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Come, my soul, thou must be waking

Author: F. R. L. Canitz, 1654-1699; Henry J. Buckoll Meter: 8.4.7.8.4.7 Appears in 237 hymnals Lyrics: 1 Come, my soul, thou must be waking. Now is breaking O'er the earth another day: Come, to Him who made this splendor, See thou render All thy feeble strength can pay. 2 Gladly hail the sun returning, Ready burning Be the incense of thy powers; For the night is safely ended, God hath tended With His care thy helpless hours. 3 Pray that He may prosper ever Each endeavor, When thine aim is good and true; And that He may ever thwart thee, And convert thee, When thou evil wouldst pursue. 4 Think that He thy ways beholdeth; He unfoldeth Every fault that lurks within; He the hidden shame glossed over Can discover, And discern each deed of sin. 5 Mayest thou on life's last morrow, Free from sorrow, Pass away in slumber sweet; And, released from death's dark sadness, Rise in gladness That far brighter Sun to greet. 6 Only God's free gifts abuse not, Light refuse not, But His Spirit's voice obey; Thou with Him shalt dwell, beholding Light enfolding All things in unclouded day. Amen. Topics: Daily Prayer Morning Used With Tune: HAYDN

Wake, my soul, with all things living

Author: Madeleine Forell Marshall; Friedrich R. L. von Canitz, 1654-1699 Meter: 8.4.7.8.4.7 Appears in 1 hymnal

Dark'ning night the land doth cover

Author: Lancelot Andrewes (1555-1626); Robert Bridges (1844-1930) Meter: 8.4.7.8.4.7 Appears in 10 hymnals Used With Tune: PSALM 38 (LAS! EN TA FUREUR AIGUE) Text Sources: Preces Privatae ; Greek; Tr.: Yattendon Hymns (1899)

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Tunes

Tune authorities

MATINS

Meter: 8.4.7.8.4.7 Appears in 7 hymnals Composer and/or Arranger: Rev. J. S. B. Hodges Tune Key: E Major Incipit: 55543 21351 171 Used With Text: Come, my soul, thou must be waking

COLUMBIA COLLEGE

Meter: 8.4.7.8.4.7 Appears in 5 hymnals Composer and/or Arranger: George William Warren Tune Key: G Major Incipit: 11176 76512 35432 Used With Text: Come, my soul, thou must be waking

[Come, my soul, thou must be waking!]

Meter: 8.4.7.8.4.7 Appears in 1 hymnal Composer and/or Arranger: H. Hiles Tune Key: E Flat Major Incipit: 32134 61117 66543 Used With Text: Come, my soul, thou must be waking!

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Instances

Published text-tune combinations (hymns) from specific hymnals

Come, my soul, thou must be waking

Hymnal: Church Hymns with Tunes #2 (1874) Meter: 8.4.7.8.4.7 Languages: English

Come, my soul, thou must be waking

Author: F. R. L. Canitz, 1654-1699; Henry J. Buckoll Hymnal: The Hymnal #3a (1916) Meter: 8.4.7.8.4.7 Lyrics: 1 Come, my soul, thou must be waking. Now is breaking O'er the earth another day: Come, to Him who made this splendor, See thou render All thy feeble strength can pay. 2 Gladly hail the sun returning, Ready burning Be the incense of thy powers; For the night is safely ended, God hath tended With His care thy helpless hours. 3 Pray that He may prosper ever Each endeavor, When thine aim is good and true; And that He may ever thwart thee, And convert thee, When thou evil wouldst pursue. 4 Think that He thy ways beholdeth; He unfoldeth Every fault that lurks within; He the hidden shame glossed over Can discover, And discern each deed of sin. 5 Mayest thou on life's last morrow, Free from sorrow, Pass away in slumber sweet; And, released from death's dark sadness, Rise in gladness That far brighter Sun to greet. 6 Only God's free gifts abuse not, Light refuse not, But His Spirit's voice obey; Thou with Him shalt dwell, beholding Light enfolding All things in unclouded day. Amen. Topics: Daily Prayer Morning Languages: English Tune Title: HAYDN

