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Jesus is Passing this Way
Author: Annie L. James Appears in 60 hymnals Scripture: Luke 19:4 First Line: Is there a heart that is waiting Topics: Invitation Used With Tune: [Is there a heart that is waiting]
Jesus is Passing this Way
Will You Come and Follow Me
Author: John L. Bell (1949-) Meter: 7.6.7.6.7.7.7.6 Appears in 42 hymnals Scripture: Luke 19:1-10 Topics: Call and Vocation; Discipleship Used With Tune: KELVINGROVE
Will You Come and Follow Me
Just as I am, without one plea
Author: Charlotte Elliott, 1789-1871 Meter: 8.8.8.6 Appears in 2,114 hymnals Scripture: Luke 19:1-10 Topics: Covenant, Commitment and Dedication; Conflict, Suffering and Doubt Used With Tune: SAFFRON WALDEN Text Sources: Adapt.: Jubilate Hymns, alt.
Just as I am, without one plea
[Is there a heart that is waiting]
Appears in 42 hymnals Composer and/or Arranger: W. H. Doane Scripture: Luke 19:4 Incipit: 32343 21511 11712 Used With Text: Jesus is Passing this Way
[Is there a heart that is waiting]
KELVINGROVE
Meter: 7.6.7.6.7.7.7.6 Appears in 43 hymnals Composer and/or Arranger: John L. Bell (1949-) Scripture: Luke 19:1-10 Tune Sources: Scottish trad. Tune Key: F Major Incipit: 12352 31765 62212 Used With Text: Will You Come and Follow Me
KELVINGROVE
[Zacchaeus was a wee little man]
Appears in 8 hymnals Composer and/or Arranger: N. R. Schaper Scripture: Luke 19:1-9 Tune Sources: Traditional Tune Key: F Major Incipit: 51175 11175 11122 Used With Text: Zacchaeus
[Zacchaeus was a wee little man]
Come, Thou Fount of Every Blessing
Author: Robert Robinson (1735-1790) Hymnal: Common Praise (1998) #354 (1998) Meter: 8.7.8.7 D Scripture: Luke 19:1-10 Lyrics: 1 Come, thou Fount of every blessing,
tune my heart to sing thy grace;
streams of mercy, never ceasing,
call for songs of loudest praise.
Teach me some melodious measure,
sung by flaming tongues above;
O the vast, the boundless treasure
of my God's unchanging love.
2 Here I make faith's affirmation:
thus far by thy help I've come,
and I hope, by thy good pleasure,
safely to arrive at home.
Jesus sought me when a stranger,
wandering from the fold of God;
he, to rescue me from danger,
interposed his precious blood.
3 O to grace how great a debtor
daily I'm constrained to be!
Let thy goodness, like a fetter,
bind my wandering heart to thee.
Prone to wander, Lord, I feel it,
prone to leave the God I love;
take my heart, O take and seal it,
seal it for thy courts above. Topics: Lent (season); Praise of God; Salvation/Redemption Languages: English Tune Title: NETTLETON
Come, Thou Fount of Every Blessing
Just as I am, without one plea
Author: Charlotte Elliott, 1789-1871 Hymnal: Singing the Faith #556a (2011) Meter: 8.8.8.6 Scripture: Luke 19:1-10 Topics: Covenant, Commitment and Dedication; Conflict, Suffering and Doubt Languages: English Tune Title: SAFFRON WALDEN
Just as I am, without one plea
Just as I am, without one plea
Author: Charlotte Elliott, 1789-1871 Hymnal: Singing the Faith #556b (2011) Meter: 8.8.8.6 Scripture: Luke 19:1-10 Topics: Covenant, Commitment and Dedication; Conflict, Suffering and Doubt Languages: English Tune Title: MISERICORDIA
Just as I am, without one plea
W. Howard Doane
1832 - 1915 Person Name: William H. Doane, 1832-1915 Scripture: Luke 19:3-4 Composer of "PASS ME NOT" in The Covenant Hymnal An industrialist and philanthropist, William H. Doane (b. Preston, CT, 1832; d. South Orange, NJ, 1915), was also a staunch supporter of evangelistic campaigns and a prolific writer of hymn tunes. He was head of a large woodworking machinery plant in Cincinnati and a civic leader in that city. He showed his devotion to the church by supporting the work of the evangelistic team of Dwight L. Moody and Ira D. Sankey and by endowing Moody Bible Institute in Chicago and Denison University in Granville, Ohio. An amateur composer, Doane wrote over twenty-two hundred hymn and gospel song tunes, and he edited over forty songbooks.
Bert Polman
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Doane, William Howard, p. 304, he was born Feb. 3, 1832. His first Sunday School hymn-book was Sabbath Gems published in 1861. He has composed about 1000 tunes, songs, anthems, &c. He has written but few hymns. Of these "No one knows but Jesus," "Precious Saviour, dearest Friend," and "Saviour, like a bird to Thee," are noted in Burrage's Baptist Hymn Writers. 1888, p. 557.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
===================
Doane, W. H. (William Howard), born in Preston, Connecticut, 1831, and educated for the musical profession by eminent American and German masters. He has had for years the superintendence of a large Baptist Sunday School in Cincinnati, Ohio, where he resides. Although not a hymnwriter, the wonderful success which has attended his musical setting of numerous American hymns, and the number of his musical editions of hymnbooks for Sunday Schools and evangelistic purposes, bring him within the sphere of hymnological literature. Amongst his collections we have:—
(1) Silver Spray, 1868; (2) Pure Gold, 1877; (3) Royal Diadem, 1873; (4) Welcome Tidings, 1877; (5) Brightest and Best, 1875; (6) Fountain of Song; (7) Songs of Devotion, 1870; (8) Temple Anthems, &c.
His most popular melodies include "Near the Cross," "Safe in the Arms of Jesus," "Pass me Not," "More Love to Thee," "Rescue the Perishing," "Tell me the Old, Old Story," &c.
- John Julian, Dictionary of Hymnology (1907)
W. Howard Doane
John L. Bell
b. 1949 Person Name: John L. Bell (1949-) Scripture: Luke 19:1-10 Author of "Will You Come and Follow Me" in Common Praise (1998) John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal:
"I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)]
That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications.
Emily Brink
John L. Bell
Annie L. James
Scripture: Luke 19:4 Author of "Jesus Is Passing This Way" in Crowning Day No. 5 See Crosby, Fanny, 1820-1915
Annie L. James
