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Johann Sebastian Bach

1685 - 1750 Harmonizer of "ES IST GEWISSLICH AN DER ZEIT" in The Beacon Song and Service book Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach

Mary Botham Howitt

1799 - 1888 Person Name: Mary Howitt, c. 1804-1888 Author of "Thou, earth, art ours" in The Beacon Song and Service book Howitt, Mary, née Botham, second daughter of Samuel Botham, a member of the Society of Friends, was born at Uttoxeter, Staffordshire, circa 1804, was married in 1823 to William Howitt, and died Jan. 30, 1888. Her publications have little in common with hymnody. They include poems, novels, translations of Swedish and Spanish works, and numerous contributions to magazines. In addition she was joint author with her husband of Literature and Romance of Northern Europe, 1852, &c. Her hymns include:— 1. God might have made the earth bring forth. The Use of Flowers. From her Birds and Flowers, and Other Country Things, Lond., N. D. (Preface, Sept. 28, 1837), p. 122, in 8 stanzas of 4 lines. 2. How goodly is the earth. Flower Services. From her Hymns and Fireside Verses, Lond., 1839, p. 167. 3. 0 spirit, freed from earth. Death and Burial. Altered from her poem, "The Ascent of the Spirit," in her Ballads and Other Poems, 1847, p. 318. Dr. Martineau dates this poem 1834. Mrs. Howitt also contributed " Let me suffer, let me drain" (The Willing Disciple), and " Clothe me with Thy saving grace " (The Cry of the spirit) to Lyra Britannica, 1867. -- John Julian, Dictionary of Hymnology ============================= Howitt, Mary, p. 541, i. Her hymn “Let me suffer; let me drain," is the opening hymn of the Lays of the Sanctuary, 1859. She died Jan. 30, 1888. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Mary Botham Howitt

Severus Gastorius

1646 - 1682 Composer of "GASTORIUS" in Hymns of the Spirit for Use in the Free Churches of America Severus Gastorius (1647-1682 ) was a cantor in Jena, central Germany. The son of a Weimar school teacher, Severus was born with the family name Bauchspiess (later Latinised to Gastorius) in Oettern, near Weimar. In 1667, he started studying at the University of Jena. From 1670, he deputized for cantor Andreas Zöll in Jena and married his daughter the following year. Gastorius assumed Zöll's position after his death in 1677. One of his friends, Samuel Rodigast, wrote the hymn "Was Gott tut, das ist wohlgetan" for Gastorius when he was sick (to cheer him up as Rodigast writes in his dedication). Even before he recovered, Gastorius set it to music based on a melody by Werner Fabricius. The tune became widely known in Germany as the cantor students of Jena cantor sang it every week at Gastorius' door as well as when they returned home. Gastorius was buried on 8 May 1682 in Jena's Johanniskirche cemetery. Gastorius had requested that the hymn "Was Gott tut, das ist wohlgetan" be sung at his funeral. Gastorius is also credited with composing music for the funeral motet Du aber gehe hin bis das Ende komme. It was sung at the funeral of the Jena professor of medicine Johann Arnold Friderici on 2 June 1672. --en.wikipedia.org/wiki/
Severus Gastorius

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