My Starred Hymns
My FlexScores
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Person Results
Joseph Barnby
1838 - 1896 Person Name: Sir Joseph Barnby, 1838-1896 Composer of "ST. ANDREW" in Hymnal and Liturgies of the Moravian Church Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873).
Bert Polman
Joseph Barnby
Albert Midlane
1825 - 1909 Person Name: Albert Midlane, 1825-1909 Author of "How solemn are the words" in Hymnal and Liturgies of the Moravian Church Midlane, Albert, was born at Newport, Isle of Wight, Jan. 23, 1825, and was engaged in business in that town for many years. To his Sunday school teacher he ascribes the honour of prompting him to poetic efforts: and the same teacher did much to shape his early life. His first printed hymn, "Hark! in the presence of our God," was written in September, 1842, at Carisbrooke Castle, and printed in the Youth’s Magazine in November of the same year. Since then he has written over 300, and of these a large proportion are in common use. They appeared in magazines and small mission hymn-books, including:—
(1) The Youth's Magazine; (2) The British Messenger; (3) The London Messenger; (4) Trotter's Evangelical Hymn Book, 1860; (5) The Ambassador's Hymn Book, 1861; (6) Second edition of the same, 1868; (7)Hymn Book for Youth; (8) Good News for the Little Ones, 1860; (9) William Carter's Gospel Hymn Book, 1862; and several other works of a similar kind.
In addition to several small works in prose, Mr. Midlane has gathered his verse together from time to time and published it as:—
(1) Poetry addressed to Sabbath School Teachers, 1844; (2) Vecta Garland, 1850; (3) Leaves from Olivet, 1864; (4) Gospel Echoes, 1865; (5) Above the Bright Blue Sky, 1867; (6) Early Lispings, 1880.
Of the hymns contained in these works nearly 200 have been in common use from 1861 to 1887, the most popular being "There's a Friend for little children." The hymn-books, however, in which many of them are found are usually very small, are used in what are commonly known as Gospel Missions, and have gradually given way to other and more important collections. We therefore append only those hymns which are at the present time in use in official or quasi-official hymn-books, or such collections as have a wide circulation. Those hymns which are omitted from the following list may be found in the works given above, and especially in the Gospel Echoes. The bracketed dates below are those of the composition of the hymns.
i. Given in Trotter's Evangelical Hymn Book, 1860.
1. How sweet the cheering words. (Aug. 1860.) The Gospel.
2. Lord Jesus, save! (July 1860.) Lent.
ii. Given in The Ambassador's Hymn Book, 1861.
3. Angels rejoice o'er sinners saved. (Aug. 1860.) Joy in Heaven over Repenting Sinners.
4. Come to the royal feast. (Aug. 1860.) The Gospel Feast.
5. Father, bless the heavenly message. (Aug. 1860.) Divine blessing implored.
6. How vast, how full, how free. (Aug. 1860.) Divine Mercy.
7. I am not told to labour. (June 25, 1860.) Salvation by Faith.
8. Jesus died upon the tree. (Aug. 13, 1860.) Good Friday.
9. Lord, prepare the hearts of sinners. (Aug. 28, 1861.) Preparation of the heart.
10. Not all the gold of all the world. Peace through Jesus.
11. Now we'll render to the Saviour. (Sept. 1, 1861.) Praise for Salvation.
12. O what a gift the Father gave. (Aug. 22, 1860.) The Gift of The Son.
13. O what a Saviour is Jesus the Lord. (Aug. 29, 1861.) Jesus the Saviour.
14. Passing onward, quickly passing. (Sept. 10, 1861.) Prepared?
15. Salvation, Lord, is Thine. (Aug., 1860.) Salvation through Jesus.
16. Sinner, where is room for doubting? (Sept., 1861.) Expostulation.
17. Soft the voice of mercy sounded. Grace.
18. The perfect righteousness of God. (Sept. 21, 1861.) God our Righteousness.
19. There is a throne of grace. (Sept. 14, 1860.) The Throne of Grace.
20. We speak of the mercy of God. (Sept. 19, 1861.) Divine Mercy.
iii. Given in W. Carter's Gospel Hymn Book, 1863.
21. Can any say, I do believe ? (Aug., 1860.) Assurance in Christ.
22. If Jesus came to seek and save. (Oct., 1861.) Salvation in Jesus.
iv. Given in Leaves from Olivet, 1864.
