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Meter:6.6.8.6.8.8

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The solemn feast was spent

Author: John Brownlie Meter: 6.6.8.6.8.8 Appears in 1 hymnal Lyrics: The solemn feast was spent, And night had spread her pall, When Christ with His disciples went Beyond the city wall; And in the dark He led the way, Towards the lone Gethsemane. He took His chosen three, And bowed with grief He saith, "Abide ye here, and watch with me, I sorrow unto death"; Then, moving forward still a pace, He fell in prayer upon His face. Ah, ill their watch they keep, For soon their eyelids close, 25 And when their Lord returned, in sleep Those weary men repose; "Awake," He said, "make prayerful call, Lest ye before the tempter fall." Thrice did the Master pray, That God His Son would save; But heaven in silence turned away, And earth no comfort gave; And still the worn disciples slept While Christ alone the vigil kept. O soul of mine, awake! Cast off thy careless sleep; To God Thy prayer for succour make And earnest vigil keep; And learn, whate'er His will may be, To do that will is best for thee.
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Jesus, we rest in Thee

Author: James George Deck Meter: 6.6.8.6.8.8 Appears in 15 hymnals Topics: The Order of Salvation Faith and Justification
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The day fades into night

Meter: 6.6.8.6.8.8 Appears in 3 hymnals Lyrics: The day fades into night, The shadows lengthening fall, And see, the deepening purple light Throws on the hills its pall: Lord, be our Light when suns decline, And in our souls unclouded shine. Still is the eventide, Calm is the soft repose, When earthly toil is laid aside, And eyelids drooping, close; Lord, let Thy peace my soul possess, In everlasting restfulness. Night of my life draws near; Lord, when the light departs, Be all to me that Thou hast been To other trusting hearts, And in the calm that night bestows, Let me in peace with Thee repose. 39 The night gives place to morn, The gloom shall pass away, And an eternal day be born, Whose sun shall shine for aye; Lord, wake me when the morn is come, And let me find with Thee my home.

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BATH

Meter: 6.6.8.6.8.8 Appears in 7 hymnals Composer and/or Arranger: W. H. Cooke Tune Key: E Flat Major Incipit: 33324 33334 23333 Used With Text: Friend after friend departs

[Friend after friend departs] (Grimm)

Meter: 6.6.8.6.8.8 Appears in 1 hymnal Composer and/or Arranger: C. Hugo Grimm Tune Key: F Major Incipit: 32132 16245 55

XIN LAI

Meter: 6.6.8.6.8.8 Appears in 1 hymnal Composer and/or Arranger: Lim, Swee Hong Tune Key: F Major Incipit: 53322 11554 32533

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Published text-tune combinations (hymns) from specific hymnals
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A leaf tossed by the sea

Author: Joy F. Patterson Hymnal: New Hymns of Hope #4 Meter: 6.6.8.6.8.8 Lyrics: 1 A leaf tossed by the sea, my fragile ship of faith is rudderless, and holds no course, turns with each passing wave: as once you walked on Galilee, steady my boat and rescue me. 2 The prayers I try to make fall flightless back to me, imprisoned in the web of self which day by day I weave: as once you freed a madman's soul, break my soul's bonds and make me whole. 3 Christ, help my unbelief, make strong my fearful heart, relieve my need to have control, teach me to trust and wait: as once you died to set us free, come, give new birth, new life to me. Topics: Courage; Deliverance; Encouragement; Faith; Peace; Trust Languages: English Tune Title: XIN LAI
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When Jesus to the judgment hall

Author: John Brownlie Hymnal: Hymns from the Morningland #11 (1911) Meter: 6.6.8.6.8.8 Lyrics: I When Jesus to the judgment hall By cruel men was led, He wore a purple robe of scorn, And thorns upon His head;— They called Him King, and bowed the knee, And paid Him homage, mockingly. II “Away! let Him be crucified!” The impious shouts proclaim; And forth they led the Son of God To die a death of shame; And passing thence amid’ the crowd, Beneath a ponderous cross He bowed. III Behold Him nailed upon the cross And left alone to die, While from the awful scene of death His timid followers fly;— In agony He groaned and sighed, And faint, He bowed the head, and died. IV Ah, cruel death for Him to die, Ah, vilest death of shame,— Who, to redeem our guilty souls, From God, in pity came;— The glory of the Father’s throne He left, to make our souls His own. V O Jesus, to Thy cross I cling, For Thou, my Lord, art there, Who, in Thy love, True Man became, My load of sin to bear; And lo, I lift my eyes to heaven, For God in mercy hath forgiven. Languages: English
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The solemn feast was spent

