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William Crotch

1775 - 1847 Topics: Sanctifiying and Perfecting Grace Social Holiness; New Heaven and a New Earth The Completion of Creation (The City of God); Christian Perfection; Heaven; Judgment; Justice; Kingdom of God; Peace, World; Social Concerns; Triumph Arranger of "ST. MICHAEL" in The United Methodist Hymnal William Crotch (5 July 1775 – 29 December 1847) was an English composer, organist and artist. Born in Norwich, Norfolk to a master carpenter he showed early musical talent as a child prodigy. The three and a half year old Master William Crotch was taken to London by his ambitious mother, where he not only played on the organ of the Chapel Royal in St James's Palace, but for King George III. The London Magazine of April 1779 records: He appears to be fondest of solemn tunes and church musick, particularly the 104th Psalm. As soon as he has finished a regular tune, or part of a tune, or played some little fancy notes of his own, he stops, and has some of the pranks of a wanton boy; some of the company then generally give him a cake, an apple, or an orange, to induce him to play again... Crotch was later to observe that this experience led him to become a rather spoiled child, excessively indulged so that he would perform. He was for a time organist at Christ Church, Oxford, from which he was later to graduate with a Bachelor of Music degree. His composition The Captivity of Judah was played at Trinity Hall, Cambridge, on 4 June 1789; his most successful composition in adulthood was the oratorio Palestine (1812). He may have composed the Westminster Chimes in 1793. In 1797 Crotch was given a professorship at Oxford University, and in 1799 he acquired a doctorate in music. While at Oxford, he became acquainted with the musician and artist John Malchair, and took up sketching. He followed Malchair's style in recording the exact time and date of each of his pictures, and when he met John Constable in London in 1805, he passed the habit along to the more famous artist. In 1834, to commemorate the installation of the Duke of Wellington as chancellor of the University of Oxford, Crotch penned a second oratorio titled The Captivity of Judah. The 1834 work bears little resemblance to the oratorio he wrote as a child in 1789. In 1822, Crotch was appointed to the Royal Academy of Music as its first Principal, but resigned ten years later.[2] He spent his last years at his son's house in Taunton, Somerset, where he died suddenly in 1847. Among his notable pupils were William Sterndale Bennett, Lucy Anderson, Stephen Codman, George Job Elvey, Cipriani Potter, and Charles Kensington Salaman --en.wikipedia.org/

James Langran

1835 - 1909 Person Name: James Langran, 1835 - 1909 Topics: Birth of Christ; God Praise of; God Power of; Heaven Worship in ; God: His Being, Word and Works God the Father Almighty: The Divine Perfections Composer of "DEERHURST" in The Book of Praise James Langran (b. St. Pancras, London, England, November 10, 1835; d. Tottenham, London, England, June 8, 1909) studied organ as a youth but did not receive his Bachelor of Music degree from Oxford until he was forty-nine years old. He had several organist positions–the longest was at St. Paul's Church, Tottenham, England, from 1870 to 1909. He also taught music at St. Katherine's Training College for Schoolmistresses (1878-1909). Music editor of theNew Mitre Hymnal (1875), Langran composed around fifty hymn tunes and contributed several of them to early editions of Hymns Ancient and Modern. Bert Polman

Sir William Mure

1594 - 1657 Topics: God Divine Perfections of Author of "The Lord's my Shepherd, I'll not want" in Trinity Hymnal Mure, Sir William, eldest son of Sir William Mure of Rowallan Castle, Ayrshire, was born at Rowallan in 1594. In the Civil War he sided against the king; and in 1644, accompanying: those sent under the Solemn League and Covenant to the help of the Parliament, was wounded at the battle of Marston Moor. He died at Rowallan in 1657. In 1628 he published a translation of Robert Boyd's Hecatombe Christiana, at Edinburgh, in a volume con¬taining also an original poem entitled Doomesday, and three sonnets entitled Fancies Farewel. His manuscript Version of the Psalms, which seems to have been begun in 1629 and completed in 1639, was recommended to the use of the committee who compiled the Scottish Psalter of 1650. A complete manuscript of this version was found about 1825, with various other poetical manuscripts by him, among the old family papers in Bowallan Castle. These manuscripts were kindly searched for by Lord Donington in 1884, but could not be discovered among the family papers now in Loudoun Castle, Ayrshire. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

