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Person Results

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Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel S. Wesley Topics: Holy Scriptures Composer of "AURELIA" in Trinity Hymnal Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Felix Mendelssohn Topics: The Book of the Church : Holy Scripture Harmonizer of "MUNICH" in The United Methodist Hymnal Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman

Arthur Sullivan

1842 - 1900 Person Name: Sir Arthur Sullivan (1842- ) Topics: The Holy Scriptures Composer of "BETHLEHEM" in Carmina for the Sunday School and Social Worship Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

William Tans'ur

1699 - 1783 Person Name: William Tans'ur, 1706-1783 Topics: The Holy Scriptures Composer of "ST. MARTIN'S " in African Methodist Episcopal Church Hymnal William Tansur, b. about 1700, Dunchurch of Barnes; d. 1783, St. Neots Evangelical Lutheran Hymnal, 1908 Also known as Tansur; Tanzer; le Tansur

Russell Kelso Carter

1849 - 1928 Person Name: R. Kelso Carter, 1849-1928 Topics: The Holy Scriptures Author of "Standing on the Promises" in Worship and Service Hymnal Russel Kelso Carter was a professor in the Pennsylvania Military College of Chester. While there he was licensed to preach by the Methodist Episcopal Church. He became very active in leading camp meetings and revivals. After failing health forced him to abandon this work, he studied and became a medical doctor as well as a writer. He wrote novels as well as hymns. Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)

Edwin Hatch

1835 - 1889 Topics: Holy Scriptures Author of "Breathe on Me, Breath of God" in Great Songs of the Church (Revised) Hatch, Edwin, D.D., was born at Derby, Sep. 4, 1835, and educated at Pembroke College, Oxford, B.A., in honours, in 1857. After holding important appointments in Canada, he returned to England and became Vice-Principal of St. Mary Hall, Oxford, 1867; and Rector of Purleigh, 1883. (See also Crockford). He died Nov. 10, 1889. His hymn-writing was limited. One, and that a very spirited lyric, is in Allon's Congregational Psalmist Hymnal, 1886 "Breathe on me, Breath of God." (Whitsuntide.) Dr. Hatch's hymns were published in his posthumous Towards Fields of Light, London 1890. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Edwin Pond Parker

1836 - 1920 Person Name: Edwin P. Parker Topics: Holy Scriptures Arranger of "MERCY" in Great Songs of the Church (Revised) Parker, Edwin Pond, D.D., born at Castine, Maine, Jan. 13, 1836, and educated at Bowdoin College, Maine, and Bangor Theo. Sem., Maine. Entering the Congregational ministry, he became pastor of the Second Church of Christ, Hartford, Conn., Jan. 1860, and has remained there to the present date. Besides editing some Sunday School Hymn and Tune Books, now out of use, he was chief Editor of The Book of Praise . . . (Congregational) . . ., Phila., 1874; and Editor of The Christian Hymnal, Hartford, Conn., 1877, revised ed. 1889. His hymns in common use include:— 1. Blest are they in Christ departed. [Death and Burial.] Dated 1886. In the Christian Hymnal, 1889, and several other collections. 2. Come to Jesus, ye who labour. [Invitation.] Written in 1898, and included in The Pilgrim Hymnal , 1904. 3. Hail, Holy Light, the world rejoices. [Morning.] Dated 1889, and given in The Christian Hymnal, 1889, The Pilgrim Hymnal, 1904, and others. 4. I would tell Jesus. [The Soul's Desire.] Written in 1887, and included in The Christian Hymnal, 1889. 5. Lord, as we Thy Name profess. [Sincerity.] Dated 1889, first published in The Christian Hymnal, 1889, and subsequently in several other collections, including The Pilgrim Hymnal, 1904. 6. Master, no offering costly and sweet. [Love and Service.] Originally written in 1888, to close a sermon, and first published in The Christian Hymnal, 1889, together with music by the author. It has been adopted, together with the original music, by many compilers. For both words and music see The Pilgrim Hymnal, 1904. 7. O Master, Brother, Lord, and Friend. [Christmas.] Written to close a Christmas sermon, 1903; first printed in a local newspaper, and then included in The Pilgrim Hymnal, 1904. 8. Thy Name, O Lord, in sweet accord. [Divine Worship.] First published in The Christian Hymnal, 1889, and subsequently in several collections, including The Pilgrim Hymnal, 1904. Dr. Parker received his D.D. from Yale University, and is at the present time (1906) Chaplain to the Senate of the State of Connecticut. The above annotations are based upon Dr. Parker's manuscript notes. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Juan Bautista Cabrera Ivars

