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A charge to keep I have
Author: Charles Wesley Appears in 1,425 hymnals Used With Tune: CAMBRIDGE
A charge to keep I have
A great and mighty wonder
Appears in 115 hymnals Used With Tune: ES IST EIN `ROS
A great and mighty wonder
A safe stronghold our God is still
Author: Martin Luther Appears in 71 hymnals Used With Tune: EIN` FESTE BURG
A safe stronghold our God is still
ES IST EIN `ROS
Appears in 212 hymnals First Line: A great and mighty wonder Tune Sources: German carol Incipit: 55565 53432 17155 Used With Text: A great and mighty wonder
ES IST EIN `ROS
A charge to keep I have
Author: Charles Wesley Hymnal: HAP1983 #785a (1983) Languages: English Tune Title: CAMBRIDGE
A charge to keep I have
A charge to keep I have
Author: Charles Wesley Hymnal: HAP1983 #785b (1983) Languages: English Tune Title: ST. GEORGE GAUNTLETT
A charge to keep I have
A glorious company we sing
Author: Albert F. Bayly Hymnal: HAP1983 #787 (1983) Languages: English Tune Title: LADYWELL
A glorious company we sing
George Rawson
1807 - 1889 First Line: A mighty mystery we set forth Hymnal Number: 579 Author of "A mighty mystery we set forth" in Hymns and Psalms Born: June 5, 1807, Leeds, England.
Died: March 25, 1889, Clifton, England.
Buried: Arno’s Vale Cemetery, Bristol, England.
Pseudonym: A Leeds Layman.
Rawson, George, was born June 5, 1807, at Leeds, in which town he practised for many years as a solicitor. In 1853 he assisted the Congregational ministers of Leeds in the compilation of Psalms, Hymns, and Passages of Scripture for Christian Worship, a volume commonly known as the Leeds Hymn-book. Mr. Rawson was a member of the Congregational body. In 1858 he also assisted Rev. Dr. Green and other Baptist ministers in the preparation of Psalms and Hymns for the use of the Baptist Denomination. A number of Mr. Rawson's own compositions first appeared in this and in the Leeds Hymn-book In 1876 he published his Hymns, Verses and Chants (Hodder and Stoughton, London), including his previously published hymns, and containing (exclusive of chants) 80 original pieces. In 1885 most of these, with several additional hymns, were published by the R. T. S. under the title Songs of Spiritual Thought. Mr. Rawson died March 25, 1889.
His hymns are distinguished by refinement of thought, and delicacy and propriety of language; and if they do not attain the first rank among the songs of the Christian Church, many are of great excellence. The most widely known are, "By Christ redeemed, in Christ restored;" "Come to our poor nature's night;" "Father in high heaven dwelling;" "In the dark and cloudy day;" and "Reaper, behold the fields are white." In the Leeds Hymn-book, 1853, and the Baptist Psalms & Hymns, 1858, there are also several recasts of and additions to the hymns of other writers. In addition to Mr. Rawson's hymns which are annotated under their respective first lines, the following are also in common use:-
i. From the Leeds Hymn-book, 1853.
1. Captain and Saviour of the host. Burial.
2. Give dust to dust: and here we leave. Burial.
3. God the Lord is King-—before him. Ps. xcix.
4. In the dark and cloudy day. Consolation.
5. Soul, thy week of toil is ended. Saturday Evening.
6. Though the night be very long. Resignation.
ii. From the Baptist Psalms & Hymns, 1858.
7. Beautiful, desired, and dear. Public Worship.
8. Blessed are they who have not seen. Faith.
9. Blessed is the faithful heart. Faithfulness.
10. Christ to heaven is gone before. Ascension.
11. God the Father, be Thou near. Evening.
12. He fell asleep in Christ the Lord. Burial.
13. Immersed beneath the closing wave. Holy Baptism.
14. Lord, we bless Thee, Who hast given. Holy Communion.
15. My Father God, with filial awe. Abiding in God.
16. Our eyes we lift up to the hills. The Lord the Pastor's Keeper.
17. Reaper, behold the fields are ripe [white] . Missions.
18. Rise, heart, thy Lord arose. Sunday.
19. Upon the holy mountains high. Security of the Church.
iii. From the Leeds Sunday School Hymn Book, 1858.
20. And will [How shall] the mighty God. The Holy Ghost.
21. Jesus, the Lord, our Righteousness. Jesus, the children's Friend.
22. O Thou Good Shepherd. The Good Shepherd.
iv. From Dr. Allon's Supplemental Hymns, 1868.
23. My Father, it is good for me. Trust.
24. Thou Who hast known the careworn breast. Evening.
25. Walking with Thee, my God. Walking with God.
v. From Mr. Rawson's Hymns, Verses, &c. 1876.
