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Person Results

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Charles H. Webb

b. 1933 Person Name: Charles H. Webb, b. 1933 Topics: Year B, Ordinary Time after Pentecost, October 30-November 5; Year C, Ordinary Time after Pentecost, June 5-11 (if after Trinity Sunday) Transcriber of "[Heleluyan, heleluyan]" in Psalms for All Seasons

V. Earle Copes

1921 - 2014 Person Name: V. Earle Copes, b. 1921 Topics: Year B, Ordinary Time after Pentecost, October 30-November 5; Year C, Ordinary Time after Pentecost, June 5-11 (if after Trinity Sunday) Harmonizer of "OLD 113TH" in Psalms for All Seasons

Noel Tredinnick

b. 1949 Person Name: Noël Tredinnick (born 1949) Topics: Pentecost 5 The Church's Mission to All Composer (descant) and Arranger of "MOSCOW" in Hymns for Today's Church (2nd ed.) Composer

Edward Miller

1735 - 1807 Person Name: E. Miller (1735-1807) Topics: God, Saviour Suffering and Dying; Lent 5, The King and the Kingdom The Victory of the Cross; Pentecost 18 The Offering of Life Adapter of "ROCKINGHAM" in Hymns for Today's Church (2nd ed.) Edward Miller, Born in the United Kingdom. The son of a pavior (stone paver), Miller left home to study music at King's Lynn. He was a flautist in Handel's orchestra. In 1752 he published “Six Solos for the German Flute”. In 1756 he was appointed organist of St. George Minster Doncaster, continuing in that post for 50 years. He also gave pianoforte lessons. He published hymns and sonatas for harpsichord, 16 editions of “The Institues of Music”, “Elegies for Voice & Pianoforte”, and Psalms of David set to music, arranged for each Sunday of the year. That work had over 5000 subscribers. He published his thoughts on performance of Psalmody in the Church of England, addressed to clergy. In 1801 he published the Psalms of Watts and Wesley for use by Methodists, and in 1804 the history and antiques of Doncaster with a map. John Perry

Henry Elliott Fox

1841 - 1926 Person Name: H. E. Fox (1841-1926) Topics: Pentecost 5 The Church's Mission to All Author of "Send out the gospel! Let it sound" in Hymns for Today's Church (2nd ed.) Fox, Henry Elliott, M.A., son of Henry Watson Fox, born at Masulipatam, S. India, on Oct. 21, 1841, and educated at Harrow and Trinity College, Cambridge; B.A. (3rd class Cl. Trip.) 1864; M.A. 1869. Ordained in 1869, he was Curate of St. Ebbe, Oxford, 1869-73; Vicar of Christ Ch., Westminster, 1873-82, and of St. Nicholas, Durham, 1882-1895. From 1895 he has been Hon. Sec. of the C.M.S. He is also Commiss. for Uganda (1890), and Mombasa (1900). His deep interest in Foreign Missions is well known. He became a Preb. of St. Paul's in 1901. His hymns in common use include the following:— 1. 0 King of glory, God of grace. [Foreign Missions.] Written in 1899 for the centenary of the C.M.S., and included in the Church Missionary Society Hymn Book of the same year. 2. Send forth the Gospel! Let it run. [Foreign Missions.] Contributed to the C. M. H. Book, 1899, and repeated in Hymns of Consecration and Faith, 1902. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Percy C. Buck

1871 - 1947 Person Name: P. C. Buck (1871-1947) Topics: Pentecost 5 The Church's Mission to All Composer of "GONFALON ROYAL" in Hymns for Today's Church (2nd ed.)

Mother Teresa of Calcutta

1910 - 1997 Person Name: Mother Teresa Topics: Pentecost 5 The Church's Mission to All Author of "Make us worthy, Lord" in Hymns for Today's Church (2nd ed.)

Hugh Sherlock

1905 - 1998 Person Name: Hugh Sherlock (born 1905) Topics: Pentecost 5 The Church's Mission to All Author of "Lord, your church on earth is seeking" in Hymns for Today's Church (2nd ed.) Jamaica, Methodist Minister, former President of teh Conference of the Methodist Church in the Caribbean and Americas Sing a New Song No. 3 by Patrick Prescod (Bridgetown, Barbados: Cedar Press, 1981)