George Kingsley

1811 - 1884 Topics: Children Instruction of; Christ Providences of; Family; Glory of God In Providence; God Works of; Gospel Gracious Fruit of; Gospel Invitations of ; Heart Good, Perfect, Pure and Upright; Law of God; Miracles; Parents and Children; The Past; Royalty of Christ In His Church Composer of "HEBER" in The Psalter Born: July 7, 1811, Northampton, Massachusetts. Died: March 14, 1884, Northampton, Massachusetts. Kingsley played the organ at the Old South Church and Hollis Street Church in Boston, Massachusetts. He also taught music at Girard College in Philadelphia, Pennsylvania, served as music supervisor for public schools in Philadelphia, and compiled a number of music books, including: Sunday School Singing Book, 1832 The Harmonist, 1833 The Social Choir, 1836 The Sacred Choir, 1838 The Harp of David, 1844 The Young Ladies’ Harp, 1847 Templi Carmina (Northampton, Massachusetts: 1853) The Juvenile Choir, 1865 --www.hymntime.com/tch

R. B. Y. Scott

1899 - 1987 Topics: Sanctifiying and Perfecting Grace Social Holiness; New Heaven and a New Earth The Completion of Creation (The City of God); Christian Perfection; Heaven; Judgment; Justice; Kingdom of God; Peace, World; Social Concerns; Triumph Author of "O Day of God, Draw Nigh" in The United Methodist Hymnal Scott, Robert Balgarnie Young. (Toronto, Ontario, July 18, 1899--November 1, 1987). United Church. University of Toronto, B.A., 1922; M.A., 1924; Ph.D., 1928. Pastorate at Long Branch, Ont., 1926-1928; professor of Old Testament at Union College (Vancouver), 1928-1931; United Theological College (Montreal), 1931-1955; Princeton University, 1955-1968; also dean of divinity at McGill University (Montreal), 1945-1955. Published many translations of, and commentaries on, Old Testament material, as well as on the Dead Sea Scrolls. Most of his hymns date from his years in Montreal. --Hugh D. McKellar, DNAH Archives