Come, my soul, thou must be waking

Author: F. R. L. Canitz, 1654-1699; Henry J. Buckoll Hymnal: The Hymnal #3b (1916) Meter: 8.4.7.8.4.7 Lyrics: 1 Come, my soul, thou must be waking. Now is breaking O'er the earth another day: Come, to Him who made this splendor, See thou render All thy feeble strength can pay. 2 Gladly hail the sun returning, Ready burning Be the incense of thy powers; For the night is safely ended, God hath tended With His care thy helpless hours. 3 Pray that He may prosper ever Each endeavor, When thine aim is good and true; And that He may ever thwart thee, And convert thee, When thou evil wouldst pursue. 4 Think that He thy ways beholdeth; He unfoldeth Every fault that lurks within; He the hidden shame glossed over Can discover, And discern each deed of sin. 5 Mayest thou on life's last morrow, Free from sorrow, Pass away in slumber sweet; And, released from death's dark sadness, Rise in gladness That far brighter Sun to greet. 6 Only God's free gifts abuse not, Light refuse not, But His Spirit's voice obey; Thou with Him shalt dwell, beholding Light enfolding All things in unclouded day. Amen. Topics: Daily Prayer Morning Languages: English Tune Title: CARMAN

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People

Authors, composers, editors, etc.

Joseph Haydn

1732 - 1809 Person Name: Franz Joseph Haydn Meter: 8.4.7.8.4.7 Composer of "HAYDN" in Trinity Hymnal (Rev. ed.) Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman

