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Tune Identifier:"^holy_day_barnby$"
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Joseph Barnby

1838 - 1896 Composer of "HOLY DAY" in Hymn Tunes Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Elizabeth Parson

1812 - 1873 Author of "Jesus, we love to meet" in The Home and School Hymnal Parson, Elizabeth, nee Rooker, daughter of the Rev. W. Rooker (for nearly fifty years Congregational Minister at Tavistock), was born at Tavistock, June 5, 1812, and married in 1844 to Mr. T. Edgecombe Parson. She died at Plymouth in 1873. Previous to her marriage (from 1840 to 1844) Mrs. Parson conducted a class for young men and women in the vestry of her father's chapel on Sunday evenings, and to which was given the name of the “Willing Class," because those who came, came "willingly." For this class she wrote from 1840 to 1844 several hymns, some of which came into use through various collections including the Baptist Psalms & Hymns, 1858, and others at a later date. A few years ago 18 of these hymns were collected, and printed for private circulation by one of her old scholars as Willing Class Hymns. The greater part of these hymns have found a place in children's hymn-books, some fifteen collections having one or more therein. For tenderness, "Saviour, round Thy footstool bending," is the most pathetic; and for praise, "Angels round the throne are praising," and "What shall we render?" the most joyous. Mrs. Parson also wrote a few hymns for adults, which have been printed for private use only. In addition to those hymns there are also the following in common use:— 1. Far above the lofty sky. Praise. 2. Father of spirits, we entreat. New Year. 3. Hark ! a distant voice is calling. Missions. 4. Hark ! 'tis the Saviour calls. The Invitation. 5. Is there one heart, dear Saviour here? Passiontide. 6. Jesus, we love to meet. Sunday. 7. Lord, we bend before Thee now. Home Missions, or Prayer Meetings. 8. Lord, we stand before Thy throne. This is an altered form of No. 7. 9. Our Saviour's voice is soft and sweet. Missions. 10. This is God's most holy day. Sunday. 11. Youthful, weak, and unprotected. Self Dedication to Christ. -- John Julian, Dictionary of Hymnology (1907)

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