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John Bacchus Dykes
1823 - 1876 Person Name: John B. Dykes Composer of "ST. BEES" in The Pilgrim Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
Richard Redhead
1820 - 1901 Composer of "REST (Redhead)" in The Pilgrim Hymnal Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894).
Bert Polman
Richard Redhead
Thomas Campion
1567 - 1620 Person Name: Thomas Campian Composer of "VIEW ME LORD" in Hymns of the Spirit for Use in the Free Churches of America Campion, Thomas, born c. 1567, d. 1619, and buried at St. Dunstan's in the West, London, March 1, 1619. He was a physician, poet, and musician, but his reputation rests mainly on his poetical works. These include various Masques performed before James I. and other noble personages. Of these some rare copies are in the British Museum. His Observations in the Art of English Pœsie, &c, was published in 1602, and his New Way of Making four parts in Counter-point, &c, 1620. Of his poems, five are given by Palgrave in his Treasury of Sacred Song, 1889. His connection with hymnody is very slight, and nothing by him is now in common use.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Thomas Campion
William Gaskell
1805 - 1884 Author of "Calmly, calmly lay him down" in The Pilgrim Hymnal Gaskell, William, M.A., son of Mr. William Gaskell, was born at Latchford (a suburb of Warrington, on the Cheshire side of the Mersey), 24 July, 1805. He was educated at Manchester New College and at the University of Glasgow, where he graduated M.A. in 1825. In 1828 he became co-pastor with the Rev. J. G. Robberds at Cross Street Unitarian Chapel, Manchester, a position he held until his death. Mr. Gaskell was a man of cultivated mind and considerable literary ability. His publications include Lectures on the Lancashire Dialect, 1853, a small volume of Temperance Rhymes, 1839, and various theological works. In 1832 he married Elizabeth Cleghorn Stevenson, who afterwards attained celebrity as the authoress of Mary Barton, and of other popular tales. He died June 11, 1884, and is buried at Knutsford. To the second edition, 1856, of the 1st Series of Lyra Germanica Mr. Gaskell contributed "A sure Stronghold our God is He," a translation of Luther's “ Ein' feste Burg" (q.v.), replacing a version by Miss Winkworth in the first edition. He also contributed 79 hymns to Beard's Unitarian Collection of Hymns for Public and Private Worship, 1837. [George Arthur Crawford, M.A.]
The following hymns by Gaskell still in common use are found chiefly in Unitarian hymnbooks, including Martineau's Hymns, &c, 1840, and Hymns of Praise and Prayer, 1873; Hedge & Huntington's Hymns for the Church of Christ, Boston, U.S.A., 1853; Longfellow & Johnson's Book of Hymns, Boston, 1848, and their Hymns of the Spirit, Boston, 1864; and the American Unitarian Association's Hymn [& Tune] Book, &c, Boston, 1868 :—
1. Dark, dark indeed the grave would be. Death and Burial.
2. Darkness o'er the world was brooding. The Dayspring.
3. Dark were the paths our Master trod. Sympathy with Christ.
4. Father, glory be to Thee. Doxology.
5. Forth went the heralds of the cross. Power of Faith.
6. How long, O Lord, his brother's blood? In time of War. From this "O hush, great God, the sounds of war," is taken.
7. I am free, I am free, I have broken away. The New Birth.
8. In vain we thus recall to mind. Holy Communion.
9. Mighty God, the first, the last. Infinite Knowledge.
10. No more, on earth no more. Death and Heaven.
11. Not in this simple rite alone. Holy Communion.
12. Not on this day, 0 God, alone. Sunday.
13. O God, the darkness roll away. Missions.
14. O God, to Thee our hearts would pay. Old Year.
15. 0 God, who knowest how frail we are. Seeking Strength.
16. 0 not to crush with abject fear. Christ's Work.
17. Our Father, through the coining year. The original begins, "Father, throughout the coming year."
18. Press on, press on, ye sons of light. Continuance in well-doing.
19. Sleep not, soldier of the cross. Faithfulness.
20. Thanks, thanks unto God! Who in mercy hath spoken. Gratitude for the Gospel.
21. Through all this life's eventful road. Walking with God.
22. To Thee, the Lord Almighty. Doxology.
23. Unto Thy temple, God of Love. Divine Worship.
24. We join to [crave] pray with wishes kind. Holy Matrimony.
25. We would leave, 0 God, to Thee. Original: "We would cast, 0 God, on Thee." Rest in God.
26. When arise the thoughts of sin. Looking to Jesus.
These hymns all appeared in Beard's Collection, 1837. In addition there are:—
27. Calmly, calmly lay him down.
28. 0 Father, [gladly] humbly we repose.
29. 0 hush, great God, the sounds of war. For Peace.
The dates of these hymns we have not been able to determine. No. 27 is in Hopps's Hymns for Public Worship, 1858 ; and Nos. 28 and 29 are in Hedge & Huntington's Hymns for the Church of Christ, 1853.
-- John Julian, Dictionary of Hymnology (1907)
William Gaskell
George M. Garrett
1834 - 1897 Person Name: George Mursell Garrett Composer of "FORGIVENESS (CONSECRATION)" in Services for Congregational Worship. The New Hymn and Tune Book Born: June 8, 1834, Winchester, Hampshire, England.
Died: April 9, 1897, Cambridge, England.
Buried: Cambridge Mill Road Cemetery, Cambridge, England
George M. Garrett