John Stainer

1840 - 1901 Meter: 8.4.7.8.4.7 Composer of "MATINS" in The Hymnal

Johann Anastasius Freylinghausen

1670 - 1739 Person Name: Johann A. Freylinghausen Meter: 8.4.7.8.4.7 Composer of "RICHTER" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Freylinghausen, Johann Anastasius, son of Dietrich Freylinghausen, merchant and burgomaster at Gandersheim, Brunswick, was born at Gandersheim, Dec. 2, 1670. He entered the University of Jena at Easter, 1689. Attracted by the preaching of A. H. Francke and J. J. Breithaupt, he removed to Erfurt in 1691, and at Easter, 1692, followed them to Halle. About the end of 1693 he returned to Gandersheim, and employed himself as a private tutor. In 1695 he went to Glaucha as assistant to Francke; and when Francke became pastor of St. Ulrich's, in Halle,1715, Freylinghausen became his colleague, and in the same year married his only daughter. In 1723 he became also sub-director of the Paedagogium and the Orphanage; and after Francke's death in 1727, succeeded him as pastor of St. Ulrich's and director of the Francke Institutions. Under his fostering care these Institutions attained their highest development. From a stroke of paralysis in 1728, and a second in 1730, he recovered in great measure, but a third in 1737 crippled his right side, while the last, in Nov., 1738, left him almost helpless. He died on Feb. 12, 1739, and was buried beside Francke (Koch, vi. 322-334; Allgemine Deutsche Biographie, vii. 370-71; Bode, pp. 69-70; Grote's Introduction, &c.) Almost all Freylinghausen's hymns appeared in his own hymnbook, which was the standard collection of the Halle school, uniting the best productions of Pietism with a good representation of the older "classical" hymns. This work, which greatly influenced later collections, and was the source from which many editors drew not only the hymns of Pietism, but also the current forms of the earlier hymns (as well as the new "Halle" melodies, a number of which are ascribed to Freylinghausen himself) appeared in two parts, viz.:— i. Geistreiches Gesang-Buch, den Kern alter und neuer Lieder...in sich haltend &c, Halle. Gedrucktund verlegt im Waysen-Hause, 1704 [Hamburg], with 683 hymns and 173 melodies. To the second edition, 1705 [Rostock University], an Appendix was added with Hymns 684-758, and 21 melodies. Editions 3-18 are practically the same so far as the hymns are concerned, save that in ed. 11, 1719 [Berlin], and later issues, four hymns, written by J. J. Rambach at Freylinghausen's request, replaced four of those in eds. 1-10. ii. Neues Geistreiches Gesangbuch,&c, Halle . . . 1714 [Berlin], with 815 hymns and 154 melodies. In the 2nd edition, 1719 [Rostock University], Hymns 816-818, with one melody, were added. In 1741 these two parts were combined by G. A. Francke, seven hymns being added, all but one taken from the first edition, 1718, of the so-called Auszug, which was compiled for congregational use mainly from the original two parts: and this reached a second, and last, edition in 1771. So far as the melodies are concerned, the edition of 1771 is the most complete, containing some 600 to 1582 hymns. (Further details of these editions in the Blätter für Hymnologie, 1883, pp. 44-46, 106-109; 1885, pp. 13-14.) A little volume of notes on the hymns and hymnwriters of the 1771 edition, compiled by J. H. Grischow and completed by J. G. Kirchner, and occasionally referred to in these pages, appeared as Kurzgefasste Nachricht von ältern und ncuern Liederverfassern at Halle, 1771. As a hymnwriter Freylinghausen ranks not only as the best of the Pietistic school, but as the first among his contemporaries. His finest productions are distinguished by a sound and robust piety, warmth of feeling depth of Christian experience, scripturalness, clearness and variety of style, which gained for them wide acceptance, and have kept them still in popular use. A complete edition of his 44 hymns, with a biographical introduction by Ludwig Grote, appeared as his Geistliche Lieder, at Halle, 1855. A number of them, including No. v., are said to have been written during severe attacks of toothache. Two (“Auf, auf, weil der Tag erschienen"; "Der Tag ist hin") are noted under their own first lines. i. Hymns in English common use: -- i. Monarche aller Ding. God's Majesty. 1714, as above, No. 139, in 11 stanzas of 6 lines, repeated in Grote, 1855, p. 88, and as No. 38 in the Berlin Geistliche Lieder, ed. 1863. A fine hymn of Praise, on the majesty and love of God. Translated as:— Monarch of all, with lowly fear, by J. Wesley, in Hymns & Sacred Poems, 1739 (P. Works, 1868-1872, vol. i. p. 104), in 8 stanzas of 4 lines, from st. i., ii., v.-vii., ix.-xi. Repeated in full in the Moravian Hymnbook, 1754, pt. i., No. 456 (1886, No. 176); and in J. A. Latrobe's Collection, 1841. The following forms of this translation are also in common use:-- (1) To Thee, 0 Lord, with humble fear, being Wesley's st. i., iii.-v., vii., viii. altered as No. 156 in Dr. Martineau's Hymns for Christian Church & Home, 1840, and repeated in Miss Courtauld's Psalms, Hymns & Anthems, 1860, and in America in the Cheshire Association Unitarian Collection, 1844. (2) Thou, Lord, of all the parent art, Wesley's, st. iii.