23. See the blessed Saviour dying. (Oct. 5, 1860.) Good Friday.
24. Sweet the theme of Jesus' love. (April 22, 1862.) The Love of Jesus.
v. Given in Gospel Echoes, 1865.
25. Come and welcome to the Saviour. (June 8, 1862) Invitation.
26. God be gracious to a sinner. (May 21, 1861.) Lent.
27. God speaks from heaven; in love He speaks. (July, 1860.) Love and Mercy of God.
28. Hark! the cry, Behold He cometh. (June 8, 1862.) Advent.
29. He saves because He will. (April 20, 1862.) The "I Wills" of Jesus.
30. How solemn are the words. (Aug. 1, 1865.) The New Birth.
31. Himself He could not save. (Sept. 1861.) Good Friday.
32. I once was bound in Satan's chains. Pardon.
33. Jesus lived. He lived for sinners. (Jan. 4, 1862.) Easter.
34. Jesus never answered "Nay." (May 13, 1862.) Jesus always the same.
35. Jesus the blessed centre is. (June 8, 1862). Father glorified in the Son.
36. Jesus, the risen Saviour. (July 31, 1862.) Easter.
37. Jesus, the soul that trusts in Thee. (May 7, 1864.) Salvation through Jesus.
38. Look, poor sinner, look to Calvary. Good Friday.
39. Lord, when I think upon the love. (Oct. 1, 1860.) The Love of Jesus.
40. Peace with God ! How great a treasure (Oct. 18, 1861.) Peace.
41. Salvation! What a precious word. (Nov. 22, 1861.) Salvation.
42. Scripture says Where sin abounded. (March 3, 1862.) Abounding Grace.
43. Shall Jesus' love be spoken? (May 4, 1862.) Love of Jesus.
44. The Lamb was slain, the blood was brought. (Aug. 24,1862.) The Passover.
45. The silver trumpets sounding. (May 7, 1862.) The Year of Jubilee.
46. There is a rest for weary souls. (Dec. 4, 1863.) Rest. Peace in Jesus.
47. 'Tis the voice of mercy calls thee. (Nov. 5, 1861.) Mercy.
48. When the Saviour said "'Tis finished" (Oct. 1861.) Good Friday.
49. When God begins His gracious work. (Dec. 27, 1860.) God Unchangeable.
50. Who can praise the blessed God ? (Oct. 1861.) Praise for Salvation.
51. Why those fears, poor trembling sinner. Safety in Jesus.
vi. Given in the Ambassador's Hymn Book, 2nd ed., 1868.
52. Life from the dead, eternal life. (Oct. 11, 1867.) Work of the Holy Spirit.
53. Stern justice cries for blood. (March 2, 1867.) The Atonement.
vii. Various.
54. Apart from every worldly care. (June 1866.) Prayer Meetings. Written for Spurgeon's Our Own Hymn Book 1866.
55. Be not weary, toiling Christian. (Feb. 1857.) Encouragement. In the British Messenger, Sept. 1857.
56. Eighteen hundred years ago. (Aug. 1859.) Fulness of Time. In the London Messenger, April, 1861.
57. Father, for Thy promised blessing. (Feb. 20, 1860.) Outpouring of the Spirit desired. In The Revival, July, 1860.
58. God bless our Sunday School. Sunday School Anniversary. First printed in the Baptist Children's Magazine, July, 1844. It has passed into numerous collections for children, but usually st. ii. is omitted, thus reducing it to 3 st.
59. He comes! He comes! the Bridegroom comes. (Sept. 9, 1850.) Advent. In The Present Testimony, 1851.
60. Kept by the power of God. (May 6 ,1858.) Security in God. In the London Messenger, Sept., 1860.
61. Let the waves of blessing roll. (Jan. 6, 1868.) Missions. In the Enlarged London Hymn Book, 1873.
62. Lord, 'our waiting spirits bow. (June, 1866.) Prayer Meetings. Written for Spurgeon's Our Own Hymn Book 1866.
63. Love us freely, blessed Jesus. (July 2, 1858.) Lent. In the Churchman's Penny Magazine. Oct., 1858.
64. Never perish! words of mercy. Mercy in Christ. Printed in the monthly Girdle, June, 1857, and in the British Messenger, Aug. 1857, in 4 double st. In the collections it is reduced to the first two stanzas.