26. God is our Refuge; God our Strength. Ps. xlvi.
27. Lo, a voice from heaven hath said. Burial.
28. Lord, let me pray. I know not how. The Holy Spirit desired.
29. O pallid, gentle, grief-worn face. Easter Eve.
30. Out of the depths, the gulfs, the night. Ps. cxxx.
31. This, the old world's day of rest. Saturday Evening. [1854-7.]
32. Thou who Thyself didst sanctify. Ordination. [1854-7.]
33. Voices of the deep blue night. The Heavenly Call.
34. With gladness we worship. Public Worship.
Mr. Rawson is represented by about 50 hymns in the collections of the present day. It must be noted that in the Hymns, &c, 1876, and in the Songs, &c, 1885, the texts of the hymns have been revised, and in several instances been weakened thereby. [Rev.W. R. Stevenson, M.A.]
--John Julian, Dictionary of Hymnology (1907)
================
Rawson, George, p. 952, i. Additional hymns by this author in common use include:—
1. Come, Spirit of the Lord. From his “How shall the mighty God," in his Hymns, Verses, &c, 1876, No. 43.
2. Each trial hath a gentle voice. Patience and Hope. In the 1880 Supplement to the Baptist Psalms and Hymns. This is dated 1857. It is not in the author's Hymns, 1876.
3. Stand up before your God. All Saints. In the 1880 Baptist Psalms and Hymns this is dated 1865. It is not in Rawson's Hymns, 1876.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
George Rawson
Robert Bridges
1844 - 1930 First Line: Ah, holy Jesus, how hast thou offended Hymnal Number: 164 Author of "Ah, holy Jesus, how hast thou offended" in Hymns and Psalms Robert S. Bridges (b. Walmer, Kent, England, 1844; d. Boar's Hill, Abingdon, Berkshire, England, 1930) In a modern listing of important poets Bridges' name is often omitted, but in his generation he was considered a great poet and fine scholar. He studied medicine and practiced as a physician until 1881, when he moved to the village of Yattendon. He had already written some poetry, but after 1881 his literary career became a full-time occupation, and in 1913 he was awarded the position of poet laureate in England. Bridges published The Yattendon Hymnal (1899), a collection of one hundred hymns (forty-four written or translated by him with settings mainly from the Genevan psalter, arranged for unaccompanied singing. In addition to volumes of poetry, Bridges also published A Practical Discourse on Some Principles of Hymn-Singing (1899) and About Hymns (1911).
Bert Polman
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Bridges, Robert Seymour, M.A., son of J. J. Bridges, of Walmer, Kent, was b. Oct. 23, 1844, and educated at Eton and at Corpus Christi College, Oxford (B.A. 1867, M.A. 1874). He took his M.A. in 1874, but retired from practice in 1882, and now (1906) resides at Yattendon, Berks. He is the author of many poems and plays. He edition and contributed to the Yattendon Hymnal, 1899 (originally printed at the Oxford Univ. Press in parts—Nos. 1-25, 1895; 26-50, 1897; 51-75, 1898; 76-100, 1899). [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Robert Bridges
Johann Crüger
1598 - 1662 Person Name: J. Cruger First Line: Ah, holy Jesus, how hast thou offended Hymnal Number: 164 Composer of "HERZLIEBSTER JESU" in Hymns and Psalms Johann Crüger (b. Grossbriesen, near Guben, Prussia, Germany, 1598; d. Berlin, Germany, 1662) Crüger attended the Jesuit College at Olmutz and the Poets' School in Regensburg, and later studied theology at the University of Wittenberg. He moved to Berlin in 1615, where he published music for the rest of his life. In 1622 he became the Lutheran cantor at the St. Nicholas Church and a teacher for the Gray Cloister. He wrote music instruction manuals, the best known of which is Synopsis musica (1630), and tirelessly promoted congregational singing. With his tunes he often included elaborate accompaniment for various instruments. Crüger's hymn collection, Neues vollkomliches Gesangbuch (1640), was one of the first hymnals to include figured bass accompaniment (musical shorthand) with the chorale melody rather than full harmonization written out. It included eighteen of Crüger's tunes. His next publication, Praxis Pietatis Melica (1644), is considered one of the most important collections of German hymnody in the seventeenth century. It was reprinted forty-four times in the following hundred years. Another of his publications, Geistliche Kirchen Melodien (1649), is a collection arranged for four voices, two descanting instruments, and keyboard and bass accompaniment. Crüger also published a complete psalter, Psalmodia sacra (1657), which included the Lobwasser translation set to all the Genevan tunes.