-v., vii. altered in the College Hymnal, N. Y., 1876. (3) Thou, Lord, art Light; Thy native ray, Wesley's st. iv., v., vii., in Hymns of the Spirit, 1864. ii. 0 reines Wesen, lautre Quelle. Penitence. Founded on Psalm li. 12, 1714, as above, No. 321, in 7 stanzas of 8 lines, repeated in Grote, 1855, p. 41, and in Bunsen's Versuch, 1833, No. 777 (ed. 1881, No. 435). The only translation in common use is:— Pure Essence: Spotless Fount of Light. A good and full translation by Miss Winkworth in the first series of her Lyra Germanica, 1855, p. 43, and in her Chorale Book for England, 1863, No. 113. iii. Wer ist wohl wie du. Names and offices of Christ. One of his noblest and most beautiful hymns, a mirror of his inner life, and one of the finest of the German "Jesus Hymns." 1704, as above, No. 66, in 14 st. of 6 l., repeated in Grote, 1855, p. 33, and is No. 96 in the Berlin Geistliche Lieder, ed. 1863. The translations in common use are: 1. 0 Jesu, source of calm repose, by J. Wesley, being a free translation of st. i., iii., v., viii., xiii. First published in his Psalms & Hymns, Charlestown, 1737 (Poetical Works, 1868-1872, vol. i. p. 161). Repeated in full as No. 462 in pt. i. of the Moravian Hymnbook, 1754. In the 1826 and later editions (1886, No. 233) it begins, "Jesus, Thou source." The original form was included as No. 49 in the Wesley Hymns & Spiritual Songs , 1753, and, as No. 343, in the Wesley Hymnbook, 1780 (1875, No. 353). Varying centos under the original first line are found in Mercer's Church Psalter & Hymn Book, 1855-1864; Kennedy , 1863; Irish Church Hymnal, 1869-1873; J. L. Porter's Collection, 1876, &c. It has also furnished the following centos:— (1) Messiah! Lord! rejoicing still, being Wesley's st. iv.-vi. altered in Dr. Martineau's Collection of Hymns for Christian Worship, 1840. (2) Lord over all, sent to fulfil, Wesley's st. iv., iii., v., vi. in the American Methodist Episcopal Hymnbook, 1849. 2. Who is like Thee, Who? a translation of st. i., ii., v., vii., x., xiii., as No. 687, in pt. i. of the Moravian Hymnbook, 1754. Translations of st. xi., xiv. were added in 1789, and the first line altered in 1801(1886, No. 234), to "Jesus, who with Thee." The translations of st. i., ii., x., xiv., from the 1801, altered and beginning, "Jesus, who can be," are included in America in the Dutch Reformed Hymns of the Church, 1869; Hymns & Songs of Praise, N. Y., 1874; and Richards's Collection, N.Y., 1881. 3. Who is there like Thee, a good translation of st. i., ii., viii., xiv., by J. S. Stallybrass, as No. 234 in Curwen's Sabbath Hymnbook, 1859, repeated in the Irish Church Hymnal, 1873, and in W. F. Stevenson's Hymns for Church & Home, 1873. 4. Who is, Jesus blest, a translation of stanzas i., ii., v., vi., xii., xiv., by M. Loy, in the Ohio Lutheran Hymnal, 1880. 5. Who, as Thou, makes blest, a good translation, omitting st. vii., ix., x., contributed by Dr. F. W Gotch to the Baptist Magazine, 1857. Repeated in the 1880 Supplement to the Baptist Psalms & Hymns, 1858. The translations not in common use are: — (1) "Whither shall we flee," by Miss Dunn, 1857, p. 55. (2) "Who has worth like Thine," in the U. P. Juvenile Miss. Magazine, 1857, p. 217. (3) "Thou art First and Best," by Miss Winkworth, 1869, p. 267. ii. Hymns translated into English but not in common use:— iv. Herr und Gott der Tag und Nächte. Evening. 1705, as above, No. 755, in 6 stanzas, Grote, p. 105. Translated by H. J. Buckoll, 1842, p. 106, beginning with stanza. ii. v. Mein Herz, gieb dioh rufrieden. Cross and Consolation. First in the Halle Stadt Gesangbuch, 1711, No. 503, in 11 stanzas; repeated 1714, No. 450, and in Grote, p. 71. Translated by Dr. G. Walker, 1860, p. 86. vi. 0 Lamm, das keine Sünde je beflecket. Passiontide. 1714, No. 85, in 19 stanzas, Grote, p. 14. Translated as, (1) "Lamb, for Thy boundless love I praises offer," of st. xii. as stanza i. of No. 1023 in the Supplement of 1808 to the Moravian Hymn Book, 1801 (1849, No. 121). (2) "O Lamb, whom never spot of sin defiled," in the British Magazine, June, 1838, p. 625. vii. 0 Lamm, das meine Sündenlast getragen. Easter Eve. 1714, No. 95, in 8 stanzas; Grote, p. 23. Translated as "Christ Jesus is that precious grain," a translation of st. v. by F. W. Foster, as No. 71 in the Moravian Hymnbook, 1789 (1886, No. 921). viii. Zu dir, Herr Jesu, komme ich. Penitence. Founded on St. Matthew xi. 28-30. 1714, as above, No. 306, in 4 stanzas; Grote, p. 39. Translated by Dr. H. Mills, 1845 (1856, p. 80). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

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Hymnals

Published hymn books and other collections

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 8.4.7.8.4.7

Small Church Music

Meter: 8.4.7.8.4.7 Editors: Friedrich von Canitz Description: History The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. About the Recordings All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Mobile App We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff. LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About