65. No separation, O my soul. (May 6, 1863.) Perseverance. In the British Herald, Aug., 1863.
66. Nought but the voice of God can speak. (Jan. 29, 1863.) All things are of God. In the 1873 Appendix to Snepp's Songs of Grace & Glory.
67. Now, O joy, my sins are pardoned. Pardon and Peace. (Nov. 9, 1860). Printed in the London Messenger, March, 1861, then in the Gospel Echoes, 1865; and then in several hymn-books. The original began, "Once I sang, but not in earnest." Usually st. ii., iii., of 8 l, are given as "Now, O joy, &c."
68. O art thou an heir of glory? (June 4, 1861.) Cautions. In Hymn Book for Youth, 1862.
69. O what a glorious truth is this. (Aug. 3, 1860.) Jesus Died. In the London Messenger, Sept., 1860.
70. Once it was mine, the cup of wrath. (Aug. 8, 1860.) Wrath and Pardon. In the London Messenger, Oct., 1861.
71. Onward, upward, heavenward. (Feb. 7, 1860.) Pressing Onward. In the London Messenger, March, 186l.
72. Perennial spring of pure delight. (March 17, 1864.) Jesus All in All. In the London Messenger, Jan., 1865.
73. Sheltered by the [Thy] sprinkled blood. (Sept. 23, 1863.) Safety in Jesus. In the London Messenger, Feb. 1864.
74. Showers of blessing, gracious promise. (April 19, 1862.) Missions. In the London Messenger, Aug., 1862, and Leaves from Olivet, 1864.
75. The Church of God, amazing, precious thought. (July 6, 1857.) The Church. In The Present Testimony, 1858, and Leaves from Olivet, 1864.
76. The whispers of Thy love divine. (May 3, 1868.) Love of God. In the Island Greeting, Oct., 1872.
77. Though billows round me roll. (April 2, 1853.) Trust. In Food for Christ's Flock, 1853.
78. 'Tis finished, cried the dying Lamb. (Feb. 21, 1850.) Good Friday. In the Baptist Children's Magazine, 1850).
79. Tis heaven where Jesus is. (Oct. 23, 1862.) Joy and Peace in Jesus. In the Enlarged London Hymn Book, 1873.
80. Together all things work for good. (Aug. 14, 1860.) All work for Good. In the Enlarged London Hymn Book, 1813.
81. Waiting for Jesus, and loving while waiting. (Jan. 9, 1872.) Second Advent desired. In the 1873 Appendix to Snepp's Songs of Grace & Glory.
82. Without a cloud between. (Mar. 18,1862.) Jesus, Face to Face. In the London Messenger, June, 1862.
83. Yet awhile; how sweet the thought. (Dec, 1864.) Second Advent desired. In theLondon Messenger, 1865.
The collections in which these hymns are mainly found are Spurgeon's Our Own Hymn Book, 1866; Snepp's Songs of Grace & Glory, 1872-3; Hurditch's Enlarged London Hymn Book, 1873, and smaller books for Evangelical mission work. Of Mr. Midlane's hymns as a whole, Miher's estimate that "His hymns are full of spiritual thought, careful in their wording, and often very pleasing without reaching the highest form of poetical excellence " (Singers and Songs, p. 572), is just. A marked feature of these hymns is the constant and happy use of Scripture phraseology.
--John Julian, Dictionary of Hymnology (1907)
========================
Midlane, A., p. 733, ii. Mr. Midlane published in 1901 The Bright Blue Sky Hymn Book, of 315 of his hymns, and the same year The Gospel Hall Hymn Book, for use in the Gospel Hall, Newport, I.W., with 218 additional, making 533 original compositions. A broad-sheet of seven special hymns for Jewish children, in connection with the Mildmay Mission to the Jews, was also issued in December, 1904. Other publications previously noticed give, with these, over 800 hymns to Mr. Midlane as his contribution to the hymnody of the Church.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Albert Midlane
Hans G. Nägeli
1773 - 1836 Person Name: Nageli Composer of "DENNIS" in Harvest Bells Nos. 1, 2 and 3 Johann G. Nageli (b. Wetzikon, near Zurich, Switzerland, 1773; d. Wetzikon, 1836) was an influential music educator who lectured throughout Germany and France. Influenced by Johann Pestalozzi, he published his theories of music education in Gangbildungslehre (1810), a book that made a strong impact on Lowell Mason. Nageli composed mainly" choral works, including settings of Goethe's poetry. He received his early instruction from his father, then in Zurich, where he concentrated on the music of. S. Bach. In Zurich, he also established a lending library and a publishing house, which published first editions of Beethoven’s piano sonatas and music by Bach, Handel, and Frescobaldi.
Bert Polman
Hans G. Nägeli
Anonymous
Person Name: Anon. Author of "How solemn are the words" in Gospel Hymns Nos. 1 to 6 In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Lowell Mason
1792 - 1872 Person Name: Lowell Mason, 1792-1872 Composer of "BOYLSTON" in The Christian Hymnary. Bks. 1-4 Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
Aaron Chapin
b. 1768 Person Name: A. Chapin Composer of "KENTUCKY" in The New Gospel Song Book
Aaron Chapin
James Montgomery
1771 - 1854 Person Name: Montgomery Author of "How Solemn Are the Words" in The New Wonderful Songs for Work and Worship James Montgomery (b. Irvine, Ayrshire, Scotland, 1771; d. Sheffield, Yorkshire, England, 1854), the son of Moravian parents who died on a West Indies mission field while he was in boarding school, Montgomery inherited a strong religious bent, a passion for missions, and an independent mind. He was editor of the Sheffield Iris (1796-1827), a newspaper that sometimes espoused radical causes. Montgomery was imprisoned briefly when he printed a song that celebrated the fall of the Bastille and again when he described a riot in Sheffield that reflected unfavorably on a military commander. He also protested against slavery, the lot of boy chimney sweeps, and lotteries. Associated with Christians of various persuasions, Montgomery supported missions and the British Bible Society. He published eleven volumes of poetry, mainly his own, and at least four hundred hymns. Some critics judge his hymn texts to be equal in quality to those of Isaac Watts and Charles Wesley . Many were published in Thomas Cotterill's Selection of Psalms and Hymns (1819 edition) and in Montgomery's own Songs of Zion (1822), Christian Psalmist (1825), and Original Hymns (1853).
Bert Polman
========================
Montgomery, James, son of John Montgomery, a Moravian minister, was born at Irvine, Ayrshire, Nov. 4, 1771. In 1776 he removed with his parents to the Moravian Settlement at Gracehill, near Ballymena, county of Antrim. Two years after he was sent to the Fulneck Seminary, Yorkshire. He left Fulneck in 1787, and entered a retail shop at Mirfield, near Wakefield. Soon tiring of that he entered upon a similar situation at Wath, near Rotherham, only to find it quite as unsuitable to his taste as the former. A journey to London, with the hope of finding a publisher for his youthful poems ended in failure; and in 1792 he was glad to leave Wath for Shefield to join Mr. Gales, an auctioneer, bookseller, and printer of the Sheffield Register newspaper, as his assistant. In 1794 Mr. Gales left England to avoid a political prosecution. Montgomery took the Sheffield Register in hand, changed its name to The Sheffield Iris, and continued to edit it for thirty-one years. During the next two years he was imprisoned twice, first for reprinting therein a song in commemoration of "The Fall of the Bastille," and the second for giving an account of a riot in Sheffield. The editing of his paper, the composition and publication of his poems and hynms, the delivery of lectures on poetry in Sheffield and at the Royal Institution, London, and the earnest advocacy of Foreign Missions and the Bible Society in many parts of the country, gave great variety but very little of stirring incident to his life. In 1833 he received a Royal pension of £200 a year. He died in his sleep, at the Mount, Sheffield, April 30, 1854, and was honoured with a public funeral. A statue was erected to his memory in the Sheffield General Cemetery, and a stained glass window in the Parish Church. A Wesleyan chapel and a public hall are also named in his honour. Montgomery's principal poetical works, including those which he edited, were:—
(1) Prison Amusements, 1797; (2) The Wanderer of Switzerland, 1806; (3) The West Indies, 1807; (4) The World before the Flood, 1813; (5) Greenland and Other Poems, 1819; (6) Songs of Zion, 1822; (7) The Christian Psalmist, 1825; (8) The Christian Poet, 1825; (9) The Pelican Island, 1828; (10) The Poet’s Portfolio, 1835; (11) Original Hymns for Public, Private, and Social Devotion, 1853. He also published minor pieces at various times, and four editions of his Poetical Works, the first in 1828, the second in 1836, the third in 1841, and the fourth in 1854. Most of these works contained original hymns. He also contributed largely to Collyer's Collection, 1812, and other hymnbooks published during the next 40 years, amongst which the most noticeable was Cotterill's Selections of 1819, in which more than 50 of his compositions appeared. In his Christian Psalmist, 1825, there are 100 of his hymns, and in his Original Hymns, 1853, 355 and 5 doxologies. His Songs of Zion, 1822, number 56. Deducting those which are repeated in the Original Hymns, there remain about 400 original compositions.
Of Montgomery's 400 hymns (including his versions of the Psalms) more than 100 are still in common use. With the aid of Montgomery's MSS. we have given a detailed account of a large number. The rest are as follows:—
i. Appeared in Collyer's Collection, 1812.
1. Jesus, our best beloved Friend. Personal Dedication to Christ.
2. When on Sinai's top I see. Sinai, Tabor, and Calvary.
ii. Appeared in Cotterill's Selection, 1819.
3. Come to Calvary's holy mountain. The Open Fountain.
4. God in the high and holy place. God in Nature. The cento in Com. Praise, 1879, and others, "If God hath made this world so fair," is from this hymn.
5. Hear me, O Lord, in my distress. Ps. cxliii.
6. Heaven is a place of rest from sin. Preparation for Heaven.
7. I cried unto the Lord most just. Ps. cxlii.
8. Lord, let my prayer like incense rise. Ps. cxxxix.
9. O bless the Lord, my soul! His grace to thee proclaim. Ps. ciii.
10. Out of the depths of woe. Ps. cxxx. Sometimes "When from the depths of woe."
11. The world in condemnation lay. Redemption.
12. Where are the dead? In heaven or hell? The Living and the Dead.
iii. Appeared in his Songs of Zion, 1822.
13. Give glory to God in the highest. Ps. xxix.
14. Glad was my heart to hear. Ps. cxxii.
15. God be merciful to me. Ps. lxix.
16. God is my strong salvation. Ps. xxvii.
17. Hasten, Lord, to my release. Ps. lxx.
18. Have mercy on me, O my God. Ps. li.
19. Hearken, Lord, to my complaints. Ps. xlii.
20. Heralds of creation cry. Ps. cxlviii.
21. How beautiful the sight. Ps. cxxxiii.
22. How precious are Thy thoughts of peace. Ps. cxxxix.
23. I love the Lord, He lent an ear. Ps. cxvi.
24. In time of tribulation. Ps. lxxvii.
25. Jehovah is great, and great be His praise. Ps. xlviii. Sometimes, "0 great is Jehovah, and great is His Name."
26. Judge me, O Lord, in righteousness. Ps. xliii.
27. Lift up your heads, ye gates, and wide. Ps.xxiv.
28. Lord, let me know mine [my] end. Ps. xxxi.
29. Of old, 0 God, Thine own right hand. Ps. lxxx.
30. O God, Thou art [my] the God alone. Ps. lxiii.
31. 0 Lord, our King, how excellent. Ps. viii. Sometimes, "0 Lord, how excellent is Thy name."
32. O my soul, with all thy powers. Ps. ciii.
33. One thing with all my soul's desire. Ps. xxvii. From this, "Grant me within Thy courts a place."
34. Searcher of hearts, to Thee are known. Ps. cxxxix.
35. Thank and praise Jehovah's name. Ps. cvii.
36. Thee will I praise, O Lord in light. Ps. cxxxviii.
37. The Lord is King; upon His throne. Ps. xciii.
38. The Lord is my Shepherd, no want shall I know. Ps. xxiii.
39. The tempter to my soul hath said. Ps. iii.
40. Thrice happy he who shuns the way. Ps. i.
41. Thy glory, Lord, the heavens declare. Ps. xix.
42. Thy law is perfect, Lord of light. Ps. xix.
43. Who make the Lord of hosts their tower. Ps. cxxv.
44. Yea, I will extol Thee. Ps. xxx.
iv. Appeared in his Christian Psalmist. 1825.
45. Fall down, ye nations, and adore. Universal adoration of God desired.
46. Food, raiment, dwelling, health, and friends. The Family Altar.
47. Go where a foot hath never trod. Moses in the desert. Previously in the Leeds Congregational Collection, 1822.
48. Green pastures and clear streams. The Good Shepherd and His Flock.
49. Less than the least of all. Mercies acknowledged.
50. Not to the mount that burned with fire [flame]. Communion of Saints.
51. On the first Christian Sabbath eve. Easter Sunday Evening.
52. One prayer I have: all prayers in one. Resignation.
53. Our heavenly Father hear. The Lord's Prayer.
54. Return, my soul, unto thy rest. Rest in God.
55. Spirit of power and might, behold. The Spirit's renewing desired.
56. The Christian warrior, see him stand. The Christian Soldier. Sometimes, "Behold the Christian warrior stand."
57. The days and years of time are fled. Day of Judgment.
58. The glorious universe around. Unity.
59. The pure and peaceful mind. A Children's Prayer.
60. This is the day the Lord hath made (q. v.). Sunday.
61. Thy word, Almighty Lord. Close of Service.
62. What secret hand at morning light ? Morning.
63. While through this changing world we roam. Heaven.
64. Within these walls be peace. For Sunday Schools.
v. Appeared in his Original Hymns, 1853.
65. Behold yon bright array. Opening a Place of Worship.
66. Behold the book whose leaves display. Holy Scriptures.
67. Come ye that fear the Lord. Confirmation.
68. Home, kindred, friends, and country, these. Farewell to a Missionary.
69. Let me go, the day is breaking. Jacob wrestling.
70. Not in Jerusalem alone. Consecration of a Church.
71. Praise the high and holy One. God the Creator.
In common with most poets and hymnwriters, Montgomery strongly objected to any correction or rearrangement of his compositions. At the same time he did not hesitate to alter, rearrange, and amend the productions of others. The altered texts which appeared in Cotterill's Selections, 1819, and which in numerous instances are still retained in some of the best hymnbooks, as the "Rock of Ages," in its well-known form of three stanzas, and others of equal importance, were made principally by him for Cotterill's use. We have this confession under his own hand.
As a poet, Montgomery stands well to the front; and as a writer of hymns he ranks in popularity with Wesley, Watts, Doddridge, Newton, and Cowper. His best hymns were written in his earlier years. In his old age he wrote much that was unworthy of his reputation. His finest lyrics are "Angels from the realms of glory," "Go to dark Gethsemane," "Hail to the Lord's Anointed," and "Songs of praise the angels sang." His "Prayer is the soul's sincere desire," is an expanded definition of prayer of great beauty; and his "Forever with the Lord" is full of lyric fire and deep feeling. The secrets of his power as a writer of hymns were manifold. His poetic genius was of a high order, higher than most who stand with him in the front rank of Christian poets. His ear for rhythm was exceedingly accurate and refined. His knowledge of Holy Scripture was most extensive. His religious views were broad and charitable. His devotional spirit was of the holiest type. With the faith of a strong man he united the beauty and simplicity of a child. Richly poetic without exuberance, dogmatic without uncharitableness, tender without sentimentality, elaborate without diffusiveness, richly musical without apparent effort, he has bequeathed to the Church of Christ wealth which could onlv have come from a true genius and a sanctified! heart.
--John Julian, Dictionary of Hymnology (1907)
James Montgomery
William Daman
1540 - 1591 Person Name: William Damon, 1540-1591 Composer of "SOUTHWELL" in Hymnal and Liturgies of the Moravian Church Aliases: Damon; Damano; Demaunde; Damond; Dymond
Born: ca.1540
Died: 1591
Damon was a foreign composer resident in England. He arrived probably in England in 1566 as a servant of Sir Thomas Sackville. In 1576 he became a recorder player at the Court of Elizabeth I.
He was described as having been born in "Luke" and "Lewklande" and, on the assumption that these names refer to Luik or Liège, it has been inferred that he was a Walloon. However contemporary London records describe him as an Italian and a later reference refers to him having been born in "Luke in Italy", i.e. Lucca. His unanglicised name may have been Gulielmo (or Gulielmus) Damano.
Daman died from the effects of an ulcer and was buried at St Peter-le-Poer, London, on 26 March 1591.
List of choral works:
Beati omnes qui timent Dominum
Confitebor tibi Domine
Miserere nostri Domine
Omnis caro gramen sit
Praedicabo laudes tuae Domine
Spem in alium
Publications:
The Psalmes of David in English Metre (1579)
The Former Booke of Musicke of M. William Damon (1591)
The Second Booke of Musicke of M. William Damon (1591)
--www3.cpdl.org/wiki/index.php/
William Daman