Theodore E. Perkins

1831 - 1912 Person Name: Theodore E. Perkins, born 1831 Topics: Daily bread; Daily bread; Choosing; Common Grace; Communion with God; Compassion of God; Goodness of God; Grace of God; God the Hearer of Prayer; God our Helper; Love Of God; Praise for Blessings; Praise for God's Perfections; Praise for God's Works Composer of "NAZARETH" in Psalter Hymnal (Red) Theodore E. Perkins was born at Poughkeepsie, on the Hudson, N.Y., July 21, 1831. His father was a Baptist clergyman. The family of ten brothers and sisters sang and played various instruments, forming among themselves both choir and orchestra. His musical education began at the early age of three years. During his father's pastorate at Hamilton, N. Y., the choir rehearsals were often held at the parsonage, and the leader used to place the three-year-old on a small stool, on the table around which the choir was assembled, giving him a chance to both see and hear. Later on he played the violincello in church, standing on a stool in order to finger the instrument. The home gatherings — especially on Thanksgiving Day, are the recollections among the happiest of his childhood. His father became pastor of the Berean Baptist Church in New York City, in 1839, giving him the opportunity of studying the pianoforte, of which he became a proficient player. His fine alto voice soon gave him notoriety. At the age of nineteen while filling a position as clerk in New York, all his spare time was given to the study of voice and piano. In 1851 he went to Hamilton, N. Y., taught music in Madison University (now Colgate), and in the Female Seminary. In 1854 he went to Port Jervis, N. Y., where he taught singing school, and April 30, 1855, married Mary Frances Caskey, who was for years his soprano soloist in many musical Festivals and Conventions. Soon after marriage he removed to Salem, N. J., where his lifework as singing school teacher really began, including Bridgeton and prominent towns in southern New Jersey. During the summer of 1856 he and his wife were pupils of the Normal Academy of Music at North Reading, Mass., conducted by Drs. Lowell Mason and Geo. F. Root. During 1856-1858 he was given the position of assistant teacher and manager. His association with these two great men gave an inspiration to all his future work. In 1859 he was co-principal with Wm. B. Bradbury at the Normal Academy of Music, Geneseo, N. Y. He remained at Geneseo until 1863. Professor Perkins also held very successful schools in North Pelham Province of Ontario, Canada, and in 1864-1868 was principal in schools at Tunkhannock and Meadville, Pa. In 1860, The Olive Branch, his first book of church music, was published by F. J. Huntington, New York City, the sales reaching 100,000. Next was Oriental, which sold over 30,000. The Union, Glees and Anthems, and Sabbath Anthems followed ; then The Sacred Lute, which sold over 300,000. His Sunday-school books commenced with The Evergreen, followed by the Shining Star and New Shining Star. Then came Psalm King, which was the last of the books published by Mr. Huntington. Hallowed Songs was published by Philip Phillips; The Sunday School Banner was published by Wm. B. Bradbury. The Royal Standard was published in Toronto, Canada. The Golden Promise, Sabbath Carols, The Mount Zion Collection were published under his own supervision. His Free Sunday School Songs several times numbered over 500,000 a month. Coronation Songs with Rev. Dr. Deems as hymn editor was published by A. S. Barnes Co., who also published Psalms and Hymns and Spiritual Songs, in which Dr. C. S. Robinson was hymn editor, who with Professor Perkins edited Calvary Songs, published by the American S. S. Union. Gospel Tent Songs was evangelical. The Safe-Guard Singer was his temperance book. Mr. Perkins was musical director in the following churches in Brooklyn: The Lafayette Avenue Presbyterian Church, Rev. Dr. Cuyler; Strong Place Baptist Church, Rev. E. E. L. Taylor, D. D.; Madison Avenue Baptist Church, Rev. H. G. Weston, D. D., L. L. D.; Fifth Avenue Presbyterian Church, Rev. Dr. Rice, followed by Dr. John Hall; The Memorial Presbyterian Church, Rev. Dr. C. S. Robinson, who was his close friend; The Church of the Holy Trinity, Rev. Dr. Tyng, Jr. ; Trinity Baptist Church, Rev. Dr. J. B. Simmons, and Washington Square M. E. Church. In Philadelphia: The Fifth Baptist Church, Rev. Dr. Chase; The Eleventh Baptist Church, Rev. Dr. Colman; The Tabernacle M. E. Church, Rev. George Gaul, D. D. He was leader and singer in Evangelistic Services, at the Rink, The Old Madison Square Garden and Cooper Union, all of New York City. The music of the first great meeting of the world's Evangelical Alliance, held for ten days in New York City, was under his direction, as was the first National Sunday School convention, held in Newark, N. J. He was also conductor at the Golden Anniversary of the Female Guardian Society, leading a chorus of forty-two hundred children. In the opening chorus, Great is the Lord, by Dr. Calcott, the word "Great" was given with so much decision and power that the clergymen on the platform sprang to their feet and remained standing until the chorus was finished. He taught voice culture in Princeton and Lafayette Universities, The Union Theological Seminary, New York City; Crozer Seminary, Chester, Pa., and organized the music department of Temple University, Philadelphia, continuing in charge four years. He had charge of the children's choir of Howard Mission, New York City, for twenty-five years, and thinks that some of the happiest and most restful of the working hours were spent in teaching the poor children of the fourth and sixth wards to sing the Gospel. Mr. Sankey said to Mr. Perkins that " Jesus of Nazareth was my banner song for eight years." Jesus is Mine has been sung at the Christian's death-bed, the grave, and once as the convict was going to the scaffold. His Christmas Carol Sweetly Carol had a very large sale in this country, and was republished in England, France, Italy, and Germany. For a period of forty years he has made the study of the voice special work. The most thorough investigations of the voice and its possibilities were made with the assistance of the late John Howard, extending over a period of twenty-five years, during which he has had the care of over two thousand voices. He published a work entitled, Physiological Yoice Culture, edited by his son, the late T. Edward Perkins, M. D., physician and throat specialist of Philadelphia. Mr. Perkins also completed a method of voice culture based on the principles of John Howard's Physiology of Artistic Singing." During these years of work he has found time to edit thirty-four books of church, Sunday-school, day-school, and glee music, the larger portion having been previously mentioned. Also songs and ballads in sheet form, and a cantata entitled, The Excursion, libretto by Fanny Crosby, with whom there has existed an unbroken friendship for over forty years. -Biography of Gospel Song and hymn Writers

James Walch

1837 - 1901 Topics: Christians Conflicts of; Covetousness; Discontent; God Denied; God Good; Heart Claimed of God; Heart Good, Perfect, Pure, and Upright; Pride; Prosperity No Proof of God's Blessing; Unbelief; The Wicked Condemned Composer of "[Yet God is good to Israel]" in Bible Songs James Walch was a musician and composer, born near Bolton, Lancashire, England in 1837. He spent his early life in the town and was organist in several churches there, including the parish church of St George’s. From 1870-1877, he was conductor for the Bolton Philharmonic Society. He also composed at least four published hymn tunes, the best known of which is called “Tidings”. Written in 1875, it’s usually used as the tune to a hymn called “O Zion Haste”. James Walch was a musical instrument dealer by trade, and moved to Barrow-in-Furness in 1877. He later moved to Llandudno Junction in North Wales, where he died in August 1901 and was buried locally. His wife later donated money to pay for the organs in two local churches, St Paul's Llandudno and All Saints Deganwy, in his memory. Three decades later, an article in the London Gazette reported on a dispute arising from his will, and mentioned that he had a son, Harry West Walch, who was a pianist and lived in Hereford. St Paul's Church, Llandudno newsletter; used by permission of Christ Dearden (Walch's wife paid for the organ at St. Paul's Church)