Matthäus Apelles von Löwenstern

1594 - 1648 Person Name: M. A. von Löwenstern, 1594-1648 Topics: Pentecost 5 Author of "Lord of Our Life" in Lutheran Book of Worship Löwenstern, Matthäus Apelles von, was born April 20, 1594, at Neustadt, in the principality of Oppeln, Silesia, where his father was a saddler. He early distinguished himself by his musical abilities, was appointed in 1625, by Duke Heinrich Wenzel of Münsterberg, as his music director and treasurer at Bernstadt: in 1626, director of the princely school at Bernstadt; and in 1631 Rath and Secretary and also Director of finance. Thereafter he entered the service of the Emperors Ferdinand II. (d. 1637), and Ferdinand III. as Rath, and was ennobled by the latter. Fi¬nally he became Staatsrath at Oels to Duke Carl Friedrich of Münsterberg, and died at Breslau, April 11, 1648 (Koch, iii. 57-60 ; Allgemeine Deutsche Biog. xix. 318, &c). Lowenstern's hymns, thirty in all, are of very varied worth, many being written in imitation of antique verse forms, and on the mottoes of the princes under whom he had served. In the original editions they were accompanied with melodies by himself. When or where they were first published (cir. 1644) is not clear. They were bound up with the Breslau Kirchen und Haus-Music, 1644, and there bear the title: Symbola oder Gedenck-Sprüche IIIirer FFFürstl. GGGn. Hn. Carl Friedrikis Hertzogs zu Münsterberg .... dann auch anderer Erlauchter Fiirstlicher Personen. Zusanibt noch etlichen absondtrs beygesetzten Geistlichen Oden. Gestellet durch M. A. v. L. Three of these hymns have been translated:— i. Christe, du Beistand deiner Kreuzgemeine. [In time of War.] 164-4, No. xvii., in 4 stanzas of 4 lines, entitled "Sapphic Ode. For spiritual and temporal peace." Included in many later collections, and as No. 215 in the Unverfälschter Liedersegen, 1851. It was a favourite hymn of Niebuhr, and also of Bunsen, who included it in his Versuch , 1833, and concluded with it the preface to his Bibelwerk. The translations in common use are:— 1. Lord of our life, and God of our Salvation. Contributed by Philip Pusey to A. R. Reinagle's Psalm and Hymn Tunes, Oxford, 1840, p. 132, in 5 stanzas. It is rather founded on the German than a translation, stanzas i., ii. on stanzas i.; iii.-v. on ii.-iv. The tune to which it was set was marked by Bunsen as an "old Latin melody," and so the Pusey hymn has sometimes been erroneously called a tr. from a Latin hymn of the 8th century. From Reinagle it passed into the Salisbury Hymn Book, 1857, and has been repeated in Hymns Ancient & Modern, Sarum Hymnal, Hymnary, Church Hymns; and in America in the Evangelical Hymnal, N. Y., 1880, Laudes Domini, 1884, and others. 2. Blest aid of Thine afflicted congregation. In full, by A. T. Russell, as No. 99 in the Dalston Hospital Hymn Book, 1848. 3. Christ, Thou the champion of the band who own. A good and full translation by Miss Winkworth in her Lyra Germanica, 1st Ser., 855, p. 105; repeated in Schaff's Christ in Song, 1869, and the Ohio Lutheran Hymnal, 1880. In the 2nd ed. of her Lyra Germanica, 1856, it begins, "Christ, Thou the champion of that war-worn host." 4. 0 Christ, the leader of that war-worn host. A good and full tr., based on Miss Winkworth, by W. Mercer in his Church Psalm & Hymn Book, 1857, No. 279 (Oxford ed., No. 391), and repeated in the American Sabbath Hymn Book, 1858. From the version of 1858 Mr. Windle seems to have altered the form in his Collection, No. 268. ii. Nun preiset alle. [Missions.] 1644, No. xii., in 5 st. of 6 1., entitled " Alcaic Ode." A fine hymn of Praise. In the Unverfälschter Liedersegen 1851, No. 717. The translation in common use is:-— Now let us loudly. In full, by Miss Winkworth in her Chorale Book for England , 1863, No. 177, set to Lowenstern's original melody. iii. Wenn ich in Angst und Noth. [Cross and Consolation .] 1644, No. viii., in 7 stanzas of 7 lines, entitled "The 121st Psalm." It is a fine version as a hymn of consolation in times of trouble. In the Berlin Geistlicher Lieder Schatz, ed. 1863, No. 984. The translations in common use are:— 1. When in distress and woe I lift. A good translation, omitting stanza v., by H. J. Buckoll, in his Hymns from German, 1842, p. 19, repeated in the Dalston Hospital Hymn Book 1848. 2. When anguish'd and perplexed. A good translation, omitting stanzas v., vi., by Miss Winkworth in her Lyra Germanica, 2nd Ser., 1858, p. 70. In her Chorale Book for England, 1863, No. 142, altered and set to the original melody by Lowenstern. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Henry Purcell

1659 - 1695 Topics: Jesus Christ Praise and Thanksgiving; Adoration and Praise; Blessings; Church Anniversaries; Church Dedication of a Building; Church Education; Church Triumphant; Comfort/Consolation; Glory; God House, Home; Healing; Heaven(s)/Paradise; Jesus Christ Images of; Jesus Christ Praise; Jesus Christ Reign; Jesus Christ Rock; Jesus Christ Strength and Refuge; Love; Opening Hymns; Petition; Prayer; Processionals (Opening of Worship); Service Music Gathering, Call to Worship, Greeting; Service Music Doxologies; Supplication; Trinity; Trust; Unity; Worship; Zion; Epiphany 7 Year A; Easter 5 Year A; Proper 17 Year A; Proper 18 Year A; Lent 3 Year B; Easter 4 Year B; Proper 11 Year B; Christmas 2 Year C; Epiphany 3 Year C; Easter 7 Year C; Pentecost Year C; Proper 9 Year C; All Saints Year C; Proper 27 Year C; Reign of Christ Year C Composer of "WESTMINSTER ABBEY" in Voices United Henry Purcell (b. Westminster, London, England, 1659; d. Westminster, 1695), was perhaps the greatest English composer who ever lived, though he only lived to the age of thirty-six. Purcell's first piece was published at age eight when he was also a chorister in the Chapel Royal. When his voice changed in 1673, he was appointed assistant to John Hingston, who built chamber organs and maintained the king's instruments. In 1674 Purcell began tuning the Westminster Abbey organ and was paid to copy organ music. Given the position of composer for the violins in 1677, he also became organist at Westminster Abbey in 1679 (at age twenty) and succeeded Hingston as maintainer of the king's instruments (1683). Purcell composed music for the theater (Dido and Aeneas, c. 1689) and for keyboards, provided music for royal coronations and other ceremonies, and wrote a substantial body of church music, including eighteen full anthems and fifty-six verse anthems. Bert Polman

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