proverbs and Study of Words, and in 1855 English Past and Present appeared. His Synonyms of the New Testament (1854) was a permanent contribution and inspiration to Philology and Theology. Life's Dream: the Great Theatre of the World, from the Spanish of Calderon, with an Essay on his Life and Genius, was published in 1856; 2nd ed. in 1880. The Crimean war drew from him his finest verse, Poems written during the Russian War (1854-55). In 1856 he was appointed Dean of Westminster. In 1861 was published his Commentary on the Epistles to the Seven Churches in Asia. On New Year's Day, 1864, he was consecrated Archbishop of Dublin in Christ Church Cathedral. He instantly took a foremost place in the regard of the entire community. His published Sermons, including his Studies on the Gospels (1867), are amongst the most thoughtful and quietly eloquent in our language; as are his Lectures on Plutarch (1873), and others. Timolem (1881) was his last poem. His final confirmation was in St. Bartholomew's Church on May 16th, 1884. On November 28th, 1884, he resigned his Archbishopric. He died in London, March 28, 1886. Few have left behind them a more stainless, a more loveable, a more enviable memory. He was sweetness and light embodied. [Rev. A. B. Grosart, D.D., LL.D] In the strict sense of the word Archbishop Trench, although a poet, was not a hymn-writer. Some of his poetical pieces are used as hymns, but their use is limited. These include:— 1. High thoughts at first, and visions high. Ordination. Appeared in his Story of Justin Martyr, &c, 1835, p. 53, in 1 stanza of 8 lines, and entitled "To a Friend entering the Ministry." Its use as a hymn is in an abbreviated form. 2. I say to thee, do thou repeat. Safety in Divine Guidance. Published in his Story of Justin Martyr, &c, 1835, in 10 stanzas of 3 lines, again in his Poems, 1865, p. 98, and ed. 1885, i. p. 140. It is headed, "The Kingdom of God." 3. Let all men know that all men move. Love of God. Published in his Story of Justin Martyr, &c, 1835, p. 111. 4. Lord, weary of a painful way. Evening. Appeared in his Sabbation, Honor Neale, &c, 1838, p. 117; and Poems, 1885, i. p. 207. 5. Not Thou from us, 0 Lord, hut we. Divine Love. Published in his Story of Justin Martyr, &c, 1835, p. 52, in 14 1., and in his Poems, 1885, i. p. 109. 6. Pour forth the oil, pour boldly forth. The Law of Love. Appeared in his Sabbation, Honor Neale, and Other Poems, 1838, p. 132, in 5 stanzas of 4 lines, and entitled "The Law of Love," also in his Poems, 1865, p. 150, and ed. 1885, i. p. 215. From this is taken the hymn, Make channels for the stream of love." 7. Some murmur when their sky is clear. Contentment. Published in the Sabbation, Honor Neale, and Other Poems, 1838, p. 116, in 2 st. of 8 1., in his Poems, 1865, p. 113, and ed. 1885, i. p. 142. 8. Thou inevitable day. Death. From his Sabbation, Honor Neale, &c, 1838, p. 99, in 14 stanzas of 3 lines, and headed, "The Day of Death." Also in Poems, 1885, i. p. 213. -- Excerpts from John Julian, Dictionary of Hymnology (1907)

María Eugenia Cornou

b. 1969 Person Name: María Eugenia Cornou, b. 1969 Translator (Spanish, st. 6) of "O For a Thousand Tongues to Sing (Mil voces para celebrar)" in Santo, Santo, Santo