Author: John Brownlie Hymnal: Hymns of the Russian Church #24 (1920) Meter: 6.6.8.6.8.8 Lyrics: The solemn feast was spent, And night had spread her pall, When Christ with His disciples went Beyond the city wall; And in the dark He led the way, Towards the lone Gethsemane. He took His chosen three, And bowed with grief He saith, "Abide ye here, and watch with me, I sorrow unto death"; Then, moving forward still a pace, He fell in prayer upon His face. Ah, ill their watch they keep, For soon their eyelids close, 25 And when their Lord returned, in sleep Those weary men repose; "Awake," He said, "make prayerful call, Lest ye before the tempter fall." Thrice did the Master pray, That God His Son would save; But heaven in silence turned away, And earth no comfort gave; And still the worn disciples slept While Christ alone the vigil kept. O soul of mine, awake! Cast off thy careless sleep; To God Thy prayer for succour make And earnest vigil keep; And learn, whate'er His will may be, To do that will is best for thee. Languages: English

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Swee-Hong Lim

b. 1963 Person Name: Lim Swee Hong Meter: 6.6.8.6.8.8 Composer of "XIN LAI" in New Hymns of Hope Dr. Swee Hong Lim is the Deer Park Assistant Professor of Sacred Music at Emmanuel College, and the Director of the Master of Sacred Music Program. He also serves as Director of the Chapel for the worship life of Emmanuel College. Before joining Emmanuel on July 1, 2012, Dr. Lim served as an Assistant Professor of Church Music at Baylor University. Prior to his work at Baylor, he served as a Lecturer of Worship, Liturgy, and Music at Trinity Theological College in Singapore. Swee Hong is widely utilized as a leader for global seminars and conferences dealing with sacred music. He currently serves as the Co-Moderator of the Worship Committee for the 10th General Assembly of the World Council of Churches for its meeting in Busan, South Korea (2013), and also served as a member of the Worship Planning Committee for the 2011 Ecumenical Peace Convocation sponsored by the World Council held in Jamaica. From 2008-2010, he chaired the Board of Worship and Music for the Trinity Annual Conference of the Methodist Church in Singapore. Swee Hong holds a PhD in Liturgical Studies from Drew University, where his dissertation won the Helen LePage and William Hale Chamberlain Prize for Outstanding Dissertation. He also holds a Master of Arts in Sacred Music from Perkins School of Theology. He completed his undergraduate work in Church Music at the Asian Institute for Liturgy and Music in the Philippines. Swee Hong is well-published in global music, with his monograph, Giving Voice to Asian Christians, especially known among global musicians. He is also a prolific composer of hymnody. By Swee Hong Lim, From: http://www.emmanuel.utoronto.ca/about/faculty/lim.htm, 24 June 2014.

Anonymous

Meter: 6.6.8.6.8.8 Author of "How Great Was Sodom's Sin" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