1837 - 1916 Person Name: Juan Bautista Cabrera Topics: Holy Scripture Author of "Padre, tu palabra es" in Mil Voces para Celebrar Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns. Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)

William Jones

1726 - 1800 Person Name: William Jones, 1726-1800 Topics: God: His Being, Word and Works The Holy Scriptures Composer of "NEWINGTON" in The Book of Praise Born: Ju­ly 30, 1726, Lo­wick, North­amp­ton­shire, Eng­land. Died: Jan­u­ary 6, 1800, Hol­ling­bourne, Kent, Eng­land. Pseudonym: Jones of Nay­land. Jones was ed­u­cat­ed at Char­ter­house and Un­i­ver­si­ty Coll­ege, Ox­ford. He be­came Vi­car of Beth­ers­den, Kent (1764); Pluck­ley, Kent; and Pas­ton, North­amp­ton­shire; per­pe­tu­al Cur­ate of Nay­land, Suf­folk (1777); and Rec­tor of Hol­ling­bourne, Kent (1798). He be­came a Fel­low of the Roy­al So­ci­e­ty in 1775. His works in­clude: The Ca­tho­lic Doc­trine of the Trin­i­ty, 1756 Fairchild Dis­cours­es, 1775 Physiological Dis­qui­si­tions, 1781 A Treatise on the Art of Mu­sic, 1784 Church Piec­es for the Or­gan with Four An­thems in Score, 1789 Jones was a de­scend­ant of the Col. J. Jones, who was one of the sig­na­tor­ies to the death war­rant of King Charles I of Eng­land. He used to reg­u­lar­ly ob­serve Jan­u­a­ry 30 as a day of fast­ing and hu­mil­i­a­tion for his an­ces­tor’s sin. Music: ST. STEPHEN --www.hymntime.com/tch/

Dan Damon

b. 1955 Person Name: Daniel Charles Damon, b. 1955 Topics: The Holy Scriptures Author of "When listening prophets dare to speak" in Singing the Faith Daniel Charles Damon (b. 1955) is an internationally published writer of hymn texts and tunes and is Associate Editor of Hymnody for Hope Publishing Company, Carol Stream, Illinois. Damon is also a jazz pianist and has played in many hotels and clubs in the San Francisco Bay area. He holds degrees from Greenville College, Greenville, Illinois (BME, 1977) and Pacific School of Religion, Berkeley, California (MDiv, 1987). He is an ordained Elder in the United Methodist Church in the San Francisco Bay area and a life member of the Hymn Society in the United States and Canada. Several single-author collections of Damon's hymns have been published: Faith Will Sing (Carol Stream, 1993), The Sound of Welcome (Carol Stream, 1998), To the Thirsty World (Nashville, 2002), Fields of Mercy (Carol Stream, 2007), and Garden of Joy (Carol Stream, 2011). He collaborated with text writer Gracia Grindal in A Treasury of Faith: Lectionary Hymns Series A (Colfax. 2012). Damon's hymns have been included in several major hymnals and supplements. He has also written hymn translations from Vietnamese, Portuguese, and Shona languages, and, with Patrick Matsikenyiri, edited Njalo, A Collection of 16 Hymns in the African Tradition (Nashville, 1996). He has released three recordings of hymns, carols, and traditional songs, and a solo piano recording of jazz standards (available at www.damonstuneshop.com). Damon has presented his work at national conferences of the Hymn Society in the United States and Canada and the Fellowship of United Methodists in Music and Worship Arts. He is a contributor to the Canterbury Dictionary of Hymnology. In 2016, Damon was made a Fellow of the hymn Society, the highest honor The Hymn Society can confer. Dan Damon

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