Bert Polman
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Crüger, Johann, was born April 9, 1598, at Gross-Breese, near Guben, Brandenburg. After passing through the schools at Guben, Sorau and Breslau, the Jesuit College at Olmütz, and the Poets' school at Regensburg, he made a tour in Austria, and, in 1615, settled at Berlin. There, save for a short residence at the University of Wittenberg, in 1620, he employed himself as a private tutor till 1622. In 1622 he was appointed Cantor of St. Nicholas's Church at Berlin, and also one of the masters of the Greyfriars Gymnasium. He died at Berlin Feb. 23, 1662. Crüger wrote no hymns, although in some American hymnals he appears as "Johann Krüger, 1610,” as the author of the supposed original of C. Wesley's "Hearts of stone relent, relent" (q.v.). He was one of the most distinguished musicians of his time. Of his hymn tunes, which are generally noble and simple in style, some 20 are still in use, the best known probably being that to "Nun danket alle Gott" (q.v.), which is set to No. 379 in Hymns Ancient & Modern, ed. 1875. His claim to notice in this work is as editor and contributor to several of the most important German hymnological works of the 16th century, and these are most conveniently treated of under his name. (The principal authorities on his works are Dr. J. F. Bachmann's Zur Geschichte der Berliner Gesangbücher 1857; his Vortrag on P. Gerhard, 1863; and his edition of Gerhardt's Geistliche Lieder, 1866. Besides these there are the notices in Bode, and in R. Eitner's Monatshefte für Musik-Geschichte, 1873 and 1880). These works are:—
1. Newes vollkömmliches Gesangbuch, Augspur-gischer Confession, &c, Berlin, 1640 [Library of St. Nicholas's Church, Berlin], with 248 hymns, very few being published for the first time.
2. Praxis pietatis melica. Das ist: Ubung der Gottseligkeit in Christlichen und trostreichen Gesängen. The history of this, the most important work of the century, is still obscure. The 1st edition has been variously dated 1640 and 1644, while Crüger, in the preface to No. 3, says that the 3rd edition appeared in 1648. A considerable correspondence with German collectors and librarians has failed to bring to light any of the editions which Koch, iv. 102, 103, quotes as 1644, 1647, 1649, 1650, 1651, 1652, 1653. The imperfect edition noted below as probably that of 1648 is the earliest Berlin edition we have been able to find. The imperfect edition, probably ix. of 1659, formerly in the hands of Dr. Schneider of Schleswig [see Mützell, 1858, No. 264] was inaccessible. The earliest perfect Berlin edition we have found is 1653.
The edition printed at Frankfurt in 1656 by Caspar Röteln was probably a reprint of a Berlin edition, c. 1656. The editions printed at Frankfurt-am-Main by B. C. Wust (of which the 1666 is in the preface described as the 3rd) are in considerable measure independent works.
In the forty-five Berlin and over a dozen Frankfurt editions of this work many of the hymns of P. Gerhardt, J. Franck, P. J. Spener, and others, appear for the first time, and therein also appear many of the best melodies of the period.
3. Geistliche Kirchen-Melodien, &c, Leipzig, 1649 [Library of St. Katherine's Church, Brandenburg]. This contains the first stanzas only of 161 hymns, with music in four vocal and two instrumental parts. It is the earliest source of the first stanzas of various hymns by Gerhardt, Franck, &c.
4. D. M. Luther's und anderer vornehmen geisU reichen und gelehrten Manner Geistliche Lieder und Psalmen, &c, Berlin, 1653 [Hamburg Town Library], with 375 hymns. This was edited by C. Runge, the publisher, and to it Crüger contributed some 37 melodies. It was prepared at the request of Luise Henriette (q.v.), as a book for the joint use of the Lutherans and the Re¬formed, and is the earliest source of the hymns ascribed to her, and of the complete versions of many hymns by Gerhardt and Franck.
5. Psalmodia Sacra, &c, Berlin, 1658 [Royal Library, Berlin]. The first section of this work is in an ed. of A. Lobwasser's German Psalter; the second, with a similar title to No. 4, and the date 1657, is practically a recast of No. 4,146 of those in 1653 being omitted, and the rest of the 319 hymns principally taken from the Praxis of 1656 and the hymn-books of the Bohemian Brethren. New eds. appeared in 1676, 1700, 1704, 1711, and 1736.
[Rev. James Mearns, M.A.]
-- Excerpt from John Julian, Dictionary of Hymnology (1907)
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Crüger, Johann, p. 271, ii. Dr. J. Zahn, now of Neuendettelsau, in Bavaria, has recently acquired a copy of the 5th ed., Berlin, 1653, of the Praxis.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Johann Crüger