James Montgomery

1771 - 1854 Meter: 6.6.8.6.8.8 Author of "Friend after friend departs" in The Presbyterian Book of Praise James Montgomery (b. Irvine, Ayrshire, Scotland, 1771; d. Sheffield, Yorkshire, England, 1854), the son of Moravian parents who died on a West Indies mission field while he was in boarding school, Montgomery inherited a strong religious bent, a passion for missions, and an independent mind. He was editor of the Sheffield Iris (1796-1827), a newspaper that sometimes espoused radical causes. Montgomery was imprisoned briefly when he printed a song that celebrated the fall of the Bastille and again when he described a riot in Sheffield that reflected unfavorably on a military commander. He also protested against slavery, the lot of boy chimney sweeps, and lotteries. Associated with Christians of various persuasions, Montgomery supported missions and the British Bible Society. He published eleven volumes of poetry, mainly his own, and at least four hundred hymns. Some critics judge his hymn texts to be equal in quality to those of Isaac Watts and Charles Wesley . Many were published in Thomas Cotterill's Selection of Psalms and Hymns (1819 edition) and in Montgomery's own Songs of Zion (1822), Christian Psalmist (1825), and Original Hymns (1853). Bert Polman ======================== Montgomery, James, son of John Montgomery, a Moravian minister, was born at Irvine, Ayrshire, Nov. 4, 1771. In 1776 he removed with his parents to the Moravian Settlement at Gracehill, near Ballymena, county of Antrim. Two years after he was sent to the Fulneck Seminary, Yorkshire. He left Fulneck in 1787, and entered a retail shop at Mirfield, near Wakefield. Soon tiring of that he entered upon a similar situation at Wath, near Rotherham, only to find it quite as unsuitable to his taste as the former. A journey to London, with the hope of finding a publisher for his youthful poems ended in failure; and in 1792 he was glad to leave Wath for Shefield to join Mr. Gales, an auctioneer, bookseller, and printer of the Sheffield Register newspaper, as his assistant. In 1794 Mr. Gales left England to avoid a political prosecution. Montgomery took the Sheffield Register in hand, changed its name to The Sheffield Iris, and continued to edit it for thirty-one years. During the next two years he was imprisoned twice, first for reprinting therein a song in commemoration of "The Fall of the Bastille," and the second for giving an account of a riot in Sheffield. The editing of his paper, the composition and publication of his poems and hynms, the delivery of lectures on poetry in Sheffield and at the Royal Institution, London, and the earnest advocacy of Foreign Missions and the Bible Society in many parts of the country, gave great variety but very little of stirring incident to his life. In 1833 he received a Royal pension of £200 a year. He died in his sleep, at the Mount, Sheffield, April 30, 1854, and was honoured with a public funeral. A statue was erected to his memory in the Sheffield General Cemetery, and a stained glass window in the Parish Church. A Wesleyan chapel and a public hall are also named in his honour. Montgomery's principal poetical works, including those which he edited, were:— (1) Prison Amusements, 1797; (2) The Wanderer of Switzerland, 1806; (3) The West Indies, 1807; (4) The World before the Flood, 1813; (5) Greenland and Other Poems, 1819; (6) Songs of Zion, 1822; (7) The Christian Psalmist, 1825; (8) The Christian Poet, 1825; (9) The Pelican Island, 1828; (10) The Poet’s Portfolio, 1835; (11) Original Hymns for Public, Private, and Social Devotion, 1853. He also published minor pieces at various times, and four editions of his Poetical Works, the first in 1828, the second in 1836, the third in 1841, and the fourth in 1854. Most of these works contained original hymns. He also contributed largely to Collyer's Collection, 1812, and other hymnbooks published during the next 40 years, amongst which the most noticeable was Cotterill's Selections of 1819, in which more than 50 of his compositions appeared. In his Christian Psalmist, 1825, there are 100 of his hymns, and in his Original Hymns, 1853, 355 and 5 doxologies. His Songs of Zion, 1822, number 56. Deducting those which are repeated in the Original Hymns, there remain about 400 original compositions. Of Montgomery's 400 hymns (including his versions of the Psalms) more than 100 are still in common use. With the aid of Montgomery's MSS. we have given a detailed account of a large number. The rest are as follows:— i. Appeared in Collyer's Collection, 1812. 1. Jesus, our best beloved Friend. Personal Dedication to Christ. 2. When on Sinai's top I see. Sinai, Tabor, and Calvary. ii. Appeared in Cotterill's Selection, 1819. 3. Come to Calvary's holy mountain. The Open Fountain. 4. God in the high and holy place. God in Nature. The cento in Com. Praise, 1879, and others, "If God hath made this world so fair," is from this hymn. 5. Hear me, O Lord, in my distress. Ps. cxliii. 6. Heaven is a place of rest from sin. Preparation for Heaven. 7. I cried unto the Lord most just. Ps. cxlii. 8. Lord, let my prayer like incense rise. Ps. cxxxix. 9. O bless the Lord, my soul! His grace to thee proclaim. Ps. ciii. 10. Out of the depths of woe. Ps. cxxx. Sometimes "When from the depths of woe." 11. The world in condemnation lay. Redemption. 12. Where are the dead? In heaven or hell? The Living and the Dead. iii. Appeared in his Songs of Zion, 1822. 