Edward Husband

1843 - 1908 Topics: Access to God; Adoration; Aspirations For Christ; Aspirations For Church Priveleges; Aspirations For Grace; Aspirations For Heaven; Blessedness Of Those Abiding in God's House; Christ Anointed; Christ Communion with; Christ Preciousness of; Christians Blessedness of; Christians Fellowship of; Christians Graces of; Christians Growth of; Christians Heirs of Heaven; Church Beloved of Saints; Dedication of Church; God Our Refuge; Gospel Fulness of ; Gospel Privileges of; Gospel Sanctifying and Saving; Grace Growth in; Heart Good, Perfect, Pure and Upright; House of God Described; House of God Longed for and Loved; Installation Psalms; Nature An Emblem of Grace; Perseverance; Pilgrim Spirit; Prayer For Grace and Salvation; The Righteous Blessedness of; Steadfastness; Walking with God; Worship Delightful to Saints; Worship public; Zeal True; Zion Glory of Composer of "ST. EDITH" in The Psalter Husband, Edward was educated at St. Aidan's College, Birkenhead. Taking Holy Orders in 1866, he was successively Curate of Atherstone and Folkestone; and in 1878 Vicar of St. Michael and All Angels, Folkestone. In 1874 Mr. Husband published The Mission Hymnal, in which appeared his hymns as follows:— 1. Alas! poor world, I loved thee long. Rest in Jesus. 2. And dost Thou ask me, dearest Lord. Christ's Invitation, " Follow Me." 3. I must have Jesus only. Jesus only desired 4. Sweet Blood, dear ransom of our souls. The Blood of Jesus. These hymns are very simple, earnest, and impassioned: and bear a great resemblance to Facer's compositions. --John Julian, Dictionary of Hymnology (1907)

W. Tucker

1731 - 1814 Person Name: Tucker Topics: The Perfections of God Author of "The Harmony of the Perfections of God" in A Selection of Hymns for Public Worship. In four parts (10th ed.) (Gadsby's Hymns) William Tucker was born at Chard, Somerset, March 27th, 1731. His parents were members of the Church of England. After hearing George Whitefield in London, he grey daily more and more acquainted with the plague of his heart, the spirituality of God's law, and the unsearchable riches of his grace. He worked in Chard as a cutler and iron monger and joined the Baptist church. He wrote a variety of pieces including "Predestination Calmly Considered," "Arminianism Dissected" and articles against Pre-Existerianism. as well as hymns. Dianne Shapiro from Memoirs of the Principal Hymn-writers and Compilers of the 17th, 18th and 19th Centuries (4th ed.) by John Gadsby (London: John Gadsby)

J. W. Elliott

1833 - 1915 Person Name: James W. Elliott Topics: Adoration; Christ Exaltation of; Christians Conscious of Safety; Faith Walking by; Glory of God In Creation; God Adored and Exalted; Heart Good, Perfect, Pure and Upright; Mercy of God Celebrated; Missions Prayer for; Morning Psalms; Prayer confidence in; Prayer Sincerity in; Royalty of Christ Providential; Royalty of Christ Universal Domain of; Steadfastness; Trust in God Expression of; Trust in God Expression of; Truth; The Wicked Self-Destroyed; Worship Acts of Composer of "CHURCH TRIUMPHANT" in The Psalter J.W. Elliott was a popular composer of the Victorian period, and is best known for his nursery rhyme music and for his work on hymnals in the 1870s. He was born James William Elliott, in Warwick, England, on February 13, 1833. As a child, he sang as a chorister in the Leamington Parish Church. In those days, choristers were given lessons in all facets of church music, including organ lessons, counterpoint studies, and more in exchange for providing an extraordinary level of service to their parish church (services throughout the week, all holidays, extra services, etc.). The result is that most choristers who completed their studies received an excellent music education, and James was no exception. After starting his career as an organist and choirmaster for a countryside church, his talent became obvious. He moved to London, where he assisted Sir Arthur Sullivan (of Gilbert and Sullivan fame) in editing Church Hymns. In addition, James worked for a music publisher. His compositions include two operettas, numerous anthems, service music, works for instruments including the very popular harmonium, and most particularly for Nursery Rhymes and Nursery Songs, his children’s music score that sets many of the Nursery Rhymes to delightful music. Several of his hymn tunes are still in use today in many hymnals, most notably his hymn tune “Day of Rest.” He was heavily involved in the preparation of the musical edition of Church Hymns in 1874, the Choral Service Book of 1892, and transcriptions of hymn tunes using harmonies different than the traditional ones found in hymnals. He died in St. Marylebone, London, on February 5, 1915. --www.nursery-songs.com/

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