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Now is th' accepted time
Appears in 315 hymnals Scripture: 2 Corinthians 6:2 Used With Tune: PHŒBE
Now is th' accepted time
Why not Now?
Author: El Nathan Appears in 245 hymnals Scripture: 2 Corinthians 6:2 First Line: While we pray and while we plead Refrain First Line: Why not now Topics: Invitation Used With Tune: [While we pray and while we plead]
Why not Now?
Why not To-night?
Author: Rev. H. Bonar, D.D. Appears in 514 hymnals Scripture: 2 Corinthians 6:2 First Line: Oh! do not let the Word depart Refrain First Line: Why not tonight? Lyrics: 1 O do not let the Word depart,
And close thine eyes against the light;
Poor sinner, harden not your heart,
Thou wouldst be saved,
Why not tonight?
Refrain:
Why not tonight? why not tonight?
Thou wouldst be saved,
Why not tonight?
Why not tonight? why not tonight?
Thou wouldst be saved,
Why not tonight?
2 Tomorrow’s sun may never rise
To bless thy long deluded sight;
This is the time, O then be wise,
Thou wouldst be saved,
Why not tonight? [Refrain]
3 The world has nothing left to give;
It has no new, no pure delight;
Oh! try the life that Christians live!
Thou wouldst be saved,
Why not tonight? [Refrain]
4 Our blessed Lord refuses none
Who would to Him their souls unite;
Believe on Him, the work is done,
Thou wouldst be saved,
Why not tonight? [Refrain] Used With Tune: [Oh! do not let the Word depart]
Why not To-night?
[While we pray and while we plead]
Appears in 166 hymnals Composer and/or Arranger: C. C. Case Scripture: 2 Corinthians 6:2 Incipit: 51727 65365 42543 Used With Text: Why not Now?
[While we pray and while we plead]
[Oh, do not let the Word depart]
Meter: 8.8.8.5 with refrain Appears in 160 hymnals Composer and/or Arranger: J. Calvin Bushey Scripture: 2 Corinthians 6:2 Tune Key: F Major Incipit: 12333 32313 55532 Used With Text: Oh, Why Not To-night?
[Oh, do not let the Word depart]
Just As I Am
Author: Charlotte Elliott, 1789-1871 Hymnal: Worship and Rejoice #354 (2003) Meter: 8.8.8.8 Scripture: 2 Corinthians 6:2 First Line: Just as I am, without one plea Lyrics: 1 Just as I am, without one plea,
but that thy blood was shed for me,
and that thou bidd'st me come to thee,
O Lamb of God, I come! I come!
2 Just as I am, and waiting not
to rid my soul of one dark blot,
to thee whose blood can cleanse each spot,
O Lamb of God, I come! I come!
3 Just as I am, though tossed about
with many a conflict, many a doubt,
fightings and fears within, without,
O Lamb of God, I come! I come!
4 Just as I am, thou wilt receive,
wilt welcome, pardon, cleanse, relieve;
because thy promise I believe,
O Lamb of God, I come! I come! Topics: Invitation Languages: English Tune Title: WOODWORTH
Just As I Am
Just as I Am, without One Plea
Author: Charlotte Elliott; Tomás M. Westrup; Anon. Hymnal: Glory to God #442 (2013) Meter: 8.8.8.8 Scripture: 2 Corinthians 6:1-13 First Line: Just as I am, without one plea (Tal como soy de pecador) (큰-죄에빠-진날위해) Lyrics: ENGLISH:
1 Just as I am, without one plea
but that thy blood was shed for me,
and that thou biddest me come to thee,
O Lamb of God, I come; I come!
2 Just as I am, though tossed about
with many‿a conflict, many‿a doubt,
fightings and fears within, without,
O Lamb of God, I come; I come!
3 Just as I am, thou wilt receive,
wilt welcome, pardon, cleanse, relieve;
because thy promise I believe,
O Lamb of God, I come; I come!
4 Just as I am, thy love unknown
has broken every barrier down;
now to be thine, yea, thine alone,
O Lamb of God, I come; I come!
SPANISH:
1 Tal como soy de pecador,
sin más confianza que tu amor;
a tu llamada vengo ati,
¡Cordero de Dios, heme aquí! Topics: Atonement; Commitment; Forgiveness; Invitation; Repentance; Trusting in the Promises of God Languages: English; Korean; Spanish Tune Title: WOODWORTH
Just as I Am, without One Plea
Just As I Am, without One Plea
Author: Charlotte Elliott Hymnal: The Worshiping Church #445 (1990) Meter: 8.8.8.8 Scripture: 2 Corinthians 6:2 Lyrics: 1 Just as I am, without one plea
but that thy blood was shed for me,
and that thou bidd'st me come to thee,
O Lamb of God, I come! I come!
2 Just as I am, and waiting not
to rid my soul of one dark blot,
to thee whose blood can cleanse each spot,
O Lamb of God, I come! I come!
3 Just as I am, though tossed about
with many a conflict, many a doubt,
fightings and fears within, without,
O Lamb of God, I come! I come!
4 Just as I am, poor, wretched, blind,
sight, riches, healing of the mind,
yea, all I need in thee I find,
O Lamb of God, I come! I come!
5 Just as I am, thou wilt receive,
wilt welcome, pardon, cleanse, relieve;
because thy promise I believe,
O Lamb of God, I come! I come!
[Coda:]
O Lamb of God, I come.
Topics: Doubts; Fears; Inner Healing; Invitation To Salvation Languages: English Tune Title: WOODWORTH
Just As I Am, without One Plea
C. C. Case
1843 - 1918 Scripture: 2 Corinthians 6:2 Composer of "[While we pray and while we plead]" in Church Hymns and Gospel Songs Charles Clinton Case USA 1843-1918. Born in Linesville, PA, his family moved to Gustavus, OH, when he was four. His father was an accomplished violinist, but a neighbor gave him a small violin when he was nine, and he mastered it before he could read music. At age 16 he went to singing school (without parental consent), borrowing the money from a neighbor. C. A. Bentley, a prominent conductor, was his first vocal music instructor, and William Bradbury's “Jubilee” was the school textbook. For three winters in a row, he attended Bentley's singing school, working his father's farm in the summer. He married Annie Williams. In 1866 he studied music in Boston with B. F. Baker. He also studied under George Root, Horatio Palmer, Philip Bliss, George Webb, and others, hymnwriters in their own right. Soon after, Case began teaching music, and when James McGranahan moved two miles from his home, they became friends. Case wrote and edited a number of Gospel song books in his life. 6 works.
John Perry
C. C. Case
William B. Bradbury
1816 - 1868 Scripture: 2 Corinthians 6:2 Composer of "WOODWORTH" in The Worshiping Church William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