13. Give glory to God in the highest. Ps. xxix. 14. Glad was my heart to hear. Ps. cxxii. 15. God be merciful to me. Ps. lxix. 16. God is my strong salvation. Ps. xxvii. 17. Hasten, Lord, to my release. Ps. lxx. 18. Have mercy on me, O my God. Ps. li. 19. Hearken, Lord, to my complaints. Ps. xlii. 20. Heralds of creation cry. Ps. cxlviii. 21. How beautiful the sight. Ps. cxxxiii. 22. How precious are Thy thoughts of peace. Ps. cxxxix. 23. I love the Lord, He lent an ear. Ps. cxvi. 24. In time of tribulation. Ps. lxxvii. 25. Jehovah is great, and great be His praise. Ps. xlviii. Sometimes, "0 great is Jehovah, and great is His Name." 26. Judge me, O Lord, in righteousness. Ps. xliii. 27. Lift up your heads, ye gates, and wide. Ps.xxiv. 28. Lord, let me know mine [my] end. Ps. xxxi. 29. Of old, 0 God, Thine own right hand. Ps. lxxx. 30. O God, Thou art [my] the God alone. Ps. lxiii. 31. 0 Lord, our King, how excellent. Ps. viii. Sometimes, "0 Lord, how excellent is Thy name." 32. O my soul, with all thy powers. Ps. ciii. 33. One thing with all my soul's desire. Ps. xxvii. From this, "Grant me within Thy courts a place." 34. Searcher of hearts, to Thee are known. Ps. cxxxix. 35. Thank and praise Jehovah's name. Ps. cvii. 36. Thee will I praise, O Lord in light. Ps. cxxxviii. 37. The Lord is King; upon His throne. Ps. xciii. 38. The Lord is my Shepherd, no want shall I know. Ps. xxiii. 39. The tempter to my soul hath said. Ps. iii. 40. Thrice happy he who shuns the way. Ps. i. 41. Thy glory, Lord, the heavens declare. Ps. xix. 42. Thy law is perfect, Lord of light. Ps. xix. 43. Who make the Lord of hosts their tower. Ps. cxxv. 44. Yea, I will extol Thee. Ps. xxx. iv. Appeared in his Christian Psalmist. 1825. 45. Fall down, ye nations, and adore. Universal adoration of God desired. 46. Food, raiment, dwelling, health, and friends. The Family Altar. 47. Go where a foot hath never trod. Moses in the desert. Previously in the Leeds Congregational Collection, 1822. 48. Green pastures and clear streams. The Good Shepherd and His Flock. 49. Less than the least of all. Mercies acknowledged. 50. Not to the mount that burned with fire [flame]. Communion of Saints. 51. On the first Christian Sabbath eve. Easter Sunday Evening. 52. One prayer I have: all prayers in one. Resignation. 53. Our heavenly Father hear. The Lord's Prayer. 54. Return, my soul, unto thy rest. Rest in God. 55. Spirit of power and might, behold. The Spirit's renewing desired. 56. The Christian warrior, see him stand. The Christian Soldier. Sometimes, "Behold the Christian warrior stand." 57. The days and years of time are fled. Day of Judgment. 58. The glorious universe around. Unity. 59. The pure and peaceful mind. A Children's Prayer. 60. This is the day the Lord hath made (q. v.). Sunday. 61. Thy word, Almighty Lord. Close of Service. 62. What secret hand at morning light ? Morning. 63. While through this changing world we roam. Heaven. 64. Within these walls be peace. For Sunday Schools. v. Appeared in his Original Hymns, 1853. 65. Behold yon bright array. Opening a Place of Worship. 66. Behold the book whose leaves display. Holy Scriptures. 67. Come ye that fear the Lord. Confirmation. 68. Home, kindred, friends, and country, these. Farewell to a Missionary. 69. Let me go, the day is breaking. Jacob wrestling. 70. Not in Jerusalem alone. Consecration of a Church. 71. Praise the high and holy One. God the Creator. In common with most poets and hymnwriters, Montgomery strongly objected to any correction or rearrangement of his compositions. At the same time he did not hesitate to alter, rearrange, and amend the productions of others. The altered texts which appeared in Cotterill's Selections, 1819, and which in numerous instances are still retained in some of the best hymnbooks, as the "Rock of Ages," in its well-known form of three stanzas, and others of equal importance, were made principally by him for Cotterill's use. We have this confession under his own hand. As a poet, Montgomery stands well to the front; and as a writer of hymns he ranks in popularity with Wesley, Watts, Doddridge, Newton, and Cowper. His best hymns were written in his earlier years. In his old age he wrote much that was unworthy of his reputation. His finest lyrics are "Angels from the realms of glory," "Go to dark Gethsemane," "Hail to the Lord's Anointed," and "Songs of praise the angels sang." His "Prayer is the soul's sincere desire," is an expanded definition of prayer of great beauty; and his "Forever with the Lord" is full of lyric fire and deep feeling. The secrets of his power as a writer of hymns were manifold. His poetic genius was of a high order, higher than most who stand with him in the front rank of Christian poets. His ear for rhythm was exceedingly accurate and refined. His knowledge of Holy Scripture was most extensive. His religious views were broad and charitable. His devotional spirit was of the holiest type. With the faith of a strong man he united the beauty and simplicity of a child. Richly poetic without exuberance, dogmatic without uncharitableness, tender without sentimentality, elaborate without diffusiveness, richly musical without apparent effort, he has bequeathed to the Church of Christ wealth which could onlv have come from a true genius and a sanctified! heart. --John Julian, Dictionary of Hymnology (